Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Justice • Censors • Literature • Tametsi decree • Nicolini da Sabbio • Italian • Countess of Harrach • Attributed authorship • History of typography • Luis Gálvez de Montalvo • resemantization • Castillejo • Espada sagrada • Controversy • Financial crisis • Lope • Preaching • Dedications • Proverbs • Tragic play • Intertextuality • Baroque • Preacher • Booklets • Christian preacher • Portugal • Analysis • Post-Tridentine Spain • Orthography • Cea Tesa • Renaissance books • Novelas ejemplares • Dramatic formula • Don Quixote • Religious Poetry • Publisher • Comedy of magic • Gemstones • Jáuregui • Versification • Spanish Golden Age theatre • Golden Age Poetry • Spanish Golden Age entremeses • Music • Comedy • Córdoba • San Juan de la Cruz • Insane asylums • Nadie fíe su secreto • Edition • Libretto • Experience • Dedicatees • Las dos doncellas • Alonso de Castillo Solórzano • Coherence • Theater • Pynchon • Carlo Gozzi • Góngora • Italian translation • Promujer • Sermons • Spanish Novel • La Gerusalemme liberata • Bibliography • Fear • Fernando de Herrera • Ambiguity • Dalila • Traitors • Antonio Sacchi • Tridentin work • Epic and Drama • Juan de Mariana • Playing cards • Translation Studies • Pedro Sarmiento de Gamboa • Oliveros de Castilla • Parody • Saavedra Fajardo • Ideology • Moreto • Giacomo Franco • Spanish theatre • The Book of Judges • Francesco Portonari • Madrid • 17th century Theatre • Mercadante • Festive relation • Metaphor • Literary Forgery • Catalogue • Auto • Barahona de Soto • Short farce • Public-Private relation • Painting • Francisco de La Torre • Caballero de Illescas • Metrics • Italophile • Baroque theater • Barbers • Collaboration • La Zucca del Doni en spañol • Baroque poetry • Tesoro de la Lengua Castellana • French Classical Theatre • Cristóbal de Morales • Italy • Jewels • Spanish Poetry • Quotations • Guzmán de Alfarache • Decameron • Labyrinth • Grotesque body • Mythification • Aminta • Poetics • Italian Renaissance • Sermon • Sonnet • Facetia • Anacreontics • Homeric simile • Figurón comedy • Antonio de Zamora • Castillo Solórzano • Asceticism • Letters • Jorge de Montemayor • Picaresque novel • Philip IV • José de Arroyo • Images • Seville • Low Baroque • Baroque comedy • Donkey • El maestro de danzar • Descartes • Quijote • Refranes • Witticism • Rewriting • Critical edition • Spain • Twentieth century • Madmen • Calderón de a Barca • Komenský • Luís de Camões • Roberto el diablo • Butterfly • Affinities • Fraud • Juan Bautista Pederzano • Cándido María Trigueros • Prior censorship • Robbery • Orthographiy • Authorship • Jerónimo Corte-Real • Illustrated edition • Stylistic development • Modernity • Enchantment of Dulcinea • Topos • Press • Metaphors • Chivalric romance • Adventure books • Literary censorship • Notes in scholarly editions • Romances of chivalry • Miguel de Cervantes • Alonso Remón • King Sebastian • Theatre • Queen Isabel de Borbón • Eulogy • Timanthes • Exemplary Novels • Calderón • Shame • Autobiography • Truth • Early Music • Siglo de Oro • Spanish Court Poetry • CABIGO • Textual bibliography • Portuguese poetry • Hernán Núñez • Fernández de Lizardi • Love • Disgust • Marginalization • Miguel Torga • Literary styles • Poetry about music • Anti-aulic satire • Love poetry • Women writers • Venitian printing • Philology • Conquest of Peru • Adaptation Studies • Iberism • Imago • Gypsies • Paremiology • Honour • String literature • Eroticism • Morisco figures • Kundera • Hagiographic drama • History of book • Poetry • Copper coin • Segmentation • Corruption • Sociology • Spanish Golden Age, History of Linguistics • Interpretation • Hernando de Acuña • Ineffable language • Travel narratives • Octosyllabic verse • Quiñones de Benavente • Female reader • Quixote • interludes • Juan de Valdés • XVII century • Olivieri di Castiglia • El bautismo del príncipe de Marruecos • Tradition • Spanish Golden Age Theatre • Lope sources • Anagilda • Francisco de Leefdael • Girolamo Gigli • Helmet of Mambrino • Farsalia • Empire • Philosophical method • El piadoso veneciano • La noche de San Juan • Phonetics • Mystical symbols • Spiritual poetry • Empresas políticas • Perfecto predicador • Suspension • Book of Job • Translation • Vázquez Siruela • Unstable • Reception theory • Uruguay • Melchor Díaz de Toledo • Literary sources • Álvar Núñez Cabeza de Vaca • Luigi Groto • La Maya • Politics • José Saramago • Rojas Zorrilla • Golden Age • Sonnets • Priest • Mysticism • Bandello • Affect • Authors • Sacrament of penance • Slang • Rhetoric • Satyre • Carlo Goldoni • Anthroponomy • Enríquez de Cabrera • Seventeenth century • Lope de Vega • Notes • Republic of Letters • Cohesion • Fine taste • Cáncer • Novelle • Translators • Díaz de Rivas • Literary criticism • Lovers • Gongorism • Variety • Metre • Atonement • Literary authors • Language • Rimas • Journey • Sociability • Spanish literature of the Golden Age • Golden Age minor theater • Francisco de Quevedo • Margaret Theresa of Spain • Translator • Symbolism • Renascence • Popular culture • Comedias de pícaros • Graphical changes • Epic poetry • Venice • Bible • Italian humanist short prose • Translation constraints • Mendeley • José de la Concha • Dramatic space • Matos Fragoso • Novel • Walter Raleigh • Seven love letters • Cervantes • Satire • Order of the Golden Fleece • 17th Century • Council of Castile • Dynamism • Jiménez Patón • Poggio Bracciolini • Style • Tree • Correction to editio princeps • Decorum • Lady of Copacabana • Diálogo de la lengua • History of Spanis language • Diccionario de Autoridades • Theatre Translation • Cut flower • Critical editions of literary Works • Santa Teresa • Trees • Granada • Expression • Bernardo de Sandoval y Rojas • Explicitation • Comedia nueva • Quevedo • Court • Repentance • New Spain • Spanish Golden Age • 17th century • Nuns • Open access • Stage • El dómine Lucas • Rosete Niño

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.