Series | Ca’ Foscari Japanese Studies
Volume 21 | Edited book | The Aesthetics of Emptiness
The Aesthetics of Emptiness
Voids, Fullness, Sounds, Silences, Presences, Absences
open access | peer reviewed-
edited by
- Silvia Rivadossi - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Cecilia Franchini - Conservatorio di Musica Benedetto Marcello, Venezia - email
- Bonaventura Ruperti - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
This volume follows the International Festival Japan Contemporary Arts in Venice The Aesthetics of Emptiness, organised between 21 and 24 February 2022 by Benedetto Marcello Music Conservatory in Venice, the Department of Asian and North African Studies of Ca’ Foscari University of Venice, and Venice Academy of Fine Arts (institutions united in the Study in Venice project), with the generous support of the Japan Foundation. During the Festival, musical performances, concerts, workshops, meetings with Japanese artists, and conferences led participants to immerse themselves in Japanese arts and culture. The structure of the volume is designed to allow the reader to relive these experiences, also through multimedia content, and to explore some of the themes that emerged. The first section is dedicated to the events curated by Benedetto Marcello Music Conservatory and Venice Academy of Fine Arts, while the second brings together some of the contributions presented during the conference organised by the Department of Asian and North African Studies. The various essays revolve around the themes of sound, silence, emptiness, fullness, presence, and absence, and are dedicated to the memory of Bonaventura Ruperti.
Keywords Toshio Hosokawa • Youth • Aesthetic of Emptiness • Akutagawa Ryūnosuke • Japanese literature • Music composition and childhood memory • Synaesthesia • Aesthetics • Suzuki Daisetsu • Oguri Kōhei • Lettera alla madre • Ma • AKA Serial Killer • Soundtrack • Japan aesthetics • Japanese music • Silence and sound • Japanese film music • Noh music • Japanese modernism • Zeami Motokiyo • Japanese cinema • Fūkeiron • Documentary • Calligraphy-painting • Cinema • Emptiness • Lost decades • Governmentality • Hagiwara Sakutarō • Shō • Hosokawa • Zen • Medieval Japan • Auto-orientalismo • Edogawa Ranpo • Japanese mouth organ • Adachi Masao • Greek lullaby Κοιμήσου καί παρήγγειλα • Calligraphy • Bushi • Mori Mariko • Buddhism • Japanese ink painting (sumie) • Etude III • Film genres • Japanese art • Architecture and emptiness • Tanizaki Jun’ichirō • Estetica del vuoto • Noh theater
Permalink http://doi.org/10.30687/978-88-6969-701-2 | e-ISBN 978-88-6969-701-2 | ISBN (PRINT) 978-88-6969-702-9 | Number of pages 200 | Published April 21, 2023 | Language en, it
Copyright © 2023 Silvia Rivadossi, Cecilia Franchini, Bonaventura Ruperti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
