Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Performance • Hamburger Faksimile-Streit • Postmodern dance • Collecting • Collective work • Copying • Italian art literature • Rubens • Details • Venice • Visual semiotics • Theory of art • Museum • Painting • Copy • Ovid’s Metamorphoses • Filippo Baldinucci • Photography • Programmed art • Farsetti, Daniele • Reconstruction • Farsetti Collection • Alexander Dorner • Portraits • Eighteenth century • Museum Studies • Fake • Gradenigo, Pietro • Aura • Ottoman Sultans • Paolo Giovio • Multiples • Copy/original • Re-enactment • Letters • ‘Second original’ • Score • Guardi, Antonio • Medici’s dynasty • Art copies • Copyright law • Punctum/studium • Originals/Copies • Muletti, Sebastiano • Seriality • Geometric dance • Contemporary dance • Ephemerality • Daniel Arasse • Original • Diana and Callisto • Originality • History of collecting • Race • Theory • Weimar Art Theory • Contemporary art • Dance • Open work • Titian • Paintings collecting

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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