Paulo maiora canamus
Collection of Studies for Paolo Mastandrea
open access | peer reviewed-
edited by
- Massimo Manca - University of Turin - email
- Martina Venuti - Ca' Foscari University of Venice - email
Abstract
This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».
Keywords Book of Daniel • Clinamen • Christian Afterlife • Roman Republic • Sidonius • Narratology • Propertius • Hexameter • Vergilian tradition • Classical literature • Hymnodic formulas • Latin philology • Intertextuality • Aeneid • Catullus • Florentine Renaissance • Auienus • Epistulae • Propertian intertextuality • Seneca • Phaedrus • Roman consulate • Variatio • Carmen 9 • Fortuna Catulli • Diomedes • Portraits • Late antiquity • Lucan • Fables • Animus • Roman aristocracy • Roman Empire • Religion • Sidonius Apollinaris • Latin historiography • Lucretius • Fortuna • Neo-Latin elegy • Experimentalism • Orality • Maximinus • Textual criticism • Ausonius • Book 3 • Epos • Inscriptions • Monologue • Claudian • Critical edition • Fortleben of Classics • Eratosthenes of Cyrene • Hymn • Scholar exercise • Pliny the Elder • Italian Reinassance • Misplacements • Carmina minora • Servius auctus • Neo-Latin poetry • FAIR principles • Late Latin literature • Nicolò d’Arco • Farewell from elegiac poetry • Republicanism • Manuscript tradition • Tacitus (Emperor) • Machiavelli • ‘Doge’ of Venice • Principate • Bucolics • Historia Augusta • Classical philology • 12 • Book circulation • Epigrammata Bobiensia • Bacchus • Digital Humanities • Griphus • Princeps • Latin poetry • Virgil • Tales • Venice Ducal palace • Visuality • am • Characters • Remigius of Reims • Corippus • Metamorphoses • Saturnalia • Cerberus • Symposius • Things • John Lydus • Macrobe • Sallust • Epic poetry • Tibullus • Philology • Ancient roman epic • Martial • Metellus • Declamationes • Peleus • Pupienus • Rusticitas • Formulas • Religious identity • Medea • Musisque Deoque • Aratus • Balbinus • Roman Senate • 3 • Alcimus Avitus • Cicero • Late Latin poetry • Conjectures • Book circulation • Open data • Catabasis • Christian literature • Objects • Examinatio • Ovid • Optatianus Porfyrius • De magistratibus • Style • Vergil • Latin Language • Zodiac dish • Laudatio puellae • Dramaturgy • Laocoon
Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language fr, it, en
Subseries Filologia e letteratura e-ISSN 2610-9352 ISSN 2610-8836
Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.