Journal |
Rassegna iberistica
Journal issue | 45 | 118 | 2022
Keywords Procés d’escriptura • Stereotipi • Catalan culture • Bashô • Motivation • Cartoneras del siglo XXI • Buenos Aires • María Angélica Bosco • Gender • Quim Monzó • Second languages • Nobel Prize • Virtual learning • Italian silent cinema • Comunicación • Normalització • Poetry translation • Luisa Valenzuela • Syria Poletti • Rosa Montero • Fairy tale • Premi Nobel • Biografía • Polèmica literària • Colaboración • Coproducción cinematográfica • La mort i la primavera • Comunicación no verbal • Cine mudo • Silent cinema • Diary • Motivación • Tradução de Poesia • Twenty-first century women’s cartoneras • Narrativa femminile • Novel • Ciencia • Fiaba • Death in Spring • Frankfurt Book Fair • Haicai • Communication • Eloísa Cartonera • Women’s fiction • Historia del cine español • Didáctica virtual • Novela • Silvina Ocampo • Collaboration • Rol docente • Stereotypes • Fira del Llibre de Frankfurt • Jorge de Sena • History of Spanish cinema • Non-verbal communication • Interpretació hermenèutica • Cine mudo italiano • Distance learning • Writing process • Hermeneutic interpretation • Didáctica a distancia • Dimensión afectiva • Argentine crime literature • Literatura catalana • Pastiche • Distribución cinematográfica • Genere • Haiku • Mercè Rodoreda • Segundas lenguas • Biography • Catalan literature • Diario • Literary polemics • Film co-production • Science • Normalisation • Cultura catalana • Cinema distribution • Edicions pòstumes • Marie Curie • Interaction • Literatura criminal argentina • Posthumous editions • Affective dimension • Géneros poéticos • Interacción
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language ca, es, pt, it
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