Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    edited by
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Site specific performanceRuth Bader GinsburgSite-specific designSite-specific performanceHistoryMercyOtto TaubmannHumanitiesLighting designCompagnia de’ ColombariDirecting ShakespeareGratianoHolocaustAdapting ShakespeareMusicJosef BReynaldo HahnThe quality of mercyAdrian BeechamFictionJewsMemoryOperaTranslationNarrativizationGhettoAldo FinziCiro PinsutiLancelot GobboPerforming ShakespeareChildren’s literatureShylockLorenzoPortiaMock Trial: Shylock vFRehearsalMario Castelnuovo-TedescoChildren reading ShakespeareDesigning ShakespeareJessicaKarin CoonrodVeniceThe Merchant in the GhettoAntisemitismSite-specific ShakespeareLaurence OlivierShakespeare’s comedies of loveMusic designBassanioAntonioActors on ShakespeareChromaticismAestheticismCostume designHeritageCharles and Mary LambLewis CarrollAdaptationGeorge Braque and ShakespeareShakespeare’s trial scenesMurray AbrahamThe Merchant of Venice in the GhettoMock Appeal: Shylock vThe Merchant of VeniceTheatre designFoerster

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en