Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Fernández de Lizardi • Controversy • Early Music • Ineffable language • Baroque • Interpretation • Poetry about music • Bible • Atonement • Calderón de a Barca • Analysis • Empresas políticas • Theater • Philip IV • Refranes • Spanish literature of the Golden Age • Anacreontics • Fear • Hernando de Acuña • Siglo de Oro • Enchantment of Dulcinea • Illustrated edition • Perfecto predicador • History of Spanis language • Las dos doncellas • Epic and Drama • Butterfly • Fraud • Girolamo Gigli • Metre • interludes • Style • Symbolism • Eroticism • Parody • Countess of Harrach • Literature • Diccionario de Autoridades • Coherence • Theatre Translation • Cervantes • Spanish Poetry • Dynamism • Spanish Golden Age, History of Linguistics • Stylistic development • Literary authors • Witticism • Lope sources • Journey • Copper coin • Religious Poetry • Matos Fragoso • Novelas ejemplares • Enríquez de Cabrera • Collaboration • Traitors • Metaphors • Antonio Sacchi • Iberism • Mystical symbols • Lovers • Textual bibliography • Book of Job • Women writers • Anthroponomy • Proverbs • Sociability • Quevedo • Italian • Festive relation • Oliveros de Castilla • Quotations • Robbery • Anagilda • String literature • Literary censorship • Mysticism • Fine taste • José Saramago • Insane asylums • Lope de Vega • Juan de Valdés • Jiménez Patón • Spain • Bernardo de Sandoval y Rojas • Aminta • Nuns • Spanish theatre • XVII century • Labyrinth • Love poetry • Sacrament of penance • Anti-aulic satire • Preaching • Publisher • Court • Ambiguity • Farsalia • Lady of Copacabana • Public-Private relation • Truth • Reception theory • Affinities • Politics • Portuguese poetry • Cristóbal de Morales • Sonnet • Dramatic space • Spanish Novel • Twentieth century • Catalogue • Translators • Alonso Remón • Topos • Pynchon • Fernando de Herrera • Translator • Literary styles • Quiñones de Benavente • José de la Concha • Rewriting • Correction to editio princeps • Honour • Comedias de pícaros • Council of Castile • Grotesque body • Figurón comedy • Republic of Letters • Golden Age Poetry • Notes in scholarly editions • Comedia nueva • Images • Trees • Góngora • Libretto • Jewels • Picaresque novel • Ideology • Roberto el diablo • El piadoso veneciano • Music • 17th century • Helmet of Mambrino • Homeric simile • Travel narratives • Mythification • Seville • Rojas Zorrilla • Critical editions of literary Works • Decameron • La Zucca del Doni en spañol • Empire • Sermon • Chivalric romance • Italophile • Seventeenth century • Melchor Díaz de Toledo • Italian humanist short prose • Tragic play • Miguel de Cervantes • Critical edition • Unstable • Dedications • Rosete Niño • El dómine Lucas • Juan de Mariana • Tesoro de la Lengua Castellana • Cándido María Trigueros • Castillo Solórzano • Literary sources • Priest • Álvar Núñez Cabeza de Vaca • Edition • Segmentation • Comedy of magic • Madmen • History of typography • Suspension • La Gerusalemme liberata • Spanish Court Poetry • Decorum • Expression • Justice • Jerónimo Corte-Real • Sonnets • El maestro de danzar • Timanthes • Prior censorship • Explicitation • Venice • Baroque theater • El bautismo del príncipe de Marruecos • Modernity • Hagiographic drama • Phonetics • The Book of Judges • Literary Forgery • Affect • Asceticism • New Spain • Kundera • Censors • Cáncer • Poggio Bracciolini • Promujer • Adventure books • Disgust • Orthographiy • Quijote • Bandello • Financial crisis • Cohesion • Diálogo de la lengua • Jorge de Montemayor • Orthography • Uruguay • Spanish Golden Age entremeses • Mendeley • Rhetoric • Barahona de Soto • Translation • Poetry • Octosyllabic verse • La noche de San Juan • Barbers • Poetics • San Juan de la Cruz • Hernán Núñez • Variety • Philosophical method • Madrid • Giacomo Franco • Luigi Groto • Morisco figures • Satire • Marginalization • Translation Studies • Francisco de Leefdael • Imago • Walter Raleigh • Italian translation • Corruption • Novel • Olivieri di Castiglia • Don Quixote • Sermons • resemantization • Italy • Dedicatees • Vázquez Siruela • Miguel Torga • Metaphor • Exemplary Novels • Rimas • Autobiography • Guzmán de Alfarache • Antonio de Zamora • Baroque poetry • Carlo Gozzi • Popular culture • Alonso de Castillo Solórzano • History of book • Theatre • Luís de Camões • Eulogy • Donkey • Versification • Gemstones • Auto • Experience • Low Baroque • Authors • Venitian printing • Caballero de Illescas • Dalila • Slang • Female reader • Portugal • Spanish Golden Age Theatre • Golden Age minor theater • Preacher • Facetia • Calderón • Nicolini da Sabbio • Press • Sociology • Spanish Golden Age theatre • Queen Isabel de Borbón • Adaptation Studies • José de Arroyo • Order of the Golden Fleece • Italian Renaissance • Shame • Cut flower • Pedro Sarmiento de Gamboa • Castillejo • Translation constraints • Comedy • Juan Bautista Pederzano • Tametsi decree • Carlo Goldoni • Language • Philology • 17th century Theatre • Spiritual poetry • Open access • Literary criticism • Espada sagrada • Saavedra Fajardo • Francisco de La Torre • Notes • Descartes • Gongorism • Renaissance books • Stage • Satyre • Margaret Theresa of Spain • Attributed authorship • Moreto • Christian preacher • Granada • Gypsies • Love • Spanish Golden Age • Renascence • Playing cards • Seven love letters • Romances of chivalry • Córdoba • Francisco de Quevedo • Painting • Quixote • Baroque comedy • Tree • French Classical Theatre • Letters • Post-Tridentine Spain • Luis Gálvez de Montalvo • Tridentin work • Graphical changes • CABIGO • Díaz de Rivas • Golden Age • Booklets • Komenský • Conquest of Peru • Cea Tesa • Santa Teresa • Authorship • Metrics • 17th Century • Paremiology • Intertextuality • La Maya • Epic poetry • King Sebastian • Dramatic formula • Jáuregui • Francesco Portonari • Short farce • Lope • Tradition • Bibliography • Repentance • Nadie fíe su secreto • Novelle • Mercadante

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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