Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Multiples • Contemporary dance • Dance • Geometric dance • Originality • Collecting • Museum Studies • Copying • Ephemerality • Letters • Portraits • Paintings collecting • Score • Titian • Eighteenth century • History of collecting • Seriality • Collective work • Open work • Farsetti, Daniele • Originals/Copies • Punctum/studium • Copyright law • Contemporary art • Art copies • Aura • Italian art literature • Visual semiotics • Muletti, Sebastiano • ‘Second original’ • Performance • Theory of art • Rubens • Hamburger Faksimile-Streit • Original • Postmodern dance • Ottoman Sultans • Theory • Medici’s dynasty • Re-enactment • Filippo Baldinucci • Gradenigo, Pietro • Daniel Arasse • Weimar Art Theory • Race • Photography • Alexander Dorner • Fake • Venice • Diana and Callisto • Museum • Guardi, Antonio • Farsetti Collection • Ovid’s Metamorphoses • Paolo Giovio • Programmed art • Details • Reconstruction • Painting • Copy/original • Copy

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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