Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

crossmark logo

open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Philip IV • Spanish Golden Age theatre • Censors • El maestro de danzar • Mercadante • Correction to editio princeps • Jerónimo Corte-Real • Orthography • Insane asylums • Robbery • Oliveros de Castilla • Tragic play • Literary sources • Honour • Tridentin work • Dynamism • San Juan de la Cruz • Portuguese poetry • Poetry • Literary Forgery • Helmet of Mambrino • Córdoba • Renaissance books • Literary censorship • Tradition • Figurón comedy • Truth • Public-Private relation • La Zucca del Doni en spañol • Luís de Camões • Las dos doncellas • Translation constraints • Mystical symbols • Italian • Mysticism • Bernardo de Sandoval y Rojas • Authors • Bibliography • Stylistic development • Descartes • El bautismo del príncipe de Marruecos • Luis Gálvez de Montalvo • Comedy of magic • Journey • Anacreontics • Language • Analysis • Miguel Torga • Council of Castile • Madrid • Alonso de Castillo Solórzano • Philology • Tametsi decree • Barbers • Intertextuality • Dramatic space • Díaz de Rivas • Playing cards • Comedy • Spain • CABIGO • Painting • Critical editions of literary Works • The Book of Judges • French Classical Theatre • Francisco de Leefdael • Sermon • Fernández de Lizardi • Seville • Auto • Asceticism • Carlo Gozzi • Kundera • Disgust • Seventeenth century • Fear • Textual bibliography • Metaphors • Symbolism • Republic of Letters • Rosete Niño • Juan de Mariana • Hagiographic drama • Golden Age • Parody • Donkey • Literary criticism • Copper coin • Authorship • Images • Open access • Twentieth century • Paremiology • Early Music • Reception theory • Calderón • Antonio de Zamora • La noche de San Juan • Carlo Goldoni • Comedias de pícaros • Women writers • Hernando de Acuña • Literature • Satyre • Giacomo Franco • Novelle • Christian preacher • Chivalric romance • Sermons • Baroque • Order of the Golden Fleece • Love • Affect • Female reader • Spanish Golden Age entremeses • Enríquez de Cabrera • 17th Century • Edition • Quixote • Translator • Cándido María Trigueros • Quijote • Empire • Cristóbal de Morales • Komenský • Gypsies • Sacrament of penance • Italian Renaissance • Santa Teresa • Fernando de Herrera • Madmen • Calderón de a Barca • Unstable • Homeric simile • Girolamo Gigli • Imago • History of book • Enchantment of Dulcinea • Music • Dramatic formula • Margaret Theresa of Spain • Álvar Núñez Cabeza de Vaca • Cohesion • Cea Tesa • Barahona de Soto • Spanish Golden Age • Preacher • Octosyllabic verse • Satire • Golden Age minor theater • Don Quixote • Gongorism • Illustrated edition • Travel narratives • Spanish literature of the Golden Age • Interpretation • Sociology • Libretto • Poetry about music • Publisher • Quevedo • Post-Tridentine Spain • Lope sources • Atonement • Preaching • El piadoso veneciano • Low Baroque • Gemstones • Matos Fragoso • Adventure books • Olivieri di Castiglia • Spanish Poetry • Italy • Jiménez Patón • Translation Studies • Renascence • Francisco de Quevedo • Baroque poetry • Court • Graphical changes • Jewels • Decorum • Controversy • Sonnet • Rhetoric • Walter Raleigh • Spanish Golden Age, History of Linguistics • Cut flower • Coherence • Caballero de Illescas • Spanish Golden Age Theatre • Traitors • Phonetics • Versification • Juan de Valdés • Guzmán de Alfarache • Alonso Remón • Moreto • Religious Poetry • La Gerusalemme liberata • Book of Job • Pedro Sarmiento de Gamboa • Letters • Fine taste • Style • Translators • Romances of chivalry • Jorge de Montemayor • Theater • Epic poetry • Financial crisis • Tesoro de la Lengua Castellana • Facetia • Grotesque body • Quotations • Tree • Suspension • Poetics • String literature • Witticism • Baroque comedy • Lovers • Golden Age Poetry • Dedications • 17th century • Lope • Luigi Groto • El dómine Lucas • Uruguay • Baroque theater • Empresas políticas • José Saramago • Booklets • Countess of Harrach • Diccionario de Autoridades • José de Arroyo • Conquest of Peru • Spiritual poetry • Popular culture • Metre • Espada sagrada • History of typography • Eroticism • Stage • Catalogue • Notes in scholarly editions • Slang • Farsalia • Francisco de La Torre • Rewriting • Venice • Sociability • Butterfly • Rojas Zorrilla • Nicolini da Sabbio • Rimas • Segmentation • Eulogy • Italophile • King Sebastian • Press • Pynchon • Autobiography • Mythification • Vázquez Siruela • Melchor Díaz de Toledo • Repentance • 17th century Theatre • Quiñones de Benavente • Bandello • Lady of Copacabana • Collaboration • Marginalization • Anti-aulic satire • Italian translation • Refranes • Justice • Adaptation Studies • Priest • Granada • Proverbs • Cáncer • Notes • La Maya • José de la Concha • Novelas ejemplares • Seven love letters • Translation • Juan Bautista Pederzano • Ineffable language • Attributed authorship • Explicitation • Trees • Miguel de Cervantes • Castillejo • Picaresque novel • Timanthes • Metrics • Theatre Translation • Exemplary Novels • resemantization • Promujer • Literary styles • Queen Isabel de Borbón • Fraud • Experience • New Spain • Iberism • Epic and Drama • Spanish Novel • Short farce • Festive relation • Dalila • Novel • Love poetry • Critical edition • Diálogo de la lengua • Nadie fíe su secreto • Morisco figures • Venitian printing • History of Spanis language • Decameron • Hernán Núñez • Theatre • Labyrinth • Aminta • Ideology • Lope de Vega • Italian humanist short prose • Spanish Court Poetry • interludes • Mendeley • Metaphor • Roberto el diablo • Anagilda • Bible • Comedia nueva • Dedicatees • Nuns • Perfecto predicador • Saavedra Fajardo • Corruption • Orthographiy • Shame • Affinities • Expression • Variety • Siglo de Oro • Spanish theatre • Jáuregui • Góngora • Politics • Castillo Solórzano • XVII century • Francesco Portonari • Philosophical method • Anthroponomy • Topos • Portugal • Cervantes • Ambiguity • Poggio Bracciolini • Literary authors • Antonio Sacchi • Modernity • Prior censorship • Sonnets

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.