Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    edited by
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords Mario Castelnuovo-TedescoThe Merchant of Venice in the GhettoShylockGeorge Braque and ShakespeareReynaldo HahnFictionLaurence OlivierRehearsalHistoryHolocaustLighting designAestheticismAdapting ShakespeareHumanitiesTheatre designAntisemitismGratianoAntonioSite-specific performanceThe Merchant of VeniceOperaMercyAldo FinziCostume designMock Appeal: Shylock vDirecting ShakespeareBassanioGhettoMusic designSite-specific ShakespeareThe quality of mercyJessicaMusicFoersterCiro PinsutiShakespeare’s trial scenesFLewis CarrollAdaptationJewsChildren reading ShakespeareMurray AbrahamRuth Bader GinsburgChromaticismJosef BCharles and Mary LambThe Merchant in the GhettoOtto TaubmannSite specific performanceVeniceLancelot GobboPortiaTranslationHeritageAdrian BeechamPerforming ShakespeareSite-specific designLorenzoDesigning ShakespeareCompagnia de’ ColombariMemoryMock Trial: Shylock vNarrativizationKarin CoonrodShakespeare’s comedies of loveChildren’s literatureActors on Shakespeare

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en