Paulo maiora canamus
Collection of Studies for Paolo Mastandrea
open access | peer reviewed-
edited by
- Massimo Manca - University of Turin - email
- Martina Venuti - Ca' Foscari University of Venice - email
Abstract
This miscellaneous volume in honour of Paolo Mastandrea includes contributions by colleagues and friends dealing with some of the main topics of his scientific interests: intertextuality, late Latin studies, philological problems, the legacy of Classics in Renaissance, digital humanities. The first section, «Literary History and Intertextuality», focuses on special patterns in Latin literature within a very wide chronological range, from Vergil to Optatianus. Specific attention is dedicated to elegy and to mythological characters in elegy and tragedy. The section named «Philological Notes» deals with critical problems within texts by Sallustius, Macrobius and Historia Augusta. The following section, «Late Latin studies», is dedicated to several authors and topics: Simphosius’ Aenigmata, Sidonius, Historia Augusta, Claudianus, Epigrammata Bobiensia, Johannes Lydus and literary topoi used in late Latin texts. The final one, «Classical Reception Studies», examines a few examples of the legacy of Latin authors in the Italian Renaissance. A history of the database Musisque Deoque, along with the future perspectives of this crucial project designed in 2005 by Paolo Mastandrea, are provided in a specific «Appendix».
Keywords Alcimus Avitus • Lucretius • Philology • Epic poetry • Florentine Renaissance • Style • Musisque Deoque • Pupienus • John Lydus • Dramaturgy • Conjectures • Fables • Inscriptions • Hymn • Experimentalism • Laudatio puellae • Remigius of Reims • Tales • Farewell from elegiac poetry • Aeneid • Classical philology • Classical literature • Book of Daniel • Things • Corippus • De magistratibus • Lucan • Religion • Virgil • Neo-Latin elegy • Phaedrus • Epistulae • Hymnodic formulas • Ancient roman epic • Bacchus • Late Latin poetry • Bucolics • Fortuna • Tibullus • Carmina minora • Fortuna Catulli • Ovid • Visuality • Roman Empire • 3 • Epos • Sidonius • Pliny the Elder • Catullus • Princeps • Carmen 9 • Optatianus Porfyrius • Latin historiography • Diomedes • Italian Reinassance • Machiavelli • Neo-Latin poetry • Eratosthenes of Cyrene • Roman Republic • Open data • Monologue • Principate • Venice Ducal palace • Rusticitas • Metamorphoses • Aratus • Latin Language • am • Symposius • Characters • Cicero • Propertius • 12 • Sallust • Republicanism • Ausonius • Latin poetry • Critical edition • Propertian intertextuality • Claudian • Objects • Roman Senate • Peleus • Martial • Christian Afterlife • Metellus • Animus • Zodiac dish • Misplacements • Book circulation • Roman aristocracy • Formulas • Christian literature • Textual criticism • Late antiquity • Orality • FAIR principles • Examinatio • Portraits • Seneca • Declamationes • Griphus • Digital Humanities • Historia Augusta • Auienus • Latin philology • Sidonius Apollinaris • Scholar exercise • Macrobe • Book circulation • Maximinus • Roman consulate • Vergilian tradition • Catabasis • ‘Doge’ of Venice • Nicolò d’Arco • Religious identity • Vergil • Hexameter • Clinamen • Late Latin literature • Narratology • Saturnalia • Manuscript tradition • Intertextuality • Epigrammata Bobiensia • Book 3 • Tacitus (Emperor) • Fortleben of Classics • Balbinus • Servius auctus • Cerberus • Laocoon • Variatio • Medea
Permalink http://doi.org/10.30687/978-88-6969-557-5 | e-ISBN 978-88-6969-557-5 | ISBN (PRINT) 978-88-6969-558-2 | Number of pages 424 | Dimensions 16x23cm | Published Dec. 14, 2021 | Language fr, en, it
Subseries Filologia e letteratura e-ISSN 2610-9352 ISSN 2610-8836
Copyright © 2021 Massimo Manca, Martina Venuti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.