Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords El piadoso veneciano • Bibliography • Style • Decameron • Translator • Francisco de Quevedo • Venitian printing • Ideology • Disgust • Calderón • Timanthes • Language • Córdoba • Textual bibliography • Attributed authorship • Dramatic formula • Explicitation • Sociology • Theater • Mendeley • Pynchon • El bautismo del príncipe de Marruecos • Authors • Enríquez de Cabrera • Promujer • Intertextuality • Catalogue • New Spain • Female reader • Jewels • Rojas Zorrilla • Diccionario de Autoridades • Politics • Graphical changes • Collaboration • Open access • Dramatic space • Order of the Golden Fleece • Alonso Remón • Spain • History of book • Tesoro de la Lengua Castellana • Novel • Letters • Fine taste • Butterfly • El dómine Lucas • Hernán Núñez • Barahona de Soto • Helmet of Mambrino • Enchantment of Dulcinea • Luís de Camões • History of Spanis language • Komenský • Jerónimo Corte-Real • Álvar Núñez Cabeza de Vaca • Lovers • Edition • Anthroponomy • Spiritual poetry • Quotations • Affect • Góngora • La noche de San Juan • Alonso de Castillo Solórzano • Spanish Poetry • Proverbs • Short farce • Translators • Preacher • Nicolini da Sabbio • Literary authors • Comedia nueva • Atonement • Witticism • Granada • Conquest of Peru • Fraud • Metaphors • Repentance • Quiñones de Benavente • Asceticism • Sonnets • Moreto • Fernández de Lizardi • Insane asylums • Jiménez Patón • Correction to editio princeps • Baroque • Reception theory • Modernity • Variety • Decorum • Court • Spanish Court Poetry • Eulogy • Saavedra Fajardo • Seven love letters • Kundera • Luis Gálvez de Montalvo • Paremiology • Descartes • Metaphor • Baroque poetry • Pedro Sarmiento de Gamboa • Spanish Novel • Controversy • Cándido María Trigueros • Affinities • Fear • Honour • Philosophical method • String literature • Travel narratives • Illustrated edition • Barbers • Christian preacher • Antonio de Zamora • Cut flower • Juan Bautista Pederzano • Uruguay • Twentieth century • Imago • Portugal • interludes • Adventure books • Carlo Goldoni • Morisco figures • Priest • Mystical symbols • Libretto • Philip IV • Farsalia • Lope de Vega • Tragic play • Golden Age Poetry • Poetics • Comedias de pícaros • Jorge de Montemayor • Experience • Sociability • Baroque theater • Religious Poetry • Italy • Critical edition • Italian translation • Book of Job • Nuns • Novelas ejemplares • Unstable • Francisco de Leefdael • Interpretation • Jáuregui • Countess of Harrach • Bandello • Truth • French Classical Theatre • Matos Fragoso • Playing cards • Love poetry • Italian • Lady of Copacabana • Renascence • Ineffable language • Adaptation Studies • Publisher • Robbery • Miguel Torga • Prior censorship • XVII century • Versification • Autobiography • Slang • Labyrinth • Olivieri di Castiglia • Francisco de La Torre • Golden Age minor theater • Rosete Niño • Theatre • Philology • Satyre • Post-Tridentine Spain • Notes in scholarly editions • Sonnet • Seville • Madrid • Censors • Quevedo • Tametsi decree • Marginalization • Gongorism • Authorship • Gemstones • King Sebastian • 17th Century • Copper coin • Exemplary Novels • Espada sagrada • Dedications • Cristóbal de Morales • Aminta • Caballero de Illescas • Perfecto predicador • Tridentin work • Santa Teresa • Spanish theatre • Journey • Cea Tesa • Images • Poetry • Hernando de Acuña • Anti-aulic satire • CABIGO • Translation Studies • Spanish Golden Age entremeses • Spanish Golden Age Theatre • Orthographiy • Poggio Bracciolini • Castillejo • Justice • Seventeenth century • Refranes • Francesco Portonari • Bible • Melchor Díaz de Toledo • Mythification • Romances of chivalry • Tradition • Mysticism • Rewriting • Antonio Sacchi • Trees • Empire • Cáncer • Shame • La Maya • Auto • Italian Renaissance • Mercadante • Calderón de a Barca • Love • Portuguese poetry • Traitors • Madmen • Satire • Anagilda • José Saramago • San Juan de la Cruz • Symbolism • Low Baroque • Iberism • Notes • Women writers • Literary styles • Segmentation • Vázquez Siruela • Sermons • Tree • Ambiguity • Picaresque novel • Literary censorship • Analysis • Expression • Spanish Golden Age • Chivalric romance • Theatre Translation • Public-Private relation • Renaissance books • Literary sources • Novelle • Fernando de Herrera • Spanish Golden Age theatre • Italian humanist short prose • Juan de Valdés • Queen Isabel de Borbón • History of typography • Italophile • Empresas políticas • La Gerusalemme liberata • Literature • Dalila • Festive relation • Orthography • 17th century Theatre • Cervantes • Sermon • Golden Age • resemantization • Guzmán de Alfarache • Literary criticism • Comedy • Miguel de Cervantes • Metrics • Octosyllabic verse • Coherence • Oliveros de Castilla • Comedy of magic • Anacreontics • Financial crisis • Margaret Theresa of Spain • Homeric simile • Translation constraints • Nadie fíe su secreto • Council of Castile • Stage • Quijote • Dedicatees • Sacrament of penance • Critical editions of literary Works • Grotesque body • Popular culture • Facetia • Roberto el diablo • Girolamo Gigli • Corruption • Epic and Drama • José de Arroyo • Venice • Juan de Mariana • Gypsies • Lope sources • Rhetoric • Díaz de Rivas • Early Music • Eroticism • Republic of Letters • Quixote • Topos • 17th century • Translation • El maestro de danzar • Castillo Solórzano • Siglo de Oro • Don Quixote • Cohesion • Baroque comedy • Booklets • Figurón comedy • Epic poetry • Carlo Gozzi • Luigi Groto • Bernardo de Sandoval y Rojas • Metre • José de la Concha • The Book of Judges • Walter Raleigh • Dynamism • Poetry about music • Donkey • Parody • Phonetics • Diálogo de la lengua • Spanish Golden Age, History of Linguistics • Rimas • La Zucca del Doni en spañol • Literary Forgery • Suspension • Hagiographic drama • Preaching • Giacomo Franco • Press • Spanish literature of the Golden Age • Lope • Painting • Las dos doncellas • Stylistic development • Music

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.