Series |
Sources, Literatures, Arts & Landscapes of Europe
Edited book | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
Chapter | «Aratra Pentelici» di John Ruskin
«Aratra Pentelici» di John Ruskin
Insegnare l’arte greca dopo Winckelmann
- Myriam Pilutti Namer - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
This research paper offers a preliminary analysis of the volume by John Ruskin “Aratra Pentelici” (1872), which contains five of the six lectures on sculpture he gave at Oxford in 1870. The article begins with an investigation of the structure of the volume, focusing on Ruskin’s views on the arts and customs of the ancient Greeks. The essay continues with an attempt to enucleate the influence of Winckelmann’s thought on Ruskin and the spread of the work of the English art historian in German culture, with particular reference to the work of the intellectual Charlotte Broicher. The article concludes by outlining a future study perspective, never attempted before, on Ruskin, as an original interpreter of the art of ancient Greece.
open access
Published Dec. 15, 2020 | Language: it
Keywords Charlotte Broicher • Aratra Pentelici • Reception of Classical Antiquity • John Ruskin • Reception of Ancient Greek Art • Carl Justi • Queen of the Air • Johan Joachim Winckelmann
Copyright © 2020 Myriam Pilutti Namer. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND). The use, distribution or reproduction is permitted in unadapted form only and provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. You may not use the material for commercial purposes. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-487-5/006
- John Ruskin: un paysage moralisé per il nostro tempo
- Salvatore Settis
- Dec. 15, 2020
- Foreword
- Emma Sdegno
- Dec. 15, 2020
- Introduction
- Pierre-Henry Frangne
- Dec. 15, 2020
Ruskin: A European Aesthetic?
-
John Ruskin, un œil européen
La photographie, la peinture, l’écriture et l’énigme de la visibilité - Pierre-Henry Frangne
- Dec. 15, 2020
-
Osservazione e comprensione dal rudere al paesaggio
Unità morfologica e verità estetica negli scritti di John Ruskin - Emanuele Morezzi
- Dec. 15, 2020
-
«Aratra Pentelici» di John Ruskin
Insegnare l’arte greca dopo Winckelmann - Myriam Pilutti Namer
- Dec. 15, 2020
-
La corrispondenza epistolare come rete di conoscenza, dibattito e azione
Le riflessioni sulle arti e sulla tutela di Philip Webb, Giacomo Boni e John Ruskin - Andrea Paribeni, Silvia Pedone
- Dec. 15, 2020
- Ruskin’s Ontology of Architecture
- Pedro Marques de Abreu
- Dec. 15, 2020
- Amelia Sarah Levetus (1853-1938) e il John Ruskin Club di Vienna dalla sua fondazione fino alla Prima Guerra Mondiale
- Martina Frank
- Dec. 15, 2020
The Centres of Ruskin’s Europe
- Ce qui commence à Calais : l’Europe, terrain de jeu de Ruskin
- André Hélard
- Dec. 15, 2020
- Division, Juncture, System: Bridges and Bridge-Building in the Work of John Ruskin
- Paul Tucker
- Dec. 15, 2020
- John Ruskin and the Europe of Cathedrals
- Claude Reichler
- Dec. 15, 2020
-
Il mercato antiquariale nella Venezia di Ruskin
L’arte medievale in Germania - Michela Agazzi
- Dec. 15, 2020
- John Ruskin and His ‘Witch of Sicily’, Amy Yule
- Stephen Wildman
- Dec. 15, 2020
- Songlines: Ruskin and the Roads of Europe
- Howard Hull
- Dec. 15, 2020
Literary Intersections
- Ruskin, Dante e l’Europa romantica
- Giuseppe Sandrini
- Dec. 15, 2020
- The Stones of Venice: Lady Augusta Gregory and John Ruskin
- Eglantina Remport
- Dec. 15, 2020
-
From Ruskin’s Amiens to Proust’s Venice
Reflections on the Diapered Screen - Emily Eells
- Dec. 15, 2020
- Edited by Ruskin: Francesca Alexander’s Roadside Songs of Tuscany
- Emma Sdegno
- Dec. 15, 2020
- Ruskin’s Islamic Orient and the Formation of a European Ideal
- Mujadad Zaman
- Dec. 15, 2020
-
John Ruskin and Kenji Miyazawa
An Idea of Nomin-Geijutsu (Peasant Art) and its European Legacy - Yasuo Kawabata
- Dec. 15, 2020
Culture and Society in Europe According to Ruskin
-
Tra nostalgia preindustriale, ghildismo e rinascita nazionale
Il pensiero sociale di Ruskin nel dibattito culturale italiano - Laura Cerasi
- Dec. 15, 2020
-
Ruskin in Translation: Versions of Unto this Last in a Few Europeans Languages
Toward a Reception History of John Ruskin’s Social Thought - Jean-Yves Tizot
- Dec. 15, 2020
- The Apostle of Beauty: Some Turn-of-the-Century Perceptions of Ruskin in Central and Eastern Europe
- Stuart Eagles
- Dec. 15, 2020
Appendix
- Never-Land: Europe in 200-Years-Day-Dreaming Togetherness
- Kate Genever, Steve Pool
- Dec. 15, 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_5288 |
|
dc.contributor.author |
Pilutti Namer Myriam |
|
dc.title |
«Aratra Pentelici» di John Ruskin. Insegnare l’arte greca dopo Winckelmann |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
This research paper offers a preliminary analysis of the volume by John Ruskin “Aratra Pentelici” (1872), which contains five of the six lectures on sculpture he gave at Oxford in 1870. The article begins with an investigation of the structure of the volume, focusing on Ruskin’s views on the arts and customs of the ancient Greeks. The essay continues with an attempt to enucleate the influence of Winckelmann’s thought on Ruskin and the spread of the work of the English art historian in German culture, with particular reference to the work of the intellectual Charlotte Broicher. The article concludes by outlining a future study perspective, never attempted before, on Ruskin, as an original interpreter of the art of ancient Greece. |
|
dc.relation.ispartof |
Sources, Literatures, Arts & Landscapes of Europe |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-15 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-488-2/aratra-pentelici-di-john-ruskin/ |
|
dc.identifier.doi |
10.30687/978-88-6969-487-5/006 |
|
dc.identifier.issn |
2724-6620 |
|
dc.identifier.eissn |
2784-8507 |
|
dc.identifier.isbn |
978-88-6969-488-2 |
|
dc.identifier.eisbn |
978-88-6969-487-5 |
|
dc.rights |
Creative Commons 4.0 Attribution + Noncommercial + NoDerivatives |
|
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Aratra Pentelici |
|
dc.subject |
Aratra Pentelici |
|
dc.subject |
Carl Justi |
|
dc.subject |
Carl Justi |
|
dc.subject |
Charlotte Broicher |
|
dc.subject |
Charlotte Broicher |
|
dc.subject |
Johan Joachim Winckelmann |
|
dc.subject |
Johan Joachim Winckelmann |
|
dc.subject |
John Ruskin |
|
dc.subject |
John Ruskin |
|
dc.subject |
Queen of the Air |
|
dc.subject |
Queen of the Air |
|
dc.subject |
Reception of Ancient Greek Art |
|
dc.subject |
Reception of Ancient Greek Art |
|
dc.subject |
Reception of Classical Antiquity |
|
dc.subject |
Reception of Classical Antiquity |
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