La Spagna nelle prime Biennali veneziane del secondo dopoguerra

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DC Field	Value
dc.identifier	ECF_chapter_3462
dc.contributor.author	Viggiano Romina
dc.title	La Spagna nelle prime Biennali veneziane del secondo dopoguerra. La ricezione della stampa
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	This essay aims to analyse the Spanish Pavilion at Venice Biennale in the years from 1948 to 1956. Rosalía Torrent calls this chronological arc años de travesía: from 1948 precisely because within the Biennales under Francoism (1938-76) it marks the passage to the commissioner of Luis González Robles, who materializes and exports a ‘modern’ image of Spain that justifies on a political level the tacit acceptance of the regime among the Western powers in defence of the ‘red danger’. The period shows the weakness of liberal hopes and the exploitation of art by the dictatorship.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.relation.ispartof	Atlante delle Biennali
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-18
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-367-0/la-spagna-nelle-prime-biennali-veneziane-del-secon/
dc.identifier.doi	10.30687/978-88-6969-366-3/020
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-367-0
dc.identifier.eisbn	978-88-6969-366-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Pablo Picasso
dc.subject	Pablo Picasso
dc.subject	Spanish Pavillion
dc.subject	Spanish Pavillion
dc.subject	Venice Biennale
dc.subject	Venice Biennale

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La Spagna nelle prime Biennali veneziane del secondo dopoguerra

La ricezione della stampa

Romina Viggiano Universidad Complutense de Madrid, España

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abstract

This essay aims to analyse the Spanish Pavilion at Venice Biennale in the years from 1948 to 1956. Rosalía Torrent calls this chronological arc años de travesía: from 1948 precisely because within the Biennales under Francoism (1938-76) it marks the passage to the commissioner of Luis González Robles, who materializes and exports a ‘modern’ image of Spain that justifies on a political level the tacit acceptance of the regime among the Western powers in defence of the ‘red danger’. The period shows the weakness of liberal hopes and the exploitation of art by the dictatorship.

Published

Dec. 18, 2019

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ISBN (PRINT)

978-88-6969-367-0

ISBN (EBOOK)

978-88-6969-366-3

Keywords: Spanish Pavillion • Venice Biennale • Pablo Picasso

permalink: http://doi.org/10.30687/978-88-6969-366-3/020

Copyright: © 2019 Romina Viggiano. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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