Series |
Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra
Abstract
From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.
Keywords Spanish Poetry • Butterfly • Cáncer • Translation Studies • Republic of Letters • Kundera • Philology • XVII century • Graphical changes • Collaboration • Translator • Empire • Authorship • El piadoso veneciano • Epic and Drama • Melchor Díaz de Toledo • Affect • Stage • Italian • Spanish Golden Age theatre • Critical editions of literary Works • Low Baroque • Rimas • Portugal • Dramatic formula • Metrics • Textual bibliography • Tesoro de la Lengua Castellana • Rojas Zorrilla • Language • Twentieth century • Atonement • Díaz de Rivas • Labyrinth • Witticism • Diálogo de la lengua • Moreto • Philip IV • interludes • Spanish Novel • Venice • Santa Teresa • Miguel Torga • José de la Concha • El maestro de danzar • Venitian printing • El bautismo del príncipe de Marruecos • Facetia • Álvar Núñez Cabeza de Vaca • Diccionario de Autoridades • 17th Century • Spanish Golden Age entremeses • Tametsi decree • Donkey • 17th century • Priest • Bandello • Tridentin work • Siglo de Oro • Descartes • Promujer • Literary sources • Seventeenth century • Alonso de Castillo Solórzano • Edition • Illustrated edition • Music • Expression • Iberism • José de Arroyo • Anacreontics • Francisco de Leefdael • Satyre • Truth • Enchantment of Dulcinea • resemantization • Nuns • Love poetry • Antonio de Zamora • Politics • Baroque comedy • Portuguese poetry • Robbery • Juan de Mariana • Repentance • Sonnets • Córdoba • Spanish Court Poetry • Renaissance books • Comedia nueva • Sociability • Suspension • Saavedra Fajardo • Morisco figures • String literature • Anti-aulic satire • Jiménez Patón • La noche de San Juan • Calderón • Book of Job • Literary criticism • Jerónimo Corte-Real • Letters • Spanish literature of the Golden Age • Slang • Auto • Fernando de Herrera • Chivalric romance • La Maya • Cándido María Trigueros • Disgust • Renascence • Jewels • Booklets • Guzmán de Alfarache • Bibliography • Alonso Remón • Sermon • Granada • Attributed authorship • Mysticism • Anagilda • Espada sagrada • Rosete Niño • Gemstones • History of book • Love • Dynamism • Don Quixote • Caballero de Illescas • Madmen • Vázquez Siruela • Imago • Philosophical method • Early Music • Italian translation • Prior censorship • Olivieri di Castiglia • Hernán Núñez • Authors • Order of the Golden Fleece • Comedy • Christian preacher • Publisher • Poetry about music • Seville • Intertextuality • Ineffable language • Novel • Topos • Luis Gálvez de Montalvo • Style • Juan de Valdés • Coherence • Margaret Theresa of Spain • Metaphor • Theatre Translation • Decameron • Lady of Copacabana • La Zucca del Doni en spañol • Parody • Fernández de Lizardi • Hagiographic drama • Open access • Images • Cea Tesa • Post-Tridentine Spain • Countess of Harrach • Komenský • Francesco Portonari • Explicitation • Walter Raleigh • Asceticism • Antonio Sacchi • History of Spanis language • Golden Age • Octosyllabic verse • New Spain • Francisco de La Torre • Italian Renaissance • Quixote • Journey • Italian humanist short prose • Barahona de Soto • Luís de Camões • Literary styles • Preacher • Pedro Sarmiento de Gamboa • Insane asylums • Translation constraints • Gongorism • Lope sources • Epic poetry • Comedy of magic • Exemplary Novels • Spanish Golden Age • Carlo Gozzi • Notes in scholarly editions • Romances of chivalry • Hernando de Acuña • Analysis • Honour • Matos Fragoso • Quevedo • Justice • King Sebastian • Juan Bautista Pederzano • Giacomo Franco • Translators • Luigi Groto • Poetics • Painting • Notes • Sociology • Interpretation • Traitors • Italophile • Poggio Bracciolini • Religious Poetry • Translation • Carlo Goldoni • Playing cards • Tree • Uruguay • Critical edition • Shame • Travel narratives • Madrid • Autobiography • Bernardo de Sandoval y Rojas • 17th century Theatre • Lope • Literary authors • Variety • Catalogue • El dómine Lucas • Aminta • Dalila • Conquest of Peru • Queen Isabel de Borbón • Barbers • Sonnet • Baroque • Theater • Lope de Vega • Ideology • Quijote • Libretto • Ambiguity • Proverbs • Sacrament of penance • Modernity • Corruption • Preaching • Mythification • Decorum • Tradition • Jorge de Montemayor • Paremiology • CABIGO • Italy • Mendeley • Gypsies • Unstable • Spanish theatre • La Gerusalemme liberata • Pynchon • Castillejo • Nicolini da Sabbio • Copper coin • Jáuregui • Eulogy • Censors • Public-Private relation • Stylistic development • Refranes • Quotations • Council of Castile • Fraud • Homeric simile • Orthographiy • Phonetics • Enríquez de Cabrera • History of typography • Trees • Novelle • Tragic play • Spanish Golden Age Theatre • Castillo Solórzano • Quiñones de Benavente • Comedias de pícaros • Literature • Baroque theater • Cut flower • French Classical Theatre • Bible • The Book of Judges • Anthroponomy • Farsalia • Góngora • Versification • Roberto el diablo • Francisco de Quevedo • Affinities • Female reader • Segmentation • Sermons • Golden Age minor theater • Girolamo Gigli • Helmet of Mambrino • Cristóbal de Morales • Dedications • Rhetoric • Spanish Golden Age, History of Linguistics • Experience • Short farce • Lovers • Miguel de Cervantes • Theatre • Poetry • Novelas ejemplares • Correction to editio princeps • Mystical symbols • Spain • Reception theory • Popular culture • Seven love letters • Marginalization • Baroque poetry • Figurón comedy • Nadie fíe su secreto • Festive relation • Cohesion • Women writers • Press • José Saramago • Perfecto predicador • Satire • Spiritual poetry • Golden Age Poetry • Oliveros de Castilla • Picaresque novel • Dramatic space • Literary censorship • Las dos doncellas • Controversy • San Juan de la Cruz • Literary Forgery • Financial crisis • Symbolism • Metaphors • Adaptation Studies • Rewriting • Eroticism • Dedicatees • Metre • Fear • Cervantes • Mercadante • Grotesque body • Calderón de a Barca • Empresas políticas • Timanthes • Court • Adventure books • Orthography • Fine taste
Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it
Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany
DC Field | Value |
---|---|
dc.identifier |
ECF_book_127 |
dc.creator |
Bognolo Anna |
dc.creator |
del Barrio de la Rosa Florencio |
dc.creator |
Ojeda Calvo María del Valle |
dc.creator |
Pini Donatella |
dc.creator |
Zinato Andrea |
dc.title |
Serenísima palabra. Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014) |
dc.type |
Edited book |
dc.language.iso |
it |
dc.description.abstract |
From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.identifier.doi |
10.14277/978-88-6969-163-8 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-07-03 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-164-5/ |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-164-5 |
dc.identifier.eisbn |
978-88-6969-163-8 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
17th Century |
dc.subject |
17th Century |
dc.subject |
17th century |
dc.subject |
17th century |
dc.subject |
17th century |
dc.subject |
17th century |
dc.subject |
17th century Theatre |
dc.subject |
17th century Theatre |
dc.subject |
Adaptation Studies |
dc.subject |
Adaptation Studies |
dc.subject |
Adventure books |
dc.subject |
Adventure books |
dc.subject |
Affect |
dc.subject |
Affect |
dc.subject |
Affinities |
dc.subject |
Affinities |
dc.subject |
Alonso Remón |
dc.subject |
Alonso Remón |
dc.subject |
Alonso de Castillo Solórzano |
dc.subject |
Alonso de Castillo Solórzano |
dc.subject |
Ambiguity |
dc.subject |
Ambiguity |
dc.subject |
Aminta |
dc.subject |
Aminta |
dc.subject |
Anacreontics |
dc.subject |
Anacreontics |
dc.subject |
Anagilda |
dc.subject |
Anagilda |
dc.subject |
Analysis |
dc.subject |
Analysis |
dc.subject |
Anthroponomy |
dc.subject |
Anthroponomy |
dc.subject |
Anti-aulic satire |
dc.subject |
Anti-aulic satire |
dc.subject |
Antonio Sacchi |
dc.subject |
Antonio Sacchi |
dc.subject |
Antonio de Zamora |
dc.subject |
Antonio de Zamora |
dc.subject |
Asceticism |
dc.subject |
Asceticism |
dc.subject |
Atonement |
dc.subject |
Atonement |
dc.subject |
Attributed authorship |
dc.subject |
Attributed authorship |
dc.subject |
Authors |
dc.subject |
Authors |
dc.subject |
Authorship |
dc.subject |
Authorship |
dc.subject |
Authorship |
dc.subject |
Authorship |
dc.subject |
Auto |
dc.subject |
Auto |
dc.subject |
Autobiography |
dc.subject |
Autobiography |
dc.subject |
Bandello |
dc.subject |
Bandello |
dc.subject |
Barahona de Soto |
dc.subject |
Barahona de Soto |
dc.subject |
Barbers |
dc.subject |
Barbers |
dc.subject |
Baroque |
dc.subject |
Baroque |
dc.subject |
Baroque comedy |
dc.subject |
Baroque comedy |
dc.subject |
Baroque poetry |
dc.subject |
Baroque poetry |
dc.subject |
Baroque theater |
dc.subject |
Baroque theater |
dc.subject |
Bernardo de Sandoval y Rojas |
dc.subject |
Bernardo de Sandoval y Rojas |
dc.subject |
Bible |
dc.subject |
Bible |
dc.subject |
Bibliography |
dc.subject |
Bibliography |
dc.subject |
Bibliography |
dc.subject |
Bibliography |
dc.subject |
Book of Job |
dc.subject |
Book of Job |
dc.subject |
Booklets |
dc.subject |
Booklets |
dc.subject |
Butterfly |
dc.subject |
Butterfly |
dc.subject |
CABIGO |
dc.subject |
CABIGO |
dc.subject |
Caballero de Illescas |
dc.subject |
Caballero de Illescas |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón |
dc.subject |
Calderón de a Barca |
dc.subject |
Calderón de a Barca |
dc.subject |
Carlo Goldoni |
dc.subject |
Carlo Goldoni |
dc.subject |
Carlo Gozzi |
dc.subject |
Carlo Gozzi |
dc.subject |
Castillejo |
dc.subject |
Castillejo |
dc.subject |
Castillo Solórzano |
dc.subject |
Castillo Solórzano |
dc.subject |
Catalogue |
dc.subject |
Catalogue |
dc.subject |
Cea Tesa |
dc.subject |
Cea Tesa |
dc.subject |
Censors |
dc.subject |
Censors |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Chivalric romance |
dc.subject |
Chivalric romance |
dc.subject |
Christian preacher |
dc.subject |
Christian preacher |
dc.subject |
Coherence |
dc.subject |
Coherence |
dc.subject |
Cohesion |
dc.subject |
Cohesion |
dc.subject |
Collaboration |
dc.subject |
Collaboration |
dc.subject |
Comedia nueva |
dc.subject |
Comedia nueva |
dc.subject |
Comedias de pícaros |
dc.subject |
Comedias de pícaros |
dc.subject |
Comedy |
dc.subject |
Comedy |
dc.subject |
Comedy |
dc.subject |
Comedy |
dc.subject |
Comedy of magic |
dc.subject |
Comedy of magic |
dc.subject |
Conquest of Peru |
dc.subject |
Conquest of Peru |
dc.subject |
Controversy |
dc.subject |
Controversy |
dc.subject |
Copper coin |
dc.subject |
Copper coin |
dc.subject |
Correction to editio princeps |
dc.subject |
Correction to editio princeps |
dc.subject |
Corruption |
dc.subject |
Corruption |
dc.subject |
Council of Castile |
dc.subject |
Council of Castile |
dc.subject |
Countess of Harrach |
dc.subject |
Countess of Harrach |
dc.subject |
Court |
dc.subject |
Court |
dc.subject |
Cristóbal de Morales |
dc.subject |
Cristóbal de Morales |
dc.subject |
Critical edition |
dc.subject |
Critical edition |
dc.subject |
Critical editions of literary Works |
dc.subject |
Critical editions of literary Works |
dc.subject |
Cut flower |
dc.subject |
Cut flower |
dc.subject |
Cáncer |
dc.subject |
Cáncer |
dc.subject |
Cándido María Trigueros |
dc.subject |
Cándido María Trigueros |
dc.subject |
Córdoba |
dc.subject |
Córdoba |
dc.subject |
Dalila |
dc.subject |
Dalila |
dc.subject |
Decameron |
dc.subject |
Decameron |
dc.subject |
Decorum |
dc.subject |
Decorum |
dc.subject |
Dedicatees |
dc.subject |
Dedicatees |
dc.subject |
Dedications |
dc.subject |
Dedications |
dc.subject |
Descartes |
dc.subject |
Descartes |
dc.subject |
Diccionario de Autoridades |
dc.subject |
Diccionario de Autoridades |
dc.subject |
Disgust |
dc.subject |
Disgust |
dc.subject |
Diálogo de la lengua |
dc.subject |
Diálogo de la lengua |
dc.subject |
Don Quixote |
dc.subject |
Don Quixote |
dc.subject |
Don Quixote |
dc.subject |
Don Quixote |
dc.subject |
Donkey |
dc.subject |
Donkey |
dc.subject |
Dramatic formula |
dc.subject |
Dramatic formula |
dc.subject |
Dramatic space |
dc.subject |
Dramatic space |
dc.subject |
Dynamism |
dc.subject |
Dynamism |
dc.subject |
Díaz de Rivas |
dc.subject |
Díaz de Rivas |
dc.subject |
Early Music |
dc.subject |
Early Music |
dc.subject |
Edition |
dc.subject |
Edition |
dc.subject |
Edition |
dc.subject |
Edition |
dc.subject |
El bautismo del príncipe de Marruecos |
dc.subject |
El bautismo del príncipe de Marruecos |
dc.subject |
El dómine Lucas |
dc.subject |
El dómine Lucas |
dc.subject |
El maestro de danzar |
dc.subject |
El maestro de danzar |
dc.subject |
El piadoso veneciano |
dc.subject |
El piadoso veneciano |
dc.subject |
Empire |
dc.subject |
Empire |
dc.subject |
Empresas políticas |
dc.subject |
Empresas políticas |
dc.subject |
Enchantment of Dulcinea |
dc.subject |
Enchantment of Dulcinea |
dc.subject |
Enríquez de Cabrera |
dc.subject |
Enríquez de Cabrera |
dc.subject |
Epic and Drama |
dc.subject |
Epic and Drama |
dc.subject |
Epic poetry |
dc.subject |
Epic poetry |
dc.subject |
Eroticism |
dc.subject |
Eroticism |
dc.subject |
Espada sagrada |
dc.subject |
Espada sagrada |
dc.subject |
Eulogy |
dc.subject |
Eulogy |
dc.subject |
Exemplary Novels |
dc.subject |
Exemplary Novels |
dc.subject |
Experience |
dc.subject |
Experience |
dc.subject |
Explicitation |
dc.subject |
Explicitation |
dc.subject |
Expression |
dc.subject |
Expression |
dc.subject |
Facetia |
dc.subject |
Facetia |
dc.subject |
Farsalia |
dc.subject |
Farsalia |
dc.subject |
Fear |
dc.subject |
Fear |
dc.subject |
Female reader |
dc.subject |
Female reader |
dc.subject |
Fernando de Herrera |
dc.subject |
Fernando de Herrera |
dc.subject |
Fernández de Lizardi |
dc.subject |
Fernández de Lizardi |
dc.subject |
Festive relation |
dc.subject |
Festive relation |
dc.subject |
Figurón comedy |
dc.subject |
Figurón comedy |
dc.subject |
Financial crisis |
dc.subject |
Financial crisis |
dc.subject |
Fine taste |
dc.subject |
Fine taste |
dc.subject |
Francesco Portonari |
dc.subject |
Francesco Portonari |
dc.subject |
Francisco de La Torre |
dc.subject |
Francisco de La Torre |
dc.subject |
Francisco de Leefdael |
dc.subject |
Francisco de Leefdael |
dc.subject |
Francisco de Quevedo |
dc.subject |
Francisco de Quevedo |
dc.subject |
Fraud |
dc.subject |
Fraud |
dc.subject |
French Classical Theatre |
dc.subject |
French Classical Theatre |
dc.subject |
Gemstones |
dc.subject |
Gemstones |
dc.subject |
Giacomo Franco |
dc.subject |
Giacomo Franco |
dc.subject |
Girolamo Gigli |
dc.subject |
Girolamo Gigli |
dc.subject |
Golden Age |
dc.subject |
Golden Age |
dc.subject |
Golden Age Poetry |
dc.subject |
Golden Age Poetry |
dc.subject |
Golden Age minor theater |
dc.subject |
Golden Age minor theater |
dc.subject |
Gongorism |
dc.subject |
Gongorism |
dc.subject |
Granada |
dc.subject |
Granada |
dc.subject |
Graphical changes |
dc.subject |
Graphical changes |
dc.subject |
Grotesque body |
dc.subject |
Grotesque body |
dc.subject |
Guzmán de Alfarache |
dc.subject |
Guzmán de Alfarache |
dc.subject |
Guzmán de Alfarache |
dc.subject |
Guzmán de Alfarache |
dc.subject |
Gypsies |
dc.subject |
Gypsies |
dc.subject |
Góngora |
dc.subject |
Góngora |
dc.subject |
Hagiographic drama |
dc.subject |
Hagiographic drama |
dc.subject |
Helmet of Mambrino |
dc.subject |
Helmet of Mambrino |
dc.subject |
Hernando de Acuña |
dc.subject |
Hernando de Acuña |
dc.subject |
Hernán Núñez |
dc.subject |
Hernán Núñez |
dc.subject |
History of Spanis language |
dc.subject |
History of Spanis language |
dc.subject |
History of book |
dc.subject |
History of book |
dc.subject |
History of typography |
dc.subject |
History of typography |
dc.subject |
Homeric simile |
dc.subject |
Homeric simile |
dc.subject |
Honour |
dc.subject |
Honour |
dc.subject |
Iberism |
dc.subject |
Iberism |
dc.subject |
Ideology |
dc.subject |
Ideology |
dc.subject |
Illustrated edition |
dc.subject |
Illustrated edition |
dc.subject |
Images |
dc.subject |
Images |
dc.subject |
Imago |
dc.subject |
Imago |
dc.subject |
Ineffable language |
dc.subject |
Ineffable language |
dc.subject |
Insane asylums |
dc.subject |
Insane asylums |
dc.subject |
Interpretation |
dc.subject |
Interpretation |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
Italian |
dc.subject |
Italian |
dc.subject |
Italian Renaissance |
dc.subject |
Italian Renaissance |
dc.subject |
Italian humanist short prose |
dc.subject |
Italian humanist short prose |
dc.subject |
Italian translation |
dc.subject |
Italian translation |
dc.subject |
Italophile |
dc.subject |
Italophile |
dc.subject |
Italy |
dc.subject |
Italy |
dc.subject |
Italy |
dc.subject |
Italy |
dc.subject |
Jerónimo Corte-Real |
dc.subject |
Jerónimo Corte-Real |
dc.subject |
Jewels |
dc.subject |
Jewels |
dc.subject |
Jiménez Patón |
dc.subject |
Jiménez Patón |
dc.subject |
Jorge de Montemayor |
dc.subject |
Jorge de Montemayor |
dc.subject |
José Saramago |
dc.subject |
José Saramago |
dc.subject |
José de Arroyo |
dc.subject |
José de Arroyo |
dc.subject |
José de la Concha |
dc.subject |
José de la Concha |
dc.subject |
Journey |
dc.subject |
Journey |
dc.subject |
Juan Bautista Pederzano |
dc.subject |
Juan Bautista Pederzano |
dc.subject |
Juan de Mariana |
dc.subject |
Juan de Mariana |
dc.subject |
Juan de Valdés |
dc.subject |
Juan de Valdés |
dc.subject |
Justice |
dc.subject |
Justice |
dc.subject |
Jáuregui |
dc.subject |
Jáuregui |
dc.subject |
King Sebastian |
dc.subject |
King Sebastian |
dc.subject |
Komenský |
dc.subject |
Komenský |
dc.subject |
Kundera |
dc.subject |
Kundera |
dc.subject |
La Gerusalemme liberata |
dc.subject |
La Gerusalemme liberata |
dc.subject |
La Maya |
dc.subject |
La Maya |
dc.subject |
La Zucca del Doni en spañol |
dc.subject |
La Zucca del Doni en spañol |
dc.subject |
La noche de San Juan |
dc.subject |
La noche de San Juan |
dc.subject |
Labyrinth |
dc.subject |
Labyrinth |
dc.subject |
Lady of Copacabana |
dc.subject |
Lady of Copacabana |
dc.subject |
Language |
dc.subject |
Language |
dc.subject |
Language |
dc.subject |
Language |
dc.subject |
Las dos doncellas |
dc.subject |
Las dos doncellas |
dc.subject |
Letters |
dc.subject |
Letters |
dc.subject |
Libretto |
dc.subject |
Libretto |
dc.subject |
Literary Forgery |
dc.subject |
Literary Forgery |
dc.subject |
Literary authors |
dc.subject |
Literary authors |
dc.subject |
Literary censorship |
dc.subject |
Literary censorship |
dc.subject |
Literary criticism |
dc.subject |
Literary criticism |
dc.subject |
Literary sources |
dc.subject |
Literary sources |
dc.subject |
Literary styles |
dc.subject |
Literary styles |
dc.subject |
Literature |
dc.subject |
Literature |
dc.subject |
Lope |
dc.subject |
Lope |
dc.subject |
Lope |
dc.subject |
Lope |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope de Vega |
dc.subject |
Lope sources |
dc.subject |
Lope sources |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love |
dc.subject |
Love poetry |
dc.subject |
Love poetry |
dc.subject |
Lovers |
dc.subject |
Lovers |
dc.subject |
Low Baroque |
dc.subject |
Low Baroque |
dc.subject |
Luigi Groto |
dc.subject |
Luigi Groto |
dc.subject |
Luis Gálvez de Montalvo |
dc.subject |
Luis Gálvez de Montalvo |
dc.subject |
Luís de Camões |
dc.subject |
Luís de Camões |
dc.subject |
Madmen |
dc.subject |
Madmen |
dc.subject |
Madrid |
dc.subject |
Madrid |
dc.subject |
Margaret Theresa of Spain |
dc.subject |
Margaret Theresa of Spain |
dc.subject |
Marginalization |
dc.subject |
Marginalization |
dc.subject |
Matos Fragoso |
dc.subject |
Matos Fragoso |
dc.subject |
Melchor Díaz de Toledo |
dc.subject |
Melchor Díaz de Toledo |
dc.subject |
Mendeley |
dc.subject |
Mendeley |
dc.subject |
Mercadante |
dc.subject |
Mercadante |
dc.subject |
Metaphor |
dc.subject |
Metaphor |
dc.subject |
Metaphors |
dc.subject |
Metaphors |
dc.subject |
Metre |
dc.subject |
Metre |
dc.subject |
Metrics |
dc.subject |
Metrics |
dc.subject |
Miguel Torga |
dc.subject |
Miguel Torga |
dc.subject |
Miguel de Cervantes |
dc.subject |
Miguel de Cervantes |
dc.subject |
Modernity |
dc.subject |
Modernity |
dc.subject |
Moreto |
dc.subject |
Moreto |
dc.subject |
Morisco figures |
dc.subject |
Morisco figures |
dc.subject |
Music |
dc.subject |
Music |
dc.subject |
Mystical symbols |
dc.subject |
Mystical symbols |
dc.subject |
Mysticism |
dc.subject |
Mysticism |
dc.subject |
Mysticism |
dc.subject |
Mysticism |
dc.subject |
Mythification |
dc.subject |
Mythification |
dc.subject |
Nadie fíe su secreto |
dc.subject |
Nadie fíe su secreto |
dc.subject |
New Spain |
dc.subject |
New Spain |
dc.subject |
Nicolini da Sabbio |
dc.subject |
Nicolini da Sabbio |
dc.subject |
Notes |
dc.subject |
Notes |
dc.subject |
Notes in scholarly editions |
dc.subject |
Notes in scholarly editions |
dc.subject |
Novel |
dc.subject |
Novel |
dc.subject |
Novelas ejemplares |
dc.subject |
Novelas ejemplares |
dc.subject |
Novelle |
dc.subject |
Novelle |
dc.subject |
Nuns |
dc.subject |
Nuns |
dc.subject |
Octosyllabic verse |
dc.subject |
Octosyllabic verse |
dc.subject |
Oliveros de Castilla |
dc.subject |
Oliveros de Castilla |
dc.subject |
Olivieri di Castiglia |
dc.subject |
Olivieri di Castiglia |
dc.subject |
Open access |
dc.subject |
Open access |
dc.subject |
Order of the Golden Fleece |
dc.subject |
Order of the Golden Fleece |
dc.subject |
Orthographiy |
dc.subject |
Orthographiy |
dc.subject |
Orthography |
dc.subject |
Orthography |
dc.subject |
Painting |
dc.subject |
Painting |
dc.subject |
Paremiology |
dc.subject |
Paremiology |
dc.subject |
Parody |
dc.subject |
Parody |
dc.subject |
Parody |
dc.subject |
Parody |
dc.subject |
Pedro Sarmiento de Gamboa |
dc.subject |
Pedro Sarmiento de Gamboa |
dc.subject |
Perfecto predicador |
dc.subject |
Perfecto predicador |
dc.subject |
Philip IV |
dc.subject |
Philip IV |
dc.subject |
Philology |
dc.subject |
Philology |
dc.subject |
Philosophical method |
dc.subject |
Philosophical method |
dc.subject |
Phonetics |
dc.subject |
Phonetics |
dc.subject |
Picaresque novel |
dc.subject |
Picaresque novel |
dc.subject |
Playing cards |
dc.subject |
Playing cards |
dc.subject |
Poetics |
dc.subject |
Poetics |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Poetry about music |
dc.subject |
Poetry about music |
dc.subject |
Poggio Bracciolini |
dc.subject |
Poggio Bracciolini |
dc.subject |
Politics |
dc.subject |
Politics |
dc.subject |
Popular culture |
dc.subject |
Popular culture |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Portugal |
dc.subject |
Portuguese poetry |
dc.subject |
Portuguese poetry |
dc.subject |
Post-Tridentine Spain |
dc.subject |
Post-Tridentine Spain |
dc.subject |
Preacher |
dc.subject |
Preacher |
dc.subject |
Preaching |
dc.subject |
Preaching |
dc.subject |
Press |
dc.subject |
Press |
dc.subject |
Priest |
dc.subject |
Priest |
dc.subject |
Prior censorship |
dc.subject |
Prior censorship |
dc.subject |
Promujer |
dc.subject |
Promujer |
dc.subject |
Proverbs |
dc.subject |
Proverbs |
dc.subject |
Proverbs |
dc.subject |
Proverbs |
dc.subject |
Public-Private relation |
dc.subject |
Public-Private relation |
dc.subject |
Publisher |
dc.subject |
Publisher |
dc.subject |
Pynchon |
dc.subject |
Pynchon |
dc.subject |
Queen Isabel de Borbón |
dc.subject |
Queen Isabel de Borbón |
dc.subject |
Quevedo |
dc.subject |
Quevedo |
dc.subject |
Quevedo |
dc.subject |
Quevedo |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quijote |
dc.subject |
Quixote |
dc.subject |
Quixote |
dc.subject |
Quiñones de Benavente |
dc.subject |
Quiñones de Benavente |
dc.subject |
Quotations |
dc.subject |
Quotations |
dc.subject |
Reception theory |
dc.subject |
Reception theory |
dc.subject |
Refranes |
dc.subject |
Refranes |
dc.subject |
Religious Poetry |
dc.subject |
Religious Poetry |
dc.subject |
Renaissance books |
dc.subject |
Renaissance books |
dc.subject |
Renascence |
dc.subject |
Renascence |
dc.subject |
Repentance |
dc.subject |
Repentance |
dc.subject |
Republic of Letters |
dc.subject |
Republic of Letters |
dc.subject |
Rewriting |
dc.subject |
Rewriting |
dc.subject |
Rewriting |
dc.subject |
Rewriting |
dc.subject |
Rhetoric |
dc.subject |
Rhetoric |
dc.subject |
Rhetoric |
dc.subject |
Rhetoric |
dc.subject |
Rimas |
dc.subject |
Rimas |
dc.subject |
Robbery |
dc.subject |
Robbery |
dc.subject |
Roberto el diablo |
dc.subject |
Roberto el diablo |
dc.subject |
Rojas Zorrilla |
dc.subject |
Rojas Zorrilla |
dc.subject |
Romances of chivalry |
dc.subject |
Romances of chivalry |
dc.subject |
Rosete Niño |
dc.subject |
Rosete Niño |
dc.subject |
Saavedra Fajardo |
dc.subject |
Saavedra Fajardo |
dc.subject |
Sacrament of penance |
dc.subject |
Sacrament of penance |
dc.subject |
San Juan de la Cruz |
dc.subject |
San Juan de la Cruz |
dc.subject |
Santa Teresa |
dc.subject |
Santa Teresa |
dc.subject |
Satire |
dc.subject |
Satire |
dc.subject |
Satire |
dc.subject |
Satire |
dc.subject |
Satyre |
dc.subject |
Satyre |
dc.subject |
Segmentation |
dc.subject |
Segmentation |
dc.subject |
Sermon |
dc.subject |
Sermon |
dc.subject |
Sermons |
dc.subject |
Sermons |
dc.subject |
Seven love letters |
dc.subject |
Seven love letters |
dc.subject |
Seventeenth century |
dc.subject |
Seventeenth century |
dc.subject |
Seville |
dc.subject |
Seville |
dc.subject |
Shame |
dc.subject |
Shame |
dc.subject |
Short farce |
dc.subject |
Short farce |
dc.subject |
Siglo de Oro |
dc.subject |
Siglo de Oro |
dc.subject |
Slang |
dc.subject |
Slang |
dc.subject |
Sociability |
dc.subject |
Sociability |
dc.subject |
Sociology |
dc.subject |
Sociology |
dc.subject |
Sonnet |
dc.subject |
Sonnet |
dc.subject |
Sonnets |
dc.subject |
Sonnets |
dc.subject |
Spain |
dc.subject |
Spain |
dc.subject |
Spanish Court Poetry |
dc.subject |
Spanish Court Poetry |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age |
dc.subject |
Spanish Golden Age Theatre |
dc.subject |
Spanish Golden Age Theatre |
dc.subject |
Spanish Golden Age entremeses |
dc.subject |
Spanish Golden Age entremeses |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age theatre |
dc.subject |
Spanish Golden Age, History of Linguistics |
dc.subject |
Spanish Golden Age, History of Linguistics |
dc.subject |
Spanish Novel |
dc.subject |
Spanish Novel |
dc.subject |
Spanish Poetry |
dc.subject |
Spanish Poetry |
dc.subject |
Spanish literature of the Golden Age |
dc.subject |
Spanish literature of the Golden Age |
dc.subject |
Spanish theatre |
dc.subject |
Spanish theatre |
dc.subject |
Spiritual poetry |
dc.subject |
Spiritual poetry |
dc.subject |
Stage |
dc.subject |
Stage |
dc.subject |
String literature |
dc.subject |
String literature |
dc.subject |
Style |
dc.subject |
Style |
dc.subject |
Stylistic development |
dc.subject |
Stylistic development |
dc.subject |
Suspension |
dc.subject |
Suspension |
dc.subject |
Symbolism |
dc.subject |
Symbolism |
dc.subject |
Tametsi decree |
dc.subject |
Tametsi decree |
dc.subject |
Tesoro de la Lengua Castellana |
dc.subject |
Tesoro de la Lengua Castellana |
dc.subject |
Textual bibliography |
dc.subject |
Textual bibliography |
dc.subject |
The Book of Judges |
dc.subject |
The Book of Judges |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theater |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre |
dc.subject |
Theatre Translation |
dc.subject |
Theatre Translation |
dc.subject |
Timanthes |
dc.subject |
Timanthes |
dc.subject |
Topos |
dc.subject |
Topos |
dc.subject |
Tradition |
dc.subject |
Tradition |
dc.subject |
Tragic play |
dc.subject |
Tragic play |
dc.subject |
Traitors |
dc.subject |
Traitors |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation |
dc.subject |
Translation Studies |
dc.subject |
Translation Studies |
dc.subject |
Translation constraints |
dc.subject |
Translation constraints |
dc.subject |
Translator |
dc.subject |
Translator |
dc.subject |
Translators |
dc.subject |
Translators |
dc.subject |
Travel narratives |
dc.subject |
Travel narratives |
dc.subject |
Tree |
dc.subject |
Tree |
dc.subject |
Trees |
dc.subject |
Trees |
dc.subject |
Tridentin work |
dc.subject |
Tridentin work |
dc.subject |
Truth |
dc.subject |
Truth |
dc.subject |
Twentieth century |
dc.subject |
Twentieth century |
dc.subject |
Unstable |
dc.subject |
Unstable |
dc.subject |
Uruguay |
dc.subject |
Uruguay |
dc.subject |
Variety |
dc.subject |
Variety |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venitian printing |
dc.subject |
Venitian printing |
dc.subject |
Versification |
dc.subject |
Versification |
dc.subject |
Vázquez Siruela |
dc.subject |
Vázquez Siruela |
dc.subject |
Walter Raleigh |
dc.subject |
Walter Raleigh |
dc.subject |
Witticism |
dc.subject |
Witticism |
dc.subject |
Women writers |
dc.subject |
Women writers |
dc.subject |
XVII century |
dc.subject |
XVII century |
dc.subject |
interludes |
dc.subject |
interludes |
dc.subject |
resemantization |
dc.subject |
resemantization |
dc.subject |
Álvar Núñez Cabeza de Vaca |
dc.subject |
Álvar Núñez Cabeza de Vaca |
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