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Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Metaphors • French Classical Theatre • Seville • Sociability • Giacomo Franco • Images • Textual bibliography • Chivalric romance • Diccionario de Autoridades • Intertextuality • Seven love letters • Anagilda • Booklets • Cándido María Trigueros • El piadoso veneciano • Orthography • Cervantes • Don Quixote • Calderón • Saavedra Fajardo • Renascence • Preacher • Farsalia • Quiñones de Benavente • Translator • King Sebastian • Spanish Poetry • Variety • Góngora • Stylistic development • 17th century • José de Arroyo • Eulogy • Tesoro de la Lengua Castellana • Book of Job • Comedias de pícaros • Girolamo Gigli • Cristóbal de Morales • Díaz de Rivas • Tametsi decree • Vázquez Siruela • Figurón comedy • Theatre • Diálogo de la lengua • Renaissance books • Affect • Bible • Analysis • Coherence • Poetry • Gemstones • Italophile • Literary styles • Fine taste • Hagiographic drama • Literary criticism • Republic of Letters • Enríquez de Cabrera • Novelle • Press • Baroque poetry • Dynamism • Espada sagrada • Conquest of Peru • Prior censorship • Theater • Butterfly • Reception theory • Mercadante • José Saramago • Epic poetry • Sermons • Translation • Kundera • History of Spanis language • Quotations • Bernardo de Sandoval y Rojas • Venitian printing • Octosyllabic verse • Bibliography • Edition • Fear • Dedications • Paremiology • Portugal • Epic and Drama • Juan Bautista Pederzano • Comedy • Translation Studies • Publisher • Anti-aulic satire • Fraud • Novel • Painting • Versification • Topos • Sonnet • Álvar Núñez Cabeza de Vaca • Imago • Empresas políticas • Italian • Popular culture • Expression • Helmet of Mambrino • Politics • History of book • Adaptation Studies • Proverbs • Antonio de Zamora • Interpretation • Lope de Vega • Insane asylums • Metrics • Oliveros de Castilla • Anacreontics • Comedia nueva • Translation constraints • Slang • Golden Age Poetry • Nicolini da Sabbio • Mendeley • Festive relation • Critical edition • Spanish Golden Age, History of Linguistics • interludes • Anthroponomy • Descartes • Low Baroque • El maestro de danzar • Lope • Nadie fíe su secreto • Public-Private relation • Matos Fragoso • Modernity • Traitors • Dedicatees • Fernando de Herrera • Romances of chivalry • Segmentation • Mysticism • Female reader • Enchantment of Dulcinea • Love poetry • Witticism • Philology • La Maya • Corruption • 17th Century • Calderón de a Barca • Literary censorship • Bandello • Early Music • Notes in scholarly editions • Alonso de Castillo Solórzano • Uruguay • Experience • Juan de Valdés • Parody • Eroticism • Miguel Torga • Preaching • Marginalization • Queen Isabel de Borbón • Religious Poetry • Seventeenth century • Tridentin work • Luigi Groto • Rimas • Music • Francisco de Leefdael • Twentieth century • Olivieri di Castiglia • Margaret Theresa of Spain • Sacrament of penance • Affinities • Carlo Gozzi • Empire • Authors • Truth • Autobiography • Las dos doncellas • Attributed authorship • Dramatic formula • Tradition • Sonnets • Luis Gálvez de Montalvo • Libretto • Francisco de La Torre • Melchor Díaz de Toledo • Symbolism • Italian humanist short prose • Miguel de Cervantes • Baroque • Honour • Metaphor • Love • Tragic play • Madrid • Shame • Córdoba • History of typography • Open access • Explicitation • Poetics • Decameron • Rosete Niño • Translators • Caballero de Illescas • Alonso Remón • Italian translation • Literary Forgery • Francesco Portonari • Theatre Translation • Adventure books • Unstable • Philosophical method • Promujer • Lope sources • Komenský • Francisco de Quevedo • Literature • Spanish Golden Age • Spanish literature of the Golden Age • Controversy • Golden Age minor theater • Italy • Dalila • Metre • Robbery • Baroque comedy • Sermon • Quixote • New Spain • Siglo de Oro • Pynchon • Roberto el diablo • Tree • Copper coin • Antonio Sacchi • Asceticism • Dramatic space • Castillo Solórzano • Jiménez Patón • Literary sources • La Zucca del Doni en spañol • Ambiguity • Atonement • resemantization • Countess of Harrach • Ineffable language • La Gerusalemme liberata • Donkey • Carlo Goldoni • Walter Raleigh • Satyre • El dómine Lucas • Rojas Zorrilla • String literature • Iberism • José de la Concha • Aminta • Letters • Spiritual poetry • Castillejo • Short farce • Timanthes • Quijote • Perfecto predicador • Satire • Facetia • Lady of Copacabana • Catalogue • Refranes • Jewels • Madmen • Disgust • Spanish Golden Age Theatre • 17th century Theatre • Labyrinth • Gypsies • Correction to editio princeps • Granada • Spanish Golden Age theatre • Trees • Language • Justice • Suspension • Literary authors • Lovers • Council of Castile • Illustrated edition • Exemplary Novels • Order of the Golden Fleece • Notes • Moreto • La noche de San Juan • Financial crisis • Nuns • Spanish theatre • Spanish Novel • Cea Tesa • Jerónimo Corte-Real • Court • Stage • Italian Renaissance • Orthographiy • Poetry about music • Pedro Sarmiento de Gamboa • Graphical changes • The Book of Judges • Barahona de Soto • Gongorism • Jorge de Montemayor • Guzmán de Alfarache • Rewriting • Women writers • Quevedo • Rhetoric • Barbers • Baroque theater • Philip IV • Hernando de Acuña • Priest • Comedy of magic • Repentance • Homeric simile • Censors • Sociology • Ideology • Portuguese poetry • XVII century • Cut flower • San Juan de la Cruz • Spanish Golden Age entremeses • Mystical symbols • Journey • Cáncer • El bautismo del príncipe de Marruecos • Phonetics • Hernán Núñez • Golden Age • Juan de Mariana • Grotesque body • Collaboration • Playing cards • Spain • Picaresque novel • Morisco figures • Santa Teresa • Venice • Critical editions of literary Works • Cohesion • Fernández de Lizardi • Luís de Camões • Novelas ejemplares • Spanish Court Poetry • Travel narratives • Authorship • Auto • Style • Mythification • Christian preacher • Decorum • Post-Tridentine Spain • CABIGO • Poggio Bracciolini • Jáuregui

Thema codes DSBC • DSBD • 5TD-ES-A • 3M-ES-AB

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.