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Biblioteca di Rassegna iberistica
Volume 5 | Miscellanea | Serenísima palabra
Serenísima palabra
Actas del X Congreso de la Asociación Internacional Siglo de Oro (Venecia, 14-18 de julio de 2014)
open access | peer reviewed-
a cura di
- Anna Bognolo - Università degli Studi Verona, Italia - email
- Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
- María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Donatella Pini - Università degli Studi di Padova, Italia - email
- Andrea Zinato - Università degli Studi di Verona, Italia - email
Abstract
Del 14 al 18 de julio de 2014 se dieron cita en Venecia más de doscientos estudiosos venidos de veintiún países, pertenecientes a ciento veintiséis universidades, centros e instituciones para celebrar el X Congreso Internacional de la Asociación Siglo de Oro, cuando la AISO cumplía 25 años. Estas páginas reflejan buena parte de lo escuchado allí, habiendo pasado un proceso de revisión por pares las comunicaciones recibidas para su publicación. El contenido se ha articulado en tres sesiones, recogiéndose en la primera de ellas las cinco conferencias plenarias, en la segunda el «Recuerdo emocionado de Isaías Lerner en el 25 aniversario de la AISO», y en la tercera las comunicaciones. Estas se han distribuido a su vez en cinco apartados («Poesía», «Teatro», «Prosa», «Lengua y traducción», y «Varia») que muestran el carácter multidisciplinar del encuentro, pues varios son los aspectos de la cultura e historia del mundo hispánico de los siglos XVI y XVII tratados en ellas, así como de su fortuna en la contemporaneidad.
Keywords Conquest of Peru • Insane asylums • History of typography • Melchor Díaz de Toledo • Komenský • Grotesque body • Literature • Girolamo Gigli • Córdoba • Philosophical method • Promujer • Poetry • Empire • Butterfly • Mythification • Golden Age • Cristóbal de Morales • Baroque • Labyrinth • Illustrated edition • Politics • Tragic play • Cut flower • Literary censorship • Lope • Roberto el diablo • Nadie fíe su secreto • Preacher • Intertextuality • Empresas políticas • Novelle • Twentieth century • Interpretation • Antonio de Zamora • Álvar Núñez Cabeza de Vaca • Figurón comedy • Public-Private relation • Philology • Style • Sermon • Proverbs • Critical edition • San Juan de la Cruz • Pynchon • Council of Castile • Analysis • 17th century • Cándido María Trigueros • Gypsies • Jerónimo Corte-Real • Hernán Núñez • Translator • Autobiography • Epic and Drama • Paremiology • Spanish Court Poetry • Cervantes • Dramatic formula • Metre • Italian humanist short prose • Jáuregui • Aminta • Robbery • José de la Concha • Luís de Camões • Preaching • Anagilda • Reception theory • Granada • La Zucca del Doni en spañol • Rimas • Oliveros de Castilla • Experience • Prior censorship • Graphical changes • Quotations • Literary sources • El maestro de danzar • Theater • Translation • Lope de Vega • Dalila • Orthography • Tesoro de la Lengua Castellana • Venitian printing • Rhetoric • Baroque poetry • Quixote • Don Quixote • Priest • Olivieri di Castiglia • Enchantment of Dulcinea • Sociology • Popular culture • Booklets • Espada sagrada • Correction to editio princeps • Lope sources • Trees • Censors • Rewriting • Fraud • Kundera • Repentance • Spanish Golden Age theatre • Catalogue • Authorship • Slang • La Maya • Refranes • Comedia nueva • interludes • Santa Teresa • Margaret Theresa of Spain • Notes in scholarly editions • Parody • Golden Age Poetry • Barbers • Mercadante • Spanish Golden Age, History of Linguistics • Affect • Italian translation • Renaissance books • Anacreontics • Adventure books • Spanish Golden Age entremeses • Tree • Festive relation • Authors • Unstable • Libretto • Love • Images • Bibliography • Topos • Carlo Goldoni • Gongorism • Theatre • Rojas Zorrilla • Collaboration • Epic poetry • Letters • resemantization • Góngora • Satire • Anthroponomy • Eulogy • Moreto • Luis Gálvez de Montalvo • Spanish Golden Age Theatre • Notes • Calderón • Bible • Textual bibliography • Expression • Giacomo Franco • Decameron • Poetics • Translators • Tametsi decree • Poetry about music • Francisco de Quevedo • Exemplary Novels • Seven love letters • String literature • Seville • Modernity • Religious Poetry • El piadoso veneciano • Painting • Dedications • Portuguese poetry • Rosete Niño • Barahona de Soto • La noche de San Juan • Women writers • 17th Century • Comedy of magic • Spanish Poetry • Female reader • Las dos doncellas • Sonnet • Spain • Mystical symbols • Baroque theater • Phonetics • Sociability • Music • Corruption • Timanthes • Stylistic development • Witticism • Juan de Mariana • Anti-aulic satire • Copper coin • Carlo Gozzi • Diccionario de Autoridades • Lady of Copacabana • Baroque comedy • Open access • Farsalia • Perfecto predicador • Critical editions of literary Works • Fear • Literary Forgery • Asceticism • Saavedra Fajardo • El bautismo del príncipe de Marruecos • Versification • Shame • History of book • Nuns • The Book of Judges • Golden Age minor theater • Spiritual poetry • Mysticism • Descartes • Order of the Golden Fleece • Uruguay • Republic of Letters • Quevedo • Orthographiy • Financial crisis • Italophile • Explicitation • Lovers • Chivalric romance • Quijote • Bernardo de Sandoval y Rojas • Atonement • Marginalization • Literary styles • Spanish Golden Age • Comedias de pícaros • Juan Bautista Pederzano • Castillo Solórzano • CABIGO • Translation Studies • Philip IV • José de Arroyo • Honour • King Sebastian • Sacrament of penance • Mendeley • Madrid • Love poetry • Early Music • Fernández de Lizardi • Facetia • Italy • Affinities • Dynamism • Court • Controversy • Edition • Attributed authorship • Spanish Novel • Ineffable language • Fine taste • Luigi Groto • Hernando de Acuña • Caballero de Illescas • Segmentation • Enríquez de Cabrera • José Saramago • Justice • Novelas ejemplares • Low Baroque • Jewels • Novel • Hagiographic drama • Octosyllabic verse • Auto • Bandello • Metaphor • Fernando de Herrera • Guzmán de Alfarache • Theatre Translation • Publisher • Comedy • Sermons • El dómine Lucas • Iberism • Francisco de La Torre • Journey • Poggio Bracciolini • Press • Miguel de Cervantes • La Gerusalemme liberata • Metaphors • Disgust • Imago • Dramatic space • Cohesion • Alonso Remón • Playing cards • Francesco Portonari • Eroticism • Stage • Literary criticism • Language • Tridentin work • Italian Renaissance • Tradition • Juan de Valdés • Spanish literature of the Golden Age • Morisco figures • Matos Fragoso • Donkey • Queen Isabel de Borbón • Francisco de Leefdael • Italian • French Classical Theatre • Coherence • Pedro Sarmiento de Gamboa • Renascence • Quiñones de Benavente • Cea Tesa • Ideology • Jorge de Montemayor • Vázquez Siruela • Travel narratives • Post-Tridentine Spain • History of Spanis language • Spanish theatre • Siglo de Oro • 17th century Theatre • Ambiguity • Calderón de a Barca • Homeric simile • New Spain • Portugal • Variety • Seventeenth century • Castillejo • Translation constraints • Satyre • Metrics • Jiménez Patón • Miguel Torga • Picaresque novel • Adaptation Studies • Venice • Cáncer • Madmen • Book of Job • Nicolini da Sabbio • Literary authors • Gemstones • Suspension • Christian preacher • Romances of chivalry • Sonnets • XVII century • Helmet of Mambrino • Alonso de Castillo Solórzano • Walter Raleigh • Symbolism • Truth • Diálogo de la lengua • Dedicatees • Short farce • Traitors • Díaz de Rivas • Antonio Sacchi • Decorum • Countess of Harrach
Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Numero pagine 1108 | Dimensioni 16x23cm | Pubblicato 03 Luglio 2017 | Lingua it
Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Preámbulo
- Preámbulo
- María del Valle Ojeda Calvo, Florencio del Barrio de la Rosa
1 Conferencias plenarias
-
«He visto gustosamente divertido...»
La literatura ante la censura previa en el siglo XVII - Anne Cayuela
-
Un pintor clásico en la poesía del Siglo de Oro
Timantes en Boscán, Garcilaso, Lope de Vega y Argensola - Frederick De Armas
- Literatura e ideas en torno a don Bernardo de Sandoval y Rojas
- Luis Gómez Canseco
- Defensa e ilustración de la Filología
- Luis Iglesias Feijoo
- El Job de Quevedo y la indignación
- Valentina Nider
2 Recuerdo emocionado de Isaías Lerner en el 25 aniversario de la AISO
- Palabras preliminares
- Begoña López Bueno
- La AISO en sus 25 años
- Trevor Dadson
- Isaías Lerner, el fiel escucha de la voz cervantina
- Juan Diego Vila
- Isaías Lerner: de polianteas y silvas
- Sagrario López Poza
- Isaías Lerner y la lexicografía
- Miguel Marañón Ripoll
3.1 Comunicaciones: Poesía
- Análisis de un soneto de Luis Gálvez de Montalvo
- Julián Arribas Rebollo
- La influencia de Luigi Groto en la poesía amorosa de Francisco de Quevedo
- Alessandra Ceribelli
- San Juan de la Cruz ‘ilustrado’: Obras espirituales (Sevilla, Francisco de Leefdael, 1703)
- Francisco Javier Escobar Borrego
- Las cartas en verso octosilábico y las epístolas en endecasílabos en los cancioneros de Jorge de Montemayor
- Lola Esteva de Llobet
- La inversión paródica de la semplicetta farfalla y de otros motivos amorosos en el Aula de cortesanos (1547)
- María del Rosario Martínez Navarro
-
La invención de un poeta
Trigueros y Melchor Díaz de Toledo, poeta desconocido del siglo XVI - Juan Montero Delgado
-
Afectos penitenciales y sociabilidad literaria
Notas en torno a unos pliegos poéticos granadinos - Inmaculada Osuna
-
«Como la blanca flor o roxo lirio»
Variaciones portuguesas sobre el símil épico de la flor cortada - Aude Plagnard
- Amantes como árboles en las Flores de baria poesía (núm. 131: «Con una aguda hacha derrocaba…»)
- Fernando Rodríguez Mansilla
-
El diseño de CABIGO (Catálogo Bibliográfico sobre Góngora)
Criterios, metodología y estadísticas - Antonio Rojas Castro, Cèlia Nadal Pasqual, Amanda Pedraza
- Fragmentos del ocio: edición y reescritura en el bajo barroco
- Pedro Ruiz Pérez
-
Los poéticos álamos…
Una lectura de la poesía de Luis de Góngora a través de las representaciones de árboles - Elizabeth San Juan San Juan
-
«He de cantar afectos suspendidos»
El poder de la música en la poesía del Siglo de Oro - Lorena Uribe Bracho
3.2 Comunicaciones: Teatro
- Comedias en colaboración entre Moreto, Cáncer y Matos Fragoso: La adúltera penitente y ¿La fuerza del natural?
- María Rosa Álvarez Sellers
- Reelaboración y reescritura de la Gerusalemme Liberata en La conquista de Jerusalén por Godofre de Bullón, atribuida a Cervantes
- Fausta Antonucci
- La presencia morisca en la romería de la Virgen de la Cabeza en la obra El bautismo del príncipe de Marruecos de Lope de Vega
- Benedetta Belloni
- De sonetos calderonianos
- María José Caamaño Rojo
- Los Armengoles de Cristóbal de Morales: fuentes y fortuna literarias
- Juan Manuel Carmona Tierno
- Bandello en el taller dramático de Lope
- Guillermo Carrascón
- Juegos y lenguajes de naipes en Nadie fíe su secreto de Calderón
- Paula Casariego Castiñeira
-
Más sabe el loco en su casa que el cuerdo en la ajena y el natural vizcaíno
Del teatro de Goldoni a la comedia de Figurón de José de la Concha en el siglo XVIII - Karin Chirinos Bravo
-
Lope de Vega y el alma del pecador
Arrepentimiento y expiación en Juan de Dios y Antón Martín - María del Pilar Chouza-Calo
- El dómine Lucas y El maestro de danzar: un caso de auto-reescritura en Lope de Vega
- Daniel Fernández Rodríguez
- Relación de sucesos, fiesta cortesana y representación teatral: en torno a La noche de San Juan de Lope de Vega
- Graciela Fiadino
- La música en el auto de La Maya de Lope de Vega
- María Asunción Flórez Asensio
- El arte del equívoco en Las damas del vellón de Quiñones de Benavente
- Josée Gallego Chin
- Esto es hecho, entre Rojas Zorrilla y Rosete Niño: un caso más de autoría conflictiva
- Rafael González Cañal
- Eco y Narciso de Calderón en el manuscrito de la condesa de Harrach: base para una nueva edición
- Margaret Greer
-
Historia de una tachadura
Notas sobre la difusión del teatro del Siglo de Oro en Venecia: Carlo Gozzi, Jerónimo de Villaizán y los actores-dramaturgos de la compañía Sacchi - Javier Gutiérrez Carou
- La versificación en La aurora en Copacabana de Calderón
- José Elías Gutiérrez Meza
-
De los nombres de Calderón
Reflexiones acerca de la antroponimia calderoniana - Laura Hernández González
- Notas para una edición crítica de Duendes son alcahuetes y el Espíritu Foleto (I parte, 1709) de Antonio de Zamora
- Renata Londero
-
Un teatro, quizá, demasiado ‘novelesco’
Algunas consideraciones acerca de la composición dramática de Cervantes - Giselle Macedo
-
La tradición de los libros de aventuras en el primer Lope de Vega
La construcción del personaje de Juan Tomás, El caballero de Illescas - Serena Magnaghi
-
Vida privada e imagen pública
Isabel de Borbón y la corte literaria de Felipe IV - Carmela Mattza
- Alonso de Castillo Solórzano, La castañera y el teatro breve en la generación postcervantista
- Vicente Pérez de León
-
De lo narrado a lo representado
Reflejos del Facetiarum liber de Bracciolini en el entremés áureo - Ilaria Resta
- De locos fingidos a locos alegóricos (en Lope y Fernández de Lizardi)
- Felipe Reyes Palacios
- La mujer lectora en el teatro barroco
- Ana Suárez Miramón
-
Lope en Francia entre adaptación y traducción
«Habiller à la française» en los siglos XVII, XVIII y XIX - Francesca Suppa
- Los gitanos como máscaras del teatro renacentista
- Hélène Tropé
-
El Madrid de 1617 como espacio dramático
Otra mirada a Lo que pasa en una tarde de Lope de Vega - Edith Marta Villarino
3.3 Comunicaciones: Prosa
- Educación y aleccionamiento en las Empresas políticas de Saavedra Fajardo
- Jaume Alavedra Regas
-
Entre Celestinas, novela sentimental y libros de caballerías
La empresa editorial de los Nicolini da Sabbio y Juan Bautista Pederzano en Venecia alrededor de 1530 - Anna Bognolo
- El maestro Jiménez Patón y la oratoria sagrada
- Jaume Garau, Marco Valisano
-
La Espada sagrada de Alonso Remón
Método para enseñar a los nuevos predicadores - Rafael Massanet Rodríguez
- Los conceptos de gusto y disgusto en Gracián con el ejemplo del cuerpo grotesco en El Criticón
- Eduardo Muratta Bunsen
- La presencia de las piedras preciosas en los libros de caballerías a la luz del lapidario de Gaspar de Morales
- Tomasa Pastrana Santamarta
-
«Medrar consiste en ventura»
La fortuna española del Decamerón X.1 en la España del Siglo de Oro - Maria Rosso
- El caballero determinado de Hernando de Acuña: tradición textual y autoría
- Marcial Rubio Árquez
- La ejemplaridad de Las dos doncellas
- Juan Manuel Villanueva
-
Una vez más sobre la italofilia cervantina
Italia y lo italiano en las Novelas ejemplares - Francisco Javier González Candela
3.4 Comunicaciones: Lengua y traducción
- Cambios gráficos y fónicos en las citas de varias obras áureas contenidas en el Diccionario de Autoridades
- Belén Almeida, Rocío Díaz Moreno
- Explicitud, coherencia y cohesión en la traducción italiana del Guzmán de Alfarache
- Ignacio Arroyo Hernández
- Los refranes de La Zucca del Doni en spañol
- Daniela Capra
- Lenguaje y fraude comunicativo en Don Quijote de La Mancha
- Guillermo Fernández Rodríguez-Escalona
- Sobre el estilo de Juan de Valdés
- Antonio Martínez González
-
Hernán Núñez: paremiólogo y paremiógrafo del Siglo de Oro
Refranes o Proverbios en Romance (1555) - Luisa Allesita Messina Fajardo
- Del Oliveros al Olivieri. La traducción
- Stefano Neri
- Jáuregui traductor
- Martha Elena Venier
- Acercamiento a la primera traducción italiana del Guzmán de Alfarache (Barezzi, Venecia, 1606 y 1615)
- Edoardo Ventura
- El lenguaje ascético-místico en el escrito hagiográfico sobre sor María de Jesús Tomellín (el ‘lirio de Puebla’)
- Katerina Zatkajová
3.5 Comunicaciones: Varia
-
Cea Tesa: dinastía de impresores (1588-1703)
Una sociología de la edición - Carlos Collantes Sánchez
-
Valencias de la Edad de Oro
Mito ‘quijotesco’ en el Uruguay actual - María de los Ángeles González Briz
-
Justicia y corrupción en la Corte a mediados del siglo XVII
El caso escandaloso del Alcalde de Casa y Corte don Martín de Lanuza - Francisca Jiménez Guillén
- La reescritura en los pliegos y cuadernillos religiosos novohispanos (siglo XVII)
- Anastasia Krutitskaya
- La poética del viaje en Pedro Sarmiento de Gamboa
- Jaroslava Marešová
- La huella del Quijote en poetas de lengua portuguesa del siglo XX: Miguel Torga y José Saramago
- Cristina Miranda Menezes
- Teresa: escritora ma non troppo
- Isabel Navas Ocaña
- Apostillas al libreto de Don Chisciotte alle nozze di Gamaccio de Saverio Mercadante
- Maria Caterina Ruta
-
‘Las letras compañeras del Imperio’
De dedicatorias, autores y traductores en Venecia en la segunda mitad del siglo XVI - Françoise Richer-Rossi
- Tres versiones de la modernidad: Descartes, Komenský y Cervantes
- Juan Antonio Sánchez Fernández
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_book_127 |
|
dc.creator |
Bognolo Anna |
|
dc.creator |
del Barrio de la Rosa Florencio |
|
dc.creator |
Ojeda Calvo María del Valle |
|
dc.creator |
Pini Donatella |
|
dc.creator |
Zinato Andrea |
|
dc.title |
Serenísima palabra. Actas del X Congreso de la Asociación Internacional Siglo de Oro (Venecia, 14-18 de julio de 2014) |
|
dc.type |
Miscellanea |
|
dc.language.iso |
it |
|
dc.description.abstract |
Del 14 al 18 de julio de 2014 se dieron cita en Venecia más de doscientos estudiosos venidos de veintiún países, pertenecientes a ciento veintiséis universidades, centros e instituciones para celebrar el X Congreso Internacional de la Asociación Siglo de Oro, cuando la AISO cumplía 25 años. Estas páginas reflejan buena parte de lo escuchado allí, habiendo pasado un proceso de revisión por pares las comunicaciones recibidas para su publicación. El contenido se ha articulado en tres sesiones, recogiéndose en la primera de ellas las cinco conferencias plenarias, en la segunda el «Recuerdo emocionado de Isaías Lerner en el 25 aniversario de la AISO», y en la tercera las comunicaciones. Estas se han distribuido a su vez en cinco apartados («Poesía», «Teatro», «Prosa», «Lengua y traducción», y «Varia») que muestran el carácter multidisciplinar del encuentro, pues varios son los aspectos de la cultura e historia del mundo hispánico de los siglos XVI y XVII tratados en ellas, así como de su fortuna en la contemporaneidad. |
|
dc.relation.ispartof |
Biblioteca di Rassegna iberistica |
|
dc.identifier.doi |
10.14277/978-88-6969-163-8 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2017-07-03 |
|
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-164-5/ |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-164-5 |
|
dc.identifier.eisbn |
978-88-6969-163-8 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
17th Century |
|
dc.subject |
17th Century |
|
dc.subject |
17th century |
|
dc.subject |
17th century |
|
dc.subject |
17th century |
|
dc.subject |
17th century |
|
dc.subject |
17th century Theatre |
|
dc.subject |
17th century Theatre |
|
dc.subject |
Adaptation Studies |
|
dc.subject |
Adaptation Studies |
|
dc.subject |
Adventure books |
|
dc.subject |
Adventure books |
|
dc.subject |
Affect |
|
dc.subject |
Affect |
|
dc.subject |
Affinities |
|
dc.subject |
Affinities |
|
dc.subject |
Alonso Remón |
|
dc.subject |
Alonso Remón |
|
dc.subject |
Alonso de Castillo Solórzano |
|
dc.subject |
Alonso de Castillo Solórzano |
|
dc.subject |
Ambiguity |
|
dc.subject |
Ambiguity |
|
dc.subject |
Aminta |
|
dc.subject |
Aminta |
|
dc.subject |
Anacreontics |
|
dc.subject |
Anacreontics |
|
dc.subject |
Anagilda |
|
dc.subject |
Anagilda |
|
dc.subject |
Analysis |
|
dc.subject |
Analysis |
|
dc.subject |
Anthroponomy |
|
dc.subject |
Anthroponomy |
|
dc.subject |
Anti-aulic satire |
|
dc.subject |
Anti-aulic satire |
|
dc.subject |
Antonio Sacchi |
|
dc.subject |
Antonio Sacchi |
|
dc.subject |
Antonio de Zamora |
|
dc.subject |
Antonio de Zamora |
|
dc.subject |
Asceticism |
|
dc.subject |
Asceticism |
|
dc.subject |
Atonement |
|
dc.subject |
Atonement |
|
dc.subject |
Attributed authorship |
|
dc.subject |
Attributed authorship |
|
dc.subject |
Authors |
|
dc.subject |
Authors |
|
dc.subject |
Authorship |
|
dc.subject |
Authorship |
|
dc.subject |
Authorship |
|
dc.subject |
Authorship |
|
dc.subject |
Auto |
|
dc.subject |
Auto |
|
dc.subject |
Autobiography |
|
dc.subject |
Autobiography |
|
dc.subject |
Bandello |
|
dc.subject |
Bandello |
|
dc.subject |
Barahona de Soto |
|
dc.subject |
Barahona de Soto |
|
dc.subject |
Barbers |
|
dc.subject |
Barbers |
|
dc.subject |
Baroque |
|
dc.subject |
Baroque |
|
dc.subject |
Baroque comedy |
|
dc.subject |
Baroque comedy |
|
dc.subject |
Baroque poetry |
|
dc.subject |
Baroque poetry |
|
dc.subject |
Baroque theater |
|
dc.subject |
Baroque theater |
|
dc.subject |
Bernardo de Sandoval y Rojas |
|
dc.subject |
Bernardo de Sandoval y Rojas |
|
dc.subject |
Bible |
|
dc.subject |
Bible |
|
dc.subject |
Bibliography |
|
dc.subject |
Bibliography |
|
dc.subject |
Bibliography |
|
dc.subject |
Bibliography |
|
dc.subject |
Book of Job |
|
dc.subject |
Book of Job |
|
dc.subject |
Booklets |
|
dc.subject |
Booklets |
|
dc.subject |
Butterfly |
|
dc.subject |
Butterfly |
|
dc.subject |
CABIGO |
|
dc.subject |
CABIGO |
|
dc.subject |
Caballero de Illescas |
|
dc.subject |
Caballero de Illescas |
|
dc.subject |
Calderón |
|
dc.subject |
Calderón |
|
dc.subject |
Calderón |
|
dc.subject |
Calderón |
|
dc.subject |
Calderón |
|
dc.subject |
Calderón |
|
dc.subject |
Calderón de a Barca |
|
dc.subject |
Calderón de a Barca |
|
dc.subject |
Carlo Goldoni |
|
dc.subject |
Carlo Goldoni |
|
dc.subject |
Carlo Gozzi |
|
dc.subject |
Carlo Gozzi |
|
dc.subject |
Castillejo |
|
dc.subject |
Castillejo |
|
dc.subject |
Castillo Solórzano |
|
dc.subject |
Castillo Solórzano |
|
dc.subject |
Catalogue |
|
dc.subject |
Catalogue |
|
dc.subject |
Cea Tesa |
|
dc.subject |
Cea Tesa |
|
dc.subject |
Censors |
|
dc.subject |
Censors |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Chivalric romance |
|
dc.subject |
Chivalric romance |
|
dc.subject |
Christian preacher |
|
dc.subject |
Christian preacher |
|
dc.subject |
Coherence |
|
dc.subject |
Coherence |
|
dc.subject |
Cohesion |
|
dc.subject |
Cohesion |
|
dc.subject |
Collaboration |
|
dc.subject |
Collaboration |
|
dc.subject |
Comedia nueva |
|
dc.subject |
Comedia nueva |
|
dc.subject |
Comedias de pícaros |
|
dc.subject |
Comedias de pícaros |
|
dc.subject |
Comedy |
|
dc.subject |
Comedy |
|
dc.subject |
Comedy |
|
dc.subject |
Comedy |
|
dc.subject |
Comedy of magic |
|
dc.subject |
Comedy of magic |
|
dc.subject |
Conquest of Peru |
|
dc.subject |
Conquest of Peru |
|
dc.subject |
Controversy |
|
dc.subject |
Controversy |
|
dc.subject |
Copper coin |
|
dc.subject |
Copper coin |
|
dc.subject |
Correction to editio princeps |
|
dc.subject |
Correction to editio princeps |
|
dc.subject |
Corruption |
|
dc.subject |
Corruption |
|
dc.subject |
Council of Castile |
|
dc.subject |
Council of Castile |
|
dc.subject |
Countess of Harrach |
|
dc.subject |
Countess of Harrach |
|
dc.subject |
Court |
|
dc.subject |
Court |
|
dc.subject |
Cristóbal de Morales |
|
dc.subject |
Cristóbal de Morales |
|
dc.subject |
Critical edition |
|
dc.subject |
Critical edition |
|
dc.subject |
Critical editions of literary Works |
|
dc.subject |
Critical editions of literary Works |
|
dc.subject |
Cut flower |
|
dc.subject |
Cut flower |
|
dc.subject |
Cáncer |
|
dc.subject |
Cáncer |
|
dc.subject |
Cándido María Trigueros |
|
dc.subject |
Cándido María Trigueros |
|
dc.subject |
Córdoba |
|
dc.subject |
Córdoba |
|
dc.subject |
Dalila |
|
dc.subject |
Dalila |
|
dc.subject |
Decameron |
|
dc.subject |
Decameron |
|
dc.subject |
Decorum |
|
dc.subject |
Decorum |
|
dc.subject |
Dedicatees |
|
dc.subject |
Dedicatees |
|
dc.subject |
Dedications |
|
dc.subject |
Dedications |
|
dc.subject |
Descartes |
|
dc.subject |
Descartes |
|
dc.subject |
Diccionario de Autoridades |
|
dc.subject |
Diccionario de Autoridades |
|
dc.subject |
Disgust |
|
dc.subject |
Disgust |
|
dc.subject |
Diálogo de la lengua |
|
dc.subject |
Diálogo de la lengua |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Don Quixote |
|
dc.subject |
Donkey |
|
dc.subject |
Donkey |
|
dc.subject |
Dramatic formula |
|
dc.subject |
Dramatic formula |
|
dc.subject |
Dramatic space |
|
dc.subject |
Dramatic space |
|
dc.subject |
Dynamism |
|
dc.subject |
Dynamism |
|
dc.subject |
Díaz de Rivas |
|
dc.subject |
Díaz de Rivas |
|
dc.subject |
Early Music |
|
dc.subject |
Early Music |
|
dc.subject |
Edition |
|
dc.subject |
Edition |
|
dc.subject |
Edition |
|
dc.subject |
Edition |
|
dc.subject |
El bautismo del príncipe de Marruecos |
|
dc.subject |
El bautismo del príncipe de Marruecos |
|
dc.subject |
El dómine Lucas |
|
dc.subject |
El dómine Lucas |
|
dc.subject |
El maestro de danzar |
|
dc.subject |
El maestro de danzar |
|
dc.subject |
El piadoso veneciano |
|
dc.subject |
El piadoso veneciano |
|
dc.subject |
Empire |
|
dc.subject |
Empire |
|
dc.subject |
Empresas políticas |
|
dc.subject |
Empresas políticas |
|
dc.subject |
Enchantment of Dulcinea |
|
dc.subject |
Enchantment of Dulcinea |
|
dc.subject |
Enríquez de Cabrera |
|
dc.subject |
Enríquez de Cabrera |
|
dc.subject |
Epic and Drama |
|
dc.subject |
Epic and Drama |
|
dc.subject |
Epic poetry |
|
dc.subject |
Epic poetry |
|
dc.subject |
Eroticism |
|
dc.subject |
Eroticism |
|
dc.subject |
Espada sagrada |
|
dc.subject |
Espada sagrada |
|
dc.subject |
Eulogy |
|
dc.subject |
Eulogy |
|
dc.subject |
Exemplary Novels |
|
dc.subject |
Exemplary Novels |
|
dc.subject |
Experience |
|
dc.subject |
Experience |
|
dc.subject |
Explicitation |
|
dc.subject |
Explicitation |
|
dc.subject |
Expression |
|
dc.subject |
Expression |
|
dc.subject |
Facetia |
|
dc.subject |
Facetia |
|
dc.subject |
Farsalia |
|
dc.subject |
Farsalia |
|
dc.subject |
Fear |
|
dc.subject |
Fear |
|
dc.subject |
Female reader |
|
dc.subject |
Female reader |
|
dc.subject |
Fernando de Herrera |
|
dc.subject |
Fernando de Herrera |
|
dc.subject |
Fernández de Lizardi |
|
dc.subject |
Fernández de Lizardi |
|
dc.subject |
Festive relation |
|
dc.subject |
Festive relation |
|
dc.subject |
Figurón comedy |
|
dc.subject |
Figurón comedy |
|
dc.subject |
Financial crisis |
|
dc.subject |
Financial crisis |
|
dc.subject |
Fine taste |
|
dc.subject |
Fine taste |
|
dc.subject |
Francesco Portonari |
|
dc.subject |
Francesco Portonari |
|
dc.subject |
Francisco de La Torre |
|
dc.subject |
Francisco de La Torre |
|
dc.subject |
Francisco de Leefdael |
|
dc.subject |
Francisco de Leefdael |
|
dc.subject |
Francisco de Quevedo |
|
dc.subject |
Francisco de Quevedo |
|
dc.subject |
Fraud |
|
dc.subject |
Fraud |
|
dc.subject |
French Classical Theatre |
|
dc.subject |
French Classical Theatre |
|
dc.subject |
Gemstones |
|
dc.subject |
Gemstones |
|
dc.subject |
Giacomo Franco |
|
dc.subject |
Giacomo Franco |
|
dc.subject |
Girolamo Gigli |
|
dc.subject |
Girolamo Gigli |
|
dc.subject |
Golden Age |
|
dc.subject |
Golden Age |
|
dc.subject |
Golden Age Poetry |
|
dc.subject |
Golden Age Poetry |
|
dc.subject |
Golden Age minor theater |
|
dc.subject |
Golden Age minor theater |
|
dc.subject |
Gongorism |
|
dc.subject |
Gongorism |
|
dc.subject |
Granada |
|
dc.subject |
Granada |
|
dc.subject |
Graphical changes |
|
dc.subject |
Graphical changes |
|
dc.subject |
Grotesque body |
|
dc.subject |
Grotesque body |
|
dc.subject |
Guzmán de Alfarache |
|
dc.subject |
Guzmán de Alfarache |
|
dc.subject |
Guzmán de Alfarache |
|
dc.subject |
Guzmán de Alfarache |
|
dc.subject |
Gypsies |
|
dc.subject |
Gypsies |
|
dc.subject |
Góngora |
|
dc.subject |
Góngora |
|
dc.subject |
Hagiographic drama |
|
dc.subject |
Hagiographic drama |
|
dc.subject |
Helmet of Mambrino |
|
dc.subject |
Helmet of Mambrino |
|
dc.subject |
Hernando de Acuña |
|
dc.subject |
Hernando de Acuña |
|
dc.subject |
Hernán Núñez |
|
dc.subject |
Hernán Núñez |
|
dc.subject |
History of Spanis language |
|
dc.subject |
History of Spanis language |
|
dc.subject |
History of book |
|
dc.subject |
History of book |
|
dc.subject |
History of typography |
|
dc.subject |
History of typography |
|
dc.subject |
Homeric simile |
|
dc.subject |
Homeric simile |
|
dc.subject |
Honour |
|
dc.subject |
Honour |
|
dc.subject |
Iberism |
|
dc.subject |
Iberism |
|
dc.subject |
Ideology |
|
dc.subject |
Ideology |
|
dc.subject |
Illustrated edition |
|
dc.subject |
Illustrated edition |
|
dc.subject |
Images |
|
dc.subject |
Images |
|
dc.subject |
Imago |
|
dc.subject |
Imago |
|
dc.subject |
Ineffable language |
|
dc.subject |
Ineffable language |
|
dc.subject |
Insane asylums |
|
dc.subject |
Insane asylums |
|
dc.subject |
Interpretation |
|
dc.subject |
Interpretation |
|
dc.subject |
Intertextuality |
|
dc.subject |
Intertextuality |
|
dc.subject |
Intertextuality |
|
dc.subject |
Intertextuality |
|
dc.subject |
Intertextuality |
|
dc.subject |
Intertextuality |
|
dc.subject |
Italian |
|
dc.subject |
Italian |
|
dc.subject |
Italian Renaissance |
|
dc.subject |
Italian Renaissance |
|
dc.subject |
Italian humanist short prose |
|
dc.subject |
Italian humanist short prose |
|
dc.subject |
Italian translation |
|
dc.subject |
Italian translation |
|
dc.subject |
Italophile |
|
dc.subject |
Italophile |
|
dc.subject |
Italy |
|
dc.subject |
Italy |
|
dc.subject |
Italy |
|
dc.subject |
Italy |
|
dc.subject |
Jerónimo Corte-Real |
|
dc.subject |
Jerónimo Corte-Real |
|
dc.subject |
Jewels |
|
dc.subject |
Jewels |
|
dc.subject |
Jiménez Patón |
|
dc.subject |
Jiménez Patón |
|
dc.subject |
Jorge de Montemayor |
|
dc.subject |
Jorge de Montemayor |
|
dc.subject |
José Saramago |
|
dc.subject |
José Saramago |
|
dc.subject |
José de Arroyo |
|
dc.subject |
José de Arroyo |
|
dc.subject |
José de la Concha |
|
dc.subject |
José de la Concha |
|
dc.subject |
Journey |
|
dc.subject |
Journey |
|
dc.subject |
Juan Bautista Pederzano |
|
dc.subject |
Juan Bautista Pederzano |
|
dc.subject |
Juan de Mariana |
|
dc.subject |
Juan de Mariana |
|
dc.subject |
Juan de Valdés |
|
dc.subject |
Juan de Valdés |
|
dc.subject |
Justice |
|
dc.subject |
Justice |
|
dc.subject |
Jáuregui |
|
dc.subject |
Jáuregui |
|
dc.subject |
King Sebastian |
|
dc.subject |
King Sebastian |
|
dc.subject |
Komenský |
|
dc.subject |
Komenský |
|
dc.subject |
Kundera |
|
dc.subject |
Kundera |
|
dc.subject |
La Gerusalemme liberata |
|
dc.subject |
La Gerusalemme liberata |
|
dc.subject |
La Maya |
|
dc.subject |
La Maya |
|
dc.subject |
La Zucca del Doni en spañol |
|
dc.subject |
La Zucca del Doni en spañol |
|
dc.subject |
La noche de San Juan |
|
dc.subject |
La noche de San Juan |
|
dc.subject |
Labyrinth |
|
dc.subject |
Labyrinth |
|
dc.subject |
Lady of Copacabana |
|
dc.subject |
Lady of Copacabana |
|
dc.subject |
Language |
|
dc.subject |
Language |
|
dc.subject |
Language |
|
dc.subject |
Language |
|
dc.subject |
Las dos doncellas |
|
dc.subject |
Las dos doncellas |
|
dc.subject |
Letters |
|
dc.subject |
Letters |
|
dc.subject |
Libretto |
|
dc.subject |
Libretto |
|
dc.subject |
Literary Forgery |
|
dc.subject |
Literary Forgery |
|
dc.subject |
Literary authors |
|
dc.subject |
Literary authors |
|
dc.subject |
Literary censorship |
|
dc.subject |
Literary censorship |
|
dc.subject |
Literary criticism |
|
dc.subject |
Literary criticism |
|
dc.subject |
Literary sources |
|
dc.subject |
Literary sources |
|
dc.subject |
Literary styles |
|
dc.subject |
Literary styles |
|
dc.subject |
Literature |
|
dc.subject |
Literature |
|
dc.subject |
Lope |
|
dc.subject |
Lope |
|
dc.subject |
Lope |
|
dc.subject |
Lope |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope sources |
|
dc.subject |
Lope sources |
|
dc.subject |
Love |
|
dc.subject |
Love |
|
dc.subject |
Love |
|
dc.subject |
Love |
|
dc.subject |
Love |
|
dc.subject |
Love |
|
dc.subject |
Love |
|
dc.subject |
Love |
|
dc.subject |
Love poetry |
|
dc.subject |
Love poetry |
|
dc.subject |
Lovers |
|
dc.subject |
Lovers |
|
dc.subject |
Low Baroque |
|
dc.subject |
Low Baroque |
|
dc.subject |
Luigi Groto |
|
dc.subject |
Luigi Groto |
|
dc.subject |
Luis Gálvez de Montalvo |
|
dc.subject |
Luis Gálvez de Montalvo |
|
dc.subject |
Luís de Camões |
|
dc.subject |
Luís de Camões |
|
dc.subject |
Madmen |
|
dc.subject |
Madmen |
|
dc.subject |
Madrid |
|
dc.subject |
Madrid |
|
dc.subject |
Margaret Theresa of Spain |
|
dc.subject |
Margaret Theresa of Spain |
|
dc.subject |
Marginalization |
|
dc.subject |
Marginalization |
|
dc.subject |
Matos Fragoso |
|
dc.subject |
Matos Fragoso |
|
dc.subject |
Melchor Díaz de Toledo |
|
dc.subject |
Melchor Díaz de Toledo |
|
dc.subject |
Mendeley |
|
dc.subject |
Mendeley |
|
dc.subject |
Mercadante |
|
dc.subject |
Mercadante |
|
dc.subject |
Metaphor |
|
dc.subject |
Metaphor |
|
dc.subject |
Metaphors |
|
dc.subject |
Metaphors |
|
dc.subject |
Metre |
|
dc.subject |
Metre |
|
dc.subject |
Metrics |
|
dc.subject |
Metrics |
|
dc.subject |
Miguel Torga |
|
dc.subject |
Miguel Torga |
|
dc.subject |
Miguel de Cervantes |
|
dc.subject |
Miguel de Cervantes |
|
dc.subject |
Modernity |
|
dc.subject |
Modernity |
|
dc.subject |
Moreto |
|
dc.subject |
Moreto |
|
dc.subject |
Morisco figures |
|
dc.subject |
Morisco figures |
|
dc.subject |
Music |
|
dc.subject |
Music |
|
dc.subject |
Mystical symbols |
|
dc.subject |
Mystical symbols |
|
dc.subject |
Mysticism |
|
dc.subject |
Mysticism |
|
dc.subject |
Mysticism |
|
dc.subject |
Mysticism |
|
dc.subject |
Mythification |
|
dc.subject |
Mythification |
|
dc.subject |
Nadie fíe su secreto |
|
dc.subject |
Nadie fíe su secreto |
|
dc.subject |
New Spain |
|
dc.subject |
New Spain |
|
dc.subject |
Nicolini da Sabbio |
|
dc.subject |
Nicolini da Sabbio |
|
dc.subject |
Notes |
|
dc.subject |
Notes |
|
dc.subject |
Notes in scholarly editions |
|
dc.subject |
Notes in scholarly editions |
|
dc.subject |
Novel |
|
dc.subject |
Novel |
|
dc.subject |
Novelas ejemplares |
|
dc.subject |
Novelas ejemplares |
|
dc.subject |
Novelle |
|
dc.subject |
Novelle |
|
dc.subject |
Nuns |
|
dc.subject |
Nuns |
|
dc.subject |
Octosyllabic verse |
|
dc.subject |
Octosyllabic verse |
|
dc.subject |
Oliveros de Castilla |
|
dc.subject |
Oliveros de Castilla |
|
dc.subject |
Olivieri di Castiglia |
|
dc.subject |
Olivieri di Castiglia |
|
dc.subject |
Open access |
|
dc.subject |
Open access |
|
dc.subject |
Order of the Golden Fleece |
|
dc.subject |
Order of the Golden Fleece |
|
dc.subject |
Orthographiy |
|
dc.subject |
Orthographiy |
|
dc.subject |
Orthography |
|
dc.subject |
Orthography |
|
dc.subject |
Painting |
|
dc.subject |
Painting |
|
dc.subject |
Paremiology |
|
dc.subject |
Paremiology |
|
dc.subject |
Parody |
|
dc.subject |
Parody |
|
dc.subject |
Parody |
|
dc.subject |
Parody |
|
dc.subject |
Pedro Sarmiento de Gamboa |
|
dc.subject |
Pedro Sarmiento de Gamboa |
|
dc.subject |
Perfecto predicador |
|
dc.subject |
Perfecto predicador |
|
dc.subject |
Philip IV |
|
dc.subject |
Philip IV |
|
dc.subject |
Philology |
|
dc.subject |
Philology |
|
dc.subject |
Philosophical method |
|
dc.subject |
Philosophical method |
|
dc.subject |
Phonetics |
|
dc.subject |
Phonetics |
|
dc.subject |
Picaresque novel |
|
dc.subject |
Picaresque novel |
|
dc.subject |
Playing cards |
|
dc.subject |
Playing cards |
|
dc.subject |
Poetics |
|
dc.subject |
Poetics |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry about music |
|
dc.subject |
Poetry about music |
|
dc.subject |
Poggio Bracciolini |
|
dc.subject |
Poggio Bracciolini |
|
dc.subject |
Politics |
|
dc.subject |
Politics |
|
dc.subject |
Popular culture |
|
dc.subject |
Popular culture |
|
dc.subject |
Portugal |
|
dc.subject |
Portugal |
|
dc.subject |
Portugal |
|
dc.subject |
Portugal |
|
dc.subject |
Portuguese poetry |
|
dc.subject |
Portuguese poetry |
|
dc.subject |
Post-Tridentine Spain |
|
dc.subject |
Post-Tridentine Spain |
|
dc.subject |
Preacher |
|
dc.subject |
Preacher |
|
dc.subject |
Preaching |
|
dc.subject |
Preaching |
|
dc.subject |
Press |
|
dc.subject |
Press |
|
dc.subject |
Priest |
|
dc.subject |
Priest |
|
dc.subject |
Prior censorship |
|
dc.subject |
Prior censorship |
|
dc.subject |
Promujer |
|
dc.subject |
Promujer |
|
dc.subject |
Proverbs |
|
dc.subject |
Proverbs |
|
dc.subject |
Proverbs |
|
dc.subject |
Proverbs |
|
dc.subject |
Public-Private relation |
|
dc.subject |
Public-Private relation |
|
dc.subject |
Publisher |
|
dc.subject |
Publisher |
|
dc.subject |
Pynchon |
|
dc.subject |
Pynchon |
|
dc.subject |
Queen Isabel de Borbón |
|
dc.subject |
Queen Isabel de Borbón |
|
dc.subject |
Quevedo |
|
dc.subject |
Quevedo |
|
dc.subject |
Quevedo |
|
dc.subject |
Quevedo |
|
dc.subject |
Quijote |
|
dc.subject |
Quijote |
|
dc.subject |
Quijote |
|
dc.subject |
Quijote |
|
dc.subject |
Quijote |
|
dc.subject |
Quijote |
|
dc.subject |
Quixote |
|
dc.subject |
Quixote |
|
dc.subject |
Quiñones de Benavente |
|
dc.subject |
Quiñones de Benavente |
|
dc.subject |
Quotations |
|
dc.subject |
Quotations |
|
dc.subject |
Reception theory |
|
dc.subject |
Reception theory |
|
dc.subject |
Refranes |
|
dc.subject |
Refranes |
|
dc.subject |
Religious Poetry |
|
dc.subject |
Religious Poetry |
|
dc.subject |
Renaissance books |
|
dc.subject |
Renaissance books |
|
dc.subject |
Renascence |
|
dc.subject |
Renascence |
|
dc.subject |
Repentance |
|
dc.subject |
Repentance |
|
dc.subject |
Republic of Letters |
|
dc.subject |
Republic of Letters |
|
dc.subject |
Rewriting |
|
dc.subject |
Rewriting |
|
dc.subject |
Rewriting |
|
dc.subject |
Rewriting |
|
dc.subject |
Rhetoric |
|
dc.subject |
Rhetoric |
|
dc.subject |
Rhetoric |
|
dc.subject |
Rhetoric |
|
dc.subject |
Rimas |
|
dc.subject |
Rimas |
|
dc.subject |
Robbery |
|
dc.subject |
Robbery |
|
dc.subject |
Roberto el diablo |
|
dc.subject |
Roberto el diablo |
|
dc.subject |
Rojas Zorrilla |
|
dc.subject |
Rojas Zorrilla |
|
dc.subject |
Romances of chivalry |
|
dc.subject |
Romances of chivalry |
|
dc.subject |
Rosete Niño |
|
dc.subject |
Rosete Niño |
|
dc.subject |
Saavedra Fajardo |
|
dc.subject |
Saavedra Fajardo |
|
dc.subject |
Sacrament of penance |
|
dc.subject |
Sacrament of penance |
|
dc.subject |
San Juan de la Cruz |
|
dc.subject |
San Juan de la Cruz |
|
dc.subject |
Santa Teresa |
|
dc.subject |
Santa Teresa |
|
dc.subject |
Satire |
|
dc.subject |
Satire |
|
dc.subject |
Satire |
|
dc.subject |
Satire |
|
dc.subject |
Satyre |
|
dc.subject |
Satyre |
|
dc.subject |
Segmentation |
|
dc.subject |
Segmentation |
|
dc.subject |
Sermon |
|
dc.subject |
Sermon |
|
dc.subject |
Sermons |
|
dc.subject |
Sermons |
|
dc.subject |
Seven love letters |
|
dc.subject |
Seven love letters |
|
dc.subject |
Seventeenth century |
|
dc.subject |
Seventeenth century |
|
dc.subject |
Seville |
|
dc.subject |
Seville |
|
dc.subject |
Shame |
|
dc.subject |
Shame |
|
dc.subject |
Short farce |
|
dc.subject |
Short farce |
|
dc.subject |
Siglo de Oro |
|
dc.subject |
Siglo de Oro |
|
dc.subject |
Slang |
|
dc.subject |
Slang |
|
dc.subject |
Sociability |
|
dc.subject |
Sociability |
|
dc.subject |
Sociology |
|
dc.subject |
Sociology |
|
dc.subject |
Sonnet |
|
dc.subject |
Sonnet |
|
dc.subject |
Sonnets |
|
dc.subject |
Sonnets |
|
dc.subject |
Spain |
|
dc.subject |
Spain |
|
dc.subject |
Spanish Court Poetry |
|
dc.subject |
Spanish Court Poetry |
|
dc.subject |
Spanish Golden Age |
|
dc.subject |
Spanish Golden Age |
|
dc.subject |
Spanish Golden Age |
|
dc.subject |
Spanish Golden Age |
|
dc.subject |
Spanish Golden Age |
|
dc.subject |
Spanish Golden Age |
|
dc.subject |
Spanish Golden Age |
|
dc.subject |
Spanish Golden Age |
|
dc.subject |
Spanish Golden Age Theatre |
|
dc.subject |
Spanish Golden Age Theatre |
|
dc.subject |
Spanish Golden Age entremeses |
|
dc.subject |
Spanish Golden Age entremeses |
|
dc.subject |
Spanish Golden Age theatre |
|
dc.subject |
Spanish Golden Age theatre |
|
dc.subject |
Spanish Golden Age theatre |
|
dc.subject |
Spanish Golden Age theatre |
|
dc.subject |
Spanish Golden Age, History of Linguistics |
|
dc.subject |
Spanish Golden Age, History of Linguistics |
|
dc.subject |
Spanish Novel |
|
dc.subject |
Spanish Novel |
|
dc.subject |
Spanish Poetry |
|
dc.subject |
Spanish Poetry |
|
dc.subject |
Spanish literature of the Golden Age |
|
dc.subject |
Spanish literature of the Golden Age |
|
dc.subject |
Spanish theatre |
|
dc.subject |
Spanish theatre |
|
dc.subject |
Spiritual poetry |
|
dc.subject |
Spiritual poetry |
|
dc.subject |
Stage |
|
dc.subject |
Stage |
|
dc.subject |
String literature |
|
dc.subject |
String literature |
|
dc.subject |
Style |
|
dc.subject |
Style |
|
dc.subject |
Stylistic development |
|
dc.subject |
Stylistic development |
|
dc.subject |
Suspension |
|
dc.subject |
Suspension |
|
dc.subject |
Symbolism |
|
dc.subject |
Symbolism |
|
dc.subject |
Tametsi decree |
|
dc.subject |
Tametsi decree |
|
dc.subject |
Tesoro de la Lengua Castellana |
|
dc.subject |
Tesoro de la Lengua Castellana |
|
dc.subject |
Textual bibliography |
|
dc.subject |
Textual bibliography |
|
dc.subject |
The Book of Judges |
|
dc.subject |
The Book of Judges |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theater |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre |
|
dc.subject |
Theatre Translation |
|
dc.subject |
Theatre Translation |
|
dc.subject |
Timanthes |
|
dc.subject |
Timanthes |
|
dc.subject |
Topos |
|
dc.subject |
Topos |
|
dc.subject |
Tradition |
|
dc.subject |
Tradition |
|
dc.subject |
Tragic play |
|
dc.subject |
Tragic play |
|
dc.subject |
Traitors |
|
dc.subject |
Traitors |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Translation |
|
dc.subject |
Translation Studies |
|
dc.subject |
Translation Studies |
|
dc.subject |
Translation constraints |
|
dc.subject |
Translation constraints |
|
dc.subject |
Translator |
|
dc.subject |
Translator |
|
dc.subject |
Translators |
|
dc.subject |
Translators |
|
dc.subject |
Travel narratives |
|
dc.subject |
Travel narratives |
|
dc.subject |
Tree |
|
dc.subject |
Tree |
|
dc.subject |
Trees |
|
dc.subject |
Trees |
|
dc.subject |
Tridentin work |
|
dc.subject |
Tridentin work |
|
dc.subject |
Truth |
|
dc.subject |
Truth |
|
dc.subject |
Twentieth century |
|
dc.subject |
Twentieth century |
|
dc.subject |
Unstable |
|
dc.subject |
Unstable |
|
dc.subject |
Uruguay |
|
dc.subject |
Uruguay |
|
dc.subject |
Variety |
|
dc.subject |
Variety |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Venitian printing |
|
dc.subject |
Venitian printing |
|
dc.subject |
Versification |
|
dc.subject |
Versification |
|
dc.subject |
Vázquez Siruela |
|
dc.subject |
Vázquez Siruela |
|
dc.subject |
Walter Raleigh |
|
dc.subject |
Walter Raleigh |
|
dc.subject |
Witticism |
|
dc.subject |
Witticism |
|
dc.subject |
Women writers |
|
dc.subject |
Women writers |
|
dc.subject |
XVII century |
|
dc.subject |
XVII century |
|
dc.subject |
interludes |
|
dc.subject |
interludes |
|
dc.subject |
resemantization |
|
dc.subject |
resemantization |
|
dc.subject |
Álvar Núñez Cabeza de Vaca |
|
dc.subject |
Álvar Núñez Cabeza de Vaca |
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