JoLMA The Journal for the Philosophy of Language, Mind and the Arts
open access | peer reviewed
Presentazione
The Journal for the Philosophy of Language, Mind and the Arts is an online, biannual, periodical journal, published by Edizioni Ca’ Foscari Digital Publishing.The Journal is the expression of an active research group based at the Department of Philosophy and Cultural Heritage of Ca’ Foscari University, in Venice (Italy). The same group of scholars previously founded a research centre called CLAVeS, which currently gathers the scientific activities (seminars, conferences, meetings, etc.) that its members hold in Venice. The research topics this Journal investigates stand between Philosophy of Language, Philosophy of Mind, Aesthetics, and Philosophy of Art. Hence, the Journal is intended to offer a chance to develop a thorough and interdisciplinary research (in terms of both interrelations and exchanges within the international scientific community. Furthermore, the Journal is set to provide the opportunity to discuss several theoretical issues, which lie at the core of contemporary philosophical and scientific debate. No particular school or theoretical orientation as well as attitude is excluded a priori. Indeed, contributors are asked to hold an open perspective without any dogmatism, as well as due rigour of argumentation and thematic choices, in order to abide by the richness and variety of theoretical approaches and visions. The Journal is recognised as a scientific journal for areas 10 (Ancient, philological-literary and historical-artistic sciences) and 11 (Historical, philosophical, pedagogical and psychological sciences) by the National Agency for the Evaluation of the University System and Research.
Permalink http://doi.org/10.30687/Jolma/ | e-ISSN 2723-9640 | Periodicità semestrale | Lingua de, en, fr, it
Copyright This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articoli in anteprima
- Home Language and Philosophers’ Language
- Prossimamente | Special issue
- The Grammar of the Ordinary
- Prossimamente | Special issue
- The Philosophical Investigations in Philosophy of Religion
- Prossimamente | Special issue
- Answering Sraffa on Religion: Wittgenstein Walking the Tightrope
- Prossimamente | Special issue
- “Following according to a rule is FUNDAMENTAL to our language-game”. Rules and Meaning in Wittgenstein
- Prossimamente | Special issue
- Frege and Wittgenstein’s Later Philosophy
- Prossimamente | Special issue
- The Bridge from Language to Mind: PI, §§240-256
- Prossimamente | Special issue
- Understanding Others, Conceptual Know-How and Social World
- Prossimamente | Special issue
- Wittgenstein’s Methodology of Gestalt Psychology
- Prossimamente | Special issue
- Caveat Lector: From Wittgenstein to The Philosophy of Reading
- Prossimamente | Special issue
- Wittgenstein, Contexts, and Artificial Intelligence
- Prossimamente | Special issue
Ultimo fascicolo pubblicato
- 5 | 1 | 2024
- The Art of Mapping Between Land and Mind
- 26 Luglio 2024
In the creation of maps, scientific knowledge related to mathematics and physics combines with knowledge specific to graphic or artistic disciplines. Since all maps are artifacts whose aesthetic qualities convey information that simultaneously engages the fields of ontology, epistemology, and politics, they are objects of undeniable interest for philosophical inquiry. Following what has been termed “the cartographic turn in social sciences”, The Art of Mapping Between Land and Mind delves into two intertwining issues. On one side, it examines how the aesthetic properties of maps convey cognitive, cultural, and political meanings. On the other, it explores the role of visual arts in reflecting on cartographic thought, shaping both its methods and motivations. The volume is divided into four sections. Embracing the point of view of both the philosopher and the geographer, the first one sheds light on the relationship between epistemology and cartography (Kukla; Costantini; Tanney). The second addresses mapmaking as an art form (Tanca; Haugdal) or, conversely, considers maps from the perspective of their aesthetic properties (Török; Ogundiwin; Elhaik). The third focuses on the digital condition of today’s cartography (Tschochohei; Quaranta; Keller). Finally, the last section includes two contributions that represent attempts to guide cartography toward its future (Bosca; Ianniello). Opening this issue, a special essay by Elizabeth Povinelli offers a generous précis of her upcoming book.
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- 4 | 2 | 2023
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ANVUR
- classe Area 11
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