Le parole del teatro

Teatro e plurilinguismo

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open access | peer reviewed

Abstract

This volume explores multilingualism in theatre across different periods and literary traditions, with particular attention to Romance languages. The essays examine how linguistic plurality shapes dramatic writing, performance, identity, conflict and intercultural exchange, as well as the challenges it poses for translation. From early modern drama to contemporary theatre, the contributions analyse multilingual and heterolingual practices on the page as well as on stage, focusing on their dramaturgical functions and on strategies for translating linguistic variation across languages, cultures and performance contexts.

Keywords Ruzante • Theatre translation • Translation studies • Theatre • Paula Paz • Translation • Orality • Heterolingualism • Max Aub • Dramatic monologue • Multilingualism • Theatrical translation • Dialects • Archival variants • Onomastics • Mayorga • Language anxiety • Plurilingualism • El traductor de Blumemberg • Historical memory • Comedy • Infanticide • Interculturality • Katherine Mansfield • Catalan literature • Linguistic minorities • Stage translation • French-Canadian theatre • Retranslation • Spanish Republican exile • Contemporary theatre • Victor Català • Documentary theatre • Contemporary Spanish theatre • Carmen Conde • El sillón K • Translational genetic markers • Je m'appelle Non • Liliane Atlan

Permalink http://doi.org/10.30687/979-12-5742-108-3 | e-ISBN 979-12-5742-108-3 | Published Oct. 22, 2026 | Language it, fr, es