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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Festive relation • Exemplary Novels • Anthroponomy • Descartes • Italian humanist short prose • Rewriting • Portugal • Cervantes • Bibliography • Robbery • Early Music • Cohesion • Nuns • Literary styles • Enchantment of Dulcinea • Alonso de Castillo Solórzano • Dedicatees • Renaissance books • Fine taste • Jiménez Patón • Spiritual poetry • Order of the Golden Fleece • Corruption • Fraud • Stage • Chivalric romance • Sermon • Walter Raleigh • Romances of chivalry • El piadoso veneciano • Italian translation • Sonnet • Eroticism • Intertextuality • Roberto el diablo • Women writers • Gongorism • Picaresque novel • Golden Age minor theater • Press • Don Quixote • Publisher • Quiñones de Benavente • Lope • Luigi Groto • Gemstones • Council of Castile • Francisco de Leefdael • Carlo Gozzi • Juan Bautista Pederzano • Post-Tridentine Spain • Edition • Imago • Jewels • Rosete Niño • Guzmán de Alfarache • Dedications • Theater • Álvar Núñez Cabeza de Vaca • Decameron • Spanish Golden Age, History of Linguistics • Olivieri di Castiglia • Translation constraints • Epic poetry • La Maya • Female reader • Twentieth century • Tesoro de la Lengua Castellana • Segmentation • Spanish Poetry • Playing cards • Metaphors • Dramatic space • Novelas ejemplares • Grotesque body • Tradition • Farsalia • Insane asylums • Castillo Solórzano • Dynamism • Francisco de La Torre • Truth • Jorge de Montemayor • Fear • Coherence • Literature • Rimas • Diccionario de Autoridades • Conquest of Peru • Juan de Mariana • Letters • CABIGO • José de Arroyo • Love • Asceticism • Timanthes • Satire • Orthography • El bautismo del príncipe de Marruecos • Bandello • Italian • Fernando de Herrera • Venice • Hagiographic drama • Dramatic formula • Diálogo de la lengua • Journey • Lope sources • Hernán Núñez • Melchor Díaz de Toledo • Nicolini da Sabbio • resemantization • Politics • Republic of Letters • 17th Century • Spanish literature of the Golden Age • Literary criticism • Madmen • Notes • Proverbs • New Spain • Phonetics • Controversy • Díaz de Rivas • Images • Poetry about music • Adventure books • Luis Gálvez de Montalvo • Nadie fíe su secreto • Anacreontics • Authors • Seventeenth century • Anagilda • Copper coin • Critical edition • interludes • Literary authors • Francisco de Quevedo • Granada • Reception theory • Mysticism • Adaptation Studies • Mythification • Traitors • Barbers • Golden Age • Calderón de a Barca • Epic and Drama • Financial crisis • Oliveros de Castilla • Sonnets • Translation Studies • Style • Philosophical method • Love poetry • Philology • Butterfly • Iberism • Figurón comedy • Vázquez Siruela • Quotations • Tridentin work • XVII century • Travel narratives • Mendeley • Symbolism • Portuguese poetry • Court • Donkey • Comedy • Jáuregui • Preaching • Labyrinth • Spanish Golden Age theatre • History of typography • Seville • Tree • Venitian printing • Sociability • Translators • Priest • Margaret Theresa of Spain • El maestro de danzar • Refranes • Ambiguity • Helmet of Mambrino • Pynchon • Witticism • La Zucca del Doni en spañol • Literary sources • Experience • Ineffable language • Komenský • Parody • Bernardo de Sandoval y Rojas • Spanish Golden Age • Barahona de Soto • Graphical changes • Spain • Spanish Golden Age entremeses • Honour • Carlo Goldoni • Unstable • Autobiography • Translation • Marginalization • Espada sagrada • Ideology • Public-Private relation • Novelle • Rojas Zorrilla • Authorship • Las dos doncellas • Stylistic development • Critical editions of literary Works • Textual bibliography • Morisco figures • Francesco Portonari • Short farce • Countess of Harrach • Juan de Valdés • Translator • Expression • Attributed authorship • Santa Teresa • Fernández de Lizardi • Notes in scholarly editions • Quevedo • Theatre Translation • Spanish theatre • Eulogy • Repentance • Miguel Torga • Prior censorship • Shame • Giacomo Franco • Philip IV • Miguel de Cervantes • Comedias de pícaros • Spanish Novel • Low Baroque • Theatre • Trees • Cristóbal de Morales • Literary Forgery • Painting • Atonement • Cea Tesa • Spanish Golden Age Theatre • Kundera • Slang • Alonso Remón • José de la Concha • Comedy of magic • Cáncer • José Saramago • Auto • Italophile • Tametsi decree • Correction to editio princeps • Disgust • Antonio de Zamora • Illustrated edition • La Gerusalemme liberata • Empire • Enríquez de Cabrera • Metaphor • Golden Age Poetry • Orthographiy • Baroque poetry • Comedia nueva • Góngora • Quijote • Gypsies • Baroque • Rhetoric • Córdoba • Libretto • Baroque theater • Interpretation • Matos Fragoso • Queen Isabel de Borbón • Luís de Camões • Siglo de Oro • El dómine Lucas • Homeric simile • Uruguay • Metrics • Bible • Lope de Vega • Cándido María Trigueros • Seven love letters • Girolamo Gigli • Facetia • Paremiology • Catalogue • Spanish Court Poetry • Christian preacher • Anti-aulic satire • Moreto • Metre • Suspension • Religious Poetry • String literature • Poetry • Caballero de Illescas • Tragic play • Pedro Sarmiento de Gamboa • Book of Job • Popular culture • Language • History of book • Hernando de Acuña • Topos • Modernity • Novel • Poetics • Music • Mystical symbols • Saavedra Fajardo • San Juan de la Cruz • Antonio Sacchi • The Book of Judges • Open access • 17th century Theatre • Dalila • Sacrament of penance • King Sebastian • Octosyllabic verse • Calderón • Cut flower • Literary censorship • Poggio Bracciolini • Justice • Perfecto predicador • Explicitation • French Classical Theatre • Empresas políticas • Sermons • 17th century • Promujer • Lovers • Censors • Lady of Copacabana • History of Spanis language • Quixote • Madrid • Baroque comedy • La noche de San Juan • Aminta • Italian Renaissance • Analysis • Versification • Castillejo • Mercadante • Decorum • Affect • Italy • Satyre • Sociology • Preacher • Affinities • Renascence • Variety • Booklets • Collaboration • Jerónimo Corte-Real

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.