Series |
Sources, Literatures, Arts & Landscapes of Europe
Edited book | John Ruskin’s Europe. A Collection of Cross-Cultural Essays
Chapter | Il mercato antiquariale nella Venezia di Ruskin
Il mercato antiquariale nella Venezia di Ruskin
L’arte medievale in Germania
- Michela Agazzi - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
Ruskin made his first trips to Venice when the city was under the Austrian domination, a long period which witnessed the dispersion of many Venetian medieval artworks. These items became of interest to a market which had to meet several requests, including high-standard commissions aimed at creating museums and evocative places. This is the case with the massive purchase by Frederick William of Prussia, in the 1840s, of some ancient medieval sculptures in Italy: among them we can find some Venetian masterpieces all bought from the same trader (Pajaro). Frederick William’s brother as well, Charles, bought several Venetian artworks to replicate a Venetian cloister in the Glienicke Palace. Finally, the Church of Peace in Potsdam is adorned with a mosaic bought in Murano, once part of the demolished Saint Cyprian Church.
open access
Published Dec. 15, 2020 | Language: it
Keywords Museums of Venice • Gustav von Waagen • State Museum Berlin • Venice • Potsdam Friedenskirche • Medieval Art • John Ruskin • Art Market • Klosterhof Glienicke • Francesco Pajaro
Copyright © 2020 Michela Agazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND). The use, distribution or reproduction is permitted in unadapted form only and provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. You may not use the material for commercial purposes. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-487-5/013
- John Ruskin: un paysage moralisé per il nostro tempo
- Salvatore Settis
- Dec. 15, 2020
- Foreword
- Emma Sdegno
- Dec. 15, 2020
- Introduction
- Pierre-Henry Frangne
- Dec. 15, 2020
Ruskin: A European Aesthetic?
-
John Ruskin, un œil européen
La photographie, la peinture, l’écriture et l’énigme de la visibilité - Pierre-Henry Frangne
- Dec. 15, 2020
-
Osservazione e comprensione dal rudere al paesaggio
Unità morfologica e verità estetica negli scritti di John Ruskin - Emanuele Morezzi
- Dec. 15, 2020
-
«Aratra Pentelici» di John Ruskin
Insegnare l’arte greca dopo Winckelmann - Myriam Pilutti Namer
- Dec. 15, 2020
-
La corrispondenza epistolare come rete di conoscenza, dibattito e azione
Le riflessioni sulle arti e sulla tutela di Philip Webb, Giacomo Boni e John Ruskin - Andrea Paribeni, Silvia Pedone
- Dec. 15, 2020
- Ruskin’s Ontology of Architecture
- Pedro Marques de Abreu
- Dec. 15, 2020
- Amelia Sarah Levetus (1853-1938) e il John Ruskin Club di Vienna dalla sua fondazione fino alla Prima Guerra Mondiale
- Martina Frank
- Dec. 15, 2020
The Centres of Ruskin’s Europe
- Ce qui commence à Calais : l’Europe, terrain de jeu de Ruskin
- André Hélard
- Dec. 15, 2020
- Division, Juncture, System: Bridges and Bridge-Building in the Work of John Ruskin
- Paul Tucker
- Dec. 15, 2020
- John Ruskin and the Europe of Cathedrals
- Claude Reichler
- Dec. 15, 2020
-
Il mercato antiquariale nella Venezia di Ruskin
L’arte medievale in Germania - Michela Agazzi
- Dec. 15, 2020
- John Ruskin and His ‘Witch of Sicily’, Amy Yule
- Stephen Wildman
- Dec. 15, 2020
- Songlines: Ruskin and the Roads of Europe
- Howard Hull
- Dec. 15, 2020
Literary Intersections
- Ruskin, Dante e l’Europa romantica
- Giuseppe Sandrini
- Dec. 15, 2020
- The Stones of Venice: Lady Augusta Gregory and John Ruskin
- Eglantina Remport
- Dec. 15, 2020
-
From Ruskin’s Amiens to Proust’s Venice
Reflections on the Diapered Screen - Emily Eells
- Dec. 15, 2020
- Edited by Ruskin: Francesca Alexander’s Roadside Songs of Tuscany
- Emma Sdegno
- Dec. 15, 2020
- Ruskin’s Islamic Orient and the Formation of a European Ideal
- Mujadad Zaman
- Dec. 15, 2020
-
John Ruskin and Kenji Miyazawa
An Idea of Nomin-Geijutsu (Peasant Art) and its European Legacy - Yasuo Kawabata
- Dec. 15, 2020
Culture and Society in Europe According to Ruskin
-
Tra nostalgia preindustriale, ghildismo e rinascita nazionale
Il pensiero sociale di Ruskin nel dibattito culturale italiano - Laura Cerasi
- Dec. 15, 2020
-
Ruskin in Translation: Versions of Unto this Last in a Few Europeans Languages
Toward a Reception History of John Ruskin’s Social Thought - Jean-Yves Tizot
- Dec. 15, 2020
- The Apostle of Beauty: Some Turn-of-the-Century Perceptions of Ruskin in Central and Eastern Europe
- Stuart Eagles
- Dec. 15, 2020
Appendix
- Never-Land: Europe in 200-Years-Day-Dreaming Togetherness
- Kate Genever, Steve Pool
- Dec. 15, 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_4852 |
|
dc.contributor.author |
Agazzi Michela |
|
dc.title |
Il mercato antiquariale nella Venezia di Ruskin. L’arte medievale in Germania |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
Ruskin made his first trips to Venice when the city was under the Austrian domination, a long period which witnessed the dispersion of many Venetian medieval artworks. These items became of interest to a market which had to meet several requests, including high-standard commissions aimed at creating museums and evocative places. This is the case with the massive purchase by Frederick William of Prussia, in the 1840s, of some ancient medieval sculptures in Italy: among them we can find some Venetian masterpieces all bought from the same trader (Pajaro). Frederick William’s brother as well, Charles, bought several Venetian artworks to replicate a Venetian cloister in the Glienicke Palace. Finally, the Church of Peace in Potsdam is adorned with a mosaic bought in Murano, once part of the demolished Saint Cyprian Church. |
|
dc.relation.ispartof |
Sources, Literatures, Arts & Landscapes of Europe |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-15 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-488-2/il-mercato-antiquariale-nella-venezia-di-ruskin/ |
|
dc.identifier.doi |
10.30687/978-88-6969-487-5/013 |
|
dc.identifier.issn |
2724-6620 |
|
dc.identifier.eissn |
2784-8507 |
|
dc.identifier.isbn |
978-88-6969-488-2 |
|
dc.identifier.eisbn |
978-88-6969-487-5 |
|
dc.rights |
Creative Commons 4.0 Attribution + Noncommercial + NoDerivatives |
|
dc.rights.uri |
http://creativecommons.org/licenses/by-nc-nd/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Art Market |
|
dc.subject |
Art Market |
|
dc.subject |
Francesco Pajaro |
|
dc.subject |
Francesco Pajaro |
|
dc.subject |
Gustav von Waagen |
|
dc.subject |
Gustav von Waagen |
|
dc.subject |
John Ruskin |
|
dc.subject |
John Ruskin |
|
dc.subject |
Klosterhof Glienicke |
|
dc.subject |
Klosterhof Glienicke |
|
dc.subject |
Medieval Art |
|
dc.subject |
Medieval Art |
|
dc.subject |
Museums of Venice |
|
dc.subject |
Museums of Venice |
|
dc.subject |
Potsdam Friedenskirche |
|
dc.subject |
Potsdam Friedenskirche |
|
dc.subject |
State Museum Berlin |
|
dc.subject |
State Museum Berlin |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
| Download data |