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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Philology • Aminta • Lope de Vega • Short farce • Comedias de pícaros • Italian Renaissance • Luigi Groto • Hernando de Acuña • Uruguay • Paremiology • José de la Concha • Council of Castile • Venice • Experience • Poetry • Stylistic development • El dómine Lucas • Honour • Baroque • Barbers • Francesco Portonari • Tragic play • La noche de San Juan • Music • Antonio de Zamora • Fernando de Herrera • Empresas políticas • Spain • Rojas Zorrilla • Álvar Núñez Cabeza de Vaca • Insane asylums • Quijote • Translators • Metre • Attributed authorship • Interpretation • Rewriting • Countess of Harrach • Italophile • Shame • Siglo de Oro • Spanish Court Poetry • Satire • Traitors • Journey • Tridentin work • Post-Tridentine Spain • Book of Job • Labyrinth • Literary censorship • Adaptation Studies • Literary authors • José de Arroyo • Miguel Torga • Theatre Translation • Controversy • Calderón de a Barca • Tesoro de la Lengua Castellana • Helmet of Mambrino • Cáncer • Melchor Díaz de Toledo • La Zucca del Doni en spañol • Travel narratives • Phonetics • Truth • Francisco de Quevedo • Golden Age Poetry • Sacrament of penance • Comedy of magic • Italy • Eroticism • Facetia • Spanish Golden Age entremeses • Authorship • Comedia nueva • Descartes • Spanish Golden Age theatre • Barahona de Soto • Mystical symbols • El bautismo del príncipe de Marruecos • 17th Century • Textual bibliography • Ambiguity • Anthroponomy • History of Spanis language • Marginalization • Autobiography • Religious Poetry • Epic poetry • Women writers • Francisco de La Torre • Justice • Gemstones • Order of the Golden Fleece • Stage • Versification • Chivalric romance • Spanish Golden Age Theatre • Literary criticism • Seven love letters • Dramatic formula • Adventure books • Early Music • Notes • Dynamism • Empire • Literature • Promujer • Seville • Figurón comedy • Golden Age • Jewels • Edition • Giacomo Franco • Translation • Timanthes • Love poetry • Mercadante • Lope sources • Picaresque novel • Low Baroque • resemantization • Critical editions of literary Works • Tradition • Alonso de Castillo Solórzano • Espada sagrada • El piadoso veneciano • Metaphors • Cut flower • Novelas ejemplares • Queen Isabel de Borbón • Analysis • Bible • Fraud • Press • Bernardo de Sandoval y Rojas • Poetry about music • La Maya • Topos • Metaphor • Renascence • Baroque poetry • Corruption • Matos Fragoso • Nuns • Girolamo Gigli • Carlo Gozzi • Collaboration • Díaz de Rivas • José Saramago • Gypsies • Castillejo • Portugal • Suspension • Copper coin • Satyre • Popular culture • Booklets • Spiritual poetry • Literary Forgery • Juan de Mariana • Carlo Goldoni • Open access • Sociology • Madmen • Francisco de Leefdael • Octosyllabic verse • Vázquez Siruela • Style • Politics • Symbolism • Margaret Theresa of Spain • Kundera • Anacreontics • Renaissance books • Fear • Rimas • Love • Translator • Miguel de Cervantes • Philosophical method • Farsalia • Preacher • Seventeenth century • Publisher • Córdoba • Butterfly • Affect • Coherence • Twentieth century • Sermon • Christian preacher • Anagilda • Jiménez Patón • Jáuregui • interludes • Diálogo de la lengua • Hagiographic drama • Cristóbal de Morales • Orthographiy • Spanish Golden Age, History of Linguistics • Komenský • Tametsi decree • Letters • Quotations • Hernán Núñez • Nadie fíe su secreto • Anti-aulic satire • Nicolini da Sabbio • Quixote • Lope • 17th century • Poggio Bracciolini • Lovers • Metrics • Philip IV • Modernity • Roberto el diablo • Morisco figures • Novel • Explicitation • Madrid • Spanish theatre • Festive relation • Preaching • Eulogy • Pynchon • Decameron • Italian humanist short prose • King Sebastian • Censors • Donkey • El maestro de danzar • Antonio Sacchi • Oliveros de Castilla • Auto • Republic of Letters • Homeric simile • Literary sources • Unstable • Santa Teresa • Fine taste • Graphical changes • Proverbs • Variety • Court • Orthography • Financial crisis • Spanish Novel • Dalila • Calderón • Imago • Quiñones de Benavente • Italian translation • Trees • Venitian printing • Quevedo • Pedro Sarmiento de Gamboa • Ineffable language • Spanish Poetry • Saavedra Fajardo • Poetics • Intertextuality • XVII century • Cea Tesa • CABIGO • Spanish Golden Age • Affinities • Castillo Solórzano • Dedications • Asceticism • San Juan de la Cruz • Diccionario de Autoridades • Illustrated edition • Cohesion • Juan Bautista Pederzano • Playing cards • Epic and Drama • Catalogue • Images • Parody • Robbery • Granada • Walter Raleigh • Enchantment of Dulcinea • Priest • Rosete Niño • Translation Studies • Alonso Remón • Bandello • Las dos doncellas • Decorum • Baroque comedy • Witticism • Juan de Valdés • French Classical Theatre • Exemplary Novels • Romances of chivalry • Language • Rhetoric • Mendeley • Tree • Sociability • Atonement • String literature • Comedy • Sermons • Luís de Camões • Conquest of Peru • Refranes • Mythification • Segmentation • Slang • History of typography • Expression • Mysticism • Dedicatees • Portuguese poetry • Female reader • Sonnets • Critical edition • Gongorism • Perfecto predicador • Public-Private relation • Notes in scholarly editions • Góngora • Cervantes • Jorge de Montemayor • Theatre • Spanish literature of the Golden Age • Repentance • Theater • Libretto • 17th century Theatre • Caballero de Illescas • Painting • Moreto • Correction to editio princeps • Iberism • Disgust • New Spain • Translation constraints • Authors • Golden Age minor theater • The Book of Judges • Dramatic space • Don Quixote • Prior censorship • Fernández de Lizardi • Guzmán de Alfarache • Luis Gálvez de Montalvo • Lady of Copacabana • Reception theory • Cándido María Trigueros • Olivieri di Castiglia • Literary styles • Enríquez de Cabrera • Grotesque body • Ideology • Bibliography • Jerónimo Corte-Real • Baroque theater • Sonnet • History of book • Novelle • La Gerusalemme liberata • Italian

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.