Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Quijote • Spanish literature of the Golden Age • Hernando de Acuña • Insane asylums • Illustrated edition • Literary sources • Asceticism • Conquest of Peru • Translation • Labyrinth • Coherence • Refranes • Dynamism • Promujer • Sermons • Calderón • Octosyllabic verse • Bibliography • Sermon • Expression • Dramatic formula • Golden Age • Variety • Witticism • Santa Teresa • Symbolism • Italian • Carlo Gozzi • Proverbs • Adaptation Studies • Philosophical method • Gypsies • Fraud • Lope • Fear • Censors • Intertextuality • Copper coin • Poetry about music • Anthroponomy • Press • Preacher • Spanish Poetry • Countess of Harrach • History of typography • Painting • Juan de Valdés • Juan Bautista Pederzano • Literary authors • Lope de Vega • Sonnets • Comedia nueva • Mystical symbols • Cristóbal de Morales • Comedy of magic • Stylistic development • Theatre • Libretto • Phonetics • Philip IV • Decorum • Explicitation • 17th century Theatre • Bible • Analysis • Seven love letters • Politics • Oliveros de Castilla • Pynchon • El piadoso veneciano • Translation constraints • Lovers • Dedications • Walter Raleigh • Italophile • Antonio de Zamora • Gemstones • Public-Private relation • Luigi Groto • Love poetry • Melchor Díaz de Toledo • String literature • Topos • Nadie fíe su secreto • Luis Gálvez de Montalvo • Olivieri di Castiglia • French Classical Theatre • Traitors • Tridentin work • Juan de Mariana • Grotesque body • Translation Studies • Order of the Golden Fleece • Facetia • Quevedo • Philology • Translators • Seventeenth century • Affect • Cándido María Trigueros • Homeric simile • Castillo Solórzano • Exemplary Novels • Francisco de La Torre • Eulogy • interludes • Bandello • José Saramago • Baroque poetry • Golden Age Poetry • Publisher • Images • Epic and Drama • Truth • Morisco figures • Portuguese poetry • Trees • Mendeley • Suspension • Ambiguity • Experience • New Spain • Matos Fragoso • Honour • Quixote • Golden Age minor theater • Queen Isabel de Borbón • Festive relation • Anti-aulic satire • Cohesion • Spanish Novel • Orthographiy • Love • Post-Tridentine Spain • Jewels • Auto • Notes in scholarly editions • Collaboration • Hernán Núñez • Italian humanist short prose • Paremiology • Modernity • Metaphors • Álvar Núñez Cabeza de Vaca • Spanish Golden Age entremeses • Alonso Remón • Italian Renaissance • Diálogo de la lengua • CABIGO • Aminta • Antonio Sacchi • Tradition • Francesco Portonari • Mysticism • Italian translation • Renaissance books • Controversy • Perfecto predicador • Textual bibliography • Literary styles • Repentance • Cea Tesa • Siglo de Oro • Las dos doncellas • Eroticism • Council of Castile • Poetics • Epic poetry • Cut flower • Bernardo de Sandoval y Rojas • Granada • Nicolini da Sabbio • Descartes • Dedicatees • Espada sagrada • Ideology • Novel • Female reader • Spanish Golden Age • Anacreontics • 17th century • Financial crisis • Authors • Literary criticism • Prior censorship • Tragic play • Iberism • Pedro Sarmiento de Gamboa • Tesoro de la Lengua Castellana • Republic of Letters • Caballero de Illescas • Madmen • Rosete Niño • Moreto • Lady of Copacabana • José de la Concha • Venice • Figurón comedy • Uruguay • Ineffable language • Novelas ejemplares • XVII century • Italy • Rhetoric • Orthography • El dómine Lucas • Díaz de Rivas • Marginalization • Women writers • Sociology • Gongorism • Metaphor • 17th Century • Atonement • Attributed authorship • Novelle • Sonnet • Butterfly • Autobiography • Fernández de Lizardi • La Zucca del Doni en spañol • Parody • Preaching • Dramatic space • Roberto el diablo • Fernando de Herrera • Literary censorship • Short farce • Miguel de Cervantes • Margaret Theresa of Spain • Satire • Translator • Baroque comedy • Dalila • Shame • Nuns • Rimas • Spain • Timanthes • Graphical changes • Fine taste • Religious Poetry • El maestro de danzar • Affinities • Madrid • Satyre • Slang • Twentieth century • Open access • History of Spanis language • Booklets • Carlo Goldoni • Donkey • Music • Vázquez Siruela • La noche de San Juan • Corruption • Spanish Golden Age Theatre • Justice • Stage • Farsalia • Jáuregui • Journey • Barahona de Soto • Lope sources • Segmentation • Spanish Court Poetry • Spanish theatre • Girolamo Gigli • Jorge de Montemayor • Baroque • Rewriting • El bautismo del príncipe de Marruecos • Popular culture • Adventure books • Theatre Translation • La Gerusalemme liberata • Empire • Portugal • Metrics • Luís de Camões • Diccionario de Autoridades • Francisco de Leefdael • resemantization • Mythification • Literature • Rojas Zorrilla • Empresas políticas • Romances of chivalry • San Juan de la Cruz • Book of Job • Disgust • Low Baroque • Spanish Golden Age, History of Linguistics • Hagiographic drama • Giacomo Franco • Mercadante • Travel narratives • Unstable • Komenský • Francisco de Quevedo • Venitian printing • The Book of Judges • Imago • Alonso de Castillo Solórzano • La Maya • Early Music • Playing cards • Notes • Interpretation • Anagilda • Seville • Correction to editio princeps • Decameron • Spiritual poetry • Critical editions of literary Works • Córdoba • Comedias de pícaros • Sociability • Language • Tametsi decree • Christian preacher • Enríquez de Cabrera • Chivalric romance • Reception theory • Kundera • Style • History of book • José de Arroyo • Jerónimo Corte-Real • Letters • Metre • Jiménez Patón • Baroque theater • Enchantment of Dulcinea • Helmet of Mambrino • Robbery • Literary Forgery • Quiñones de Benavente • Versification • Miguel Torga • Edition • Poetry • Cáncer • Barbers • Quotations • Góngora • King Sebastian • Theater • Authorship • Guzmán de Alfarache • Sacrament of penance • Calderón de a Barca • Cervantes • Don Quixote • Saavedra Fajardo • Castillejo • Tree • Poggio Bracciolini • Priest • Critical edition • Court • Renascence • Catalogue • Comedy • Spanish Golden Age theatre • Picaresque novel

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.