Le parole del teatro

Teatro e plurilinguismo

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open access | peer reviewed

Abstract

This volume explores multilingualism in theatre across different periods and literary traditions, with particular attention to Romance languages. The essays examine how linguistic plurality shapes dramatic writing, performance, identity, conflict and intercultural exchange, as well as the challenges it poses for translation. From early modern drama to contemporary theatre, the contributions analyse multilingual and heterolingual practices on the page as well as on stage, focusing on their dramaturgical functions and on strategies for translating linguistic variation across languages, cultures and performance contexts.

Keywords Theatrical translation • Infanticide • Onomastics • Contemporary theatre • Mayorga • Archival variants • Interculturality • Comedy • Katherine Mansfield • Stage translation • Translation • Translational genetic markers • Translation studies • French-Canadian theatre • Spanish Republican exile • Je m'appelle Non • Retranslation • Max Aub • Ruzante • Carmen Conde • Multilingualism • Historical memory • El traductor de Blumemberg • Liliane Atlan • Heterolingualism • Victor Català • Dramatic monologue • Paula Paz • Documentary theatre • Language anxiety • Orality • Plurilingualism • Theatre translation • Contemporary Spanish theatre • Theatre • Catalan literature • Dialects • El sillón K • Linguistic minorities

Permalink http://doi.org/10.30687/979-12-5742-108-3 | e-ISBN 979-12-5742-108-3 | Published Oct. 22, 2026 | Language it, fr, es