Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Mercadante • Cristóbal de Morales • Phonetics • Witticism • La Maya • Literary styles • Homeric simile • Aminta • Antonio Sacchi • Censors • Barahona de Soto • San Juan de la Cruz • Philology • Spanish Golden Age theatre • Quevedo • Spanish literature of the Golden Age • La Zucca del Doni en spañol • Facetia • Rosete Niño • Slang • Stylistic development • Cohesion • Trees • Libretto • Góngora • Italian translation • Decameron • Bible • El maestro de danzar • Poggio Bracciolini • Seventeenth century • Fernando de Herrera • Uruguay • José de Arroyo • Dedications • Analysis • Sonnets • Letters • Baroque • Novelas ejemplares • Early Music • Spanish Golden Age, History of Linguistics • Translation constraints • Popular culture • Short farce • Fernández de Lizardi • Italian Renaissance • Don Quixote • Sermons • Variety • Interpretation • Alonso de Castillo Solórzano • Spiritual poetry • Graphical changes • Sonnet • Christian preacher • Cervantes • Guzmán de Alfarache • Cut flower • Rojas Zorrilla • Countess of Harrach • Cándido María Trigueros • Italy • Timanthes • José de la Concha • Hernando de Acuña • Literary Forgery • Authors • Cea Tesa • The Book of Judges • Seven love letters • Literary criticism • Moreto • Baroque comedy • Juan de Valdés • Helmet of Mambrino • Repentance • Coherence • Baroque poetry • Open access • Olivieri di Castiglia • José Saramago • Sacrament of penance • Tametsi decree • Textual bibliography • Renaissance books • Roberto el diablo • Modernity • Journey • Autobiography • Nicolini da Sabbio • Venitian printing • Marginalization • Epic and Drama • interludes • Enchantment of Dulcinea • Philip IV • Novelle • Fine taste • Fraud • Miguel Torga • Luís de Camões • Anacreontics • Rewriting • New Spain • Lope • Chivalric romance • Copper coin • Calderón de a Barca • Enríquez de Cabrera • Las dos doncellas • Dynamism • Robbery • Prior censorship • Spanish Poetry • Adventure books • Nuns • Low Baroque • Court • Poetry about music • Fear • XVII century • Public-Private relation • Conquest of Peru • Disgust • Pedro Sarmiento de Gamboa • Quotations • Kundera • Justice • Espada sagrada • Mythification • Sociability • Spanish Golden Age entremeses • Imago • Caballero de Illescas • Figurón comedy • Spanish Golden Age Theatre • 17th Century • Translation • Novel • Reception theory • Theatre • Love poetry • La Gerusalemme liberata • Lovers • Golden Age minor theater • Spanish theatre • Luigi Groto • Álvar Núñez Cabeza de Vaca • Santa Teresa • Metre • Religious Poetry • Authorship • Francesco Portonari • Grotesque body • Publisher • Decorum • Explicitation • Hernán Núñez • Melchor Díaz de Toledo • Gypsies • Spanish Novel • History of book • Sermon • Dramatic space • Barbers • Correction to editio princeps • resemantization • Images • Siglo de Oro • Literary censorship • Diálogo de la lengua • Gemstones • Controversy • Travel narratives • Portuguese poetry • Spanish Court Poetry • 17th century Theatre • Queen Isabel de Borbón • King Sebastian • Priest • Sociology • Quiñones de Benavente • Mysticism • Anthroponomy • Margaret Theresa of Spain • Italian • Jáuregui • El bautismo del príncipe de Marruecos • Satyre • Antonio de Zamora • Stage • Comedy • Tradition • Affect • Descartes • Diccionario de Autoridades • Picaresque novel • Literary sources • Suspension • Juan de Mariana • Press • Lady of Copacabana • Octosyllabic verse • Walter Raleigh • Paremiology • Corruption • Adaptation Studies • French Classical Theatre • Metaphors • Eroticism • Expression • Mendeley • Financial crisis • Cáncer • Republic of Letters • Attributed authorship • El dómine Lucas • Ideology • Illustrated edition • Córdoba • Theater • Politics • Exemplary Novels • Philosophical method • Girolamo Gigli • Labyrinth • Golden Age Poetry • Farsalia • Ambiguity • Lope sources • Collaboration • Mystical symbols • Francisco de Leefdael • Carlo Goldoni • Francisco de La Torre • Hagiographic drama • Spanish Golden Age • Theatre Translation • Book of Job • Giacomo Franco • Playing cards • Iberism • Notes • Critical edition • Style • Catalogue • Gongorism • Post-Tridentine Spain • Painting • Honour • Dedicatees • Dalila • Baroque theater • Jorge de Montemayor • Tesoro de la Lengua Castellana • Booklets • CABIGO • Romances of chivalry • Edition • Miguel de Cervantes • Perfecto predicador • Rimas • Alonso Remón • Experience • Poetics • Women writers • Luis Gálvez de Montalvo • Preacher • Morisco figures • Critical editions of literary Works • Ineffable language • Granada • Notes in scholarly editions • Quijote • Orthographiy • Tridentin work • Italophile • Preaching • Translation Studies • Nadie fíe su secreto • Anagilda • Poetry • Pynchon • Butterfly • Saavedra Fajardo • Jerónimo Corte-Real • Auto • Translators • 17th century • Dramatic formula • Spain • Bibliography • Castillo Solórzano • Asceticism • Affinities • Traitors • Italian humanist short prose • El piadoso veneciano • String literature • Empresas políticas • Lope de Vega • Calderón • Madrid • Satire • Renascence • Carlo Gozzi • Donkey • Parody • Díaz de Rivas • Intertextuality • Language • Shame • Castillejo • History of Spanis language • Anti-aulic satire • Tree • Tragic play • History of typography • Bernardo de Sandoval y Rojas • Translator • Juan Bautista Pederzano • Vázquez Siruela • Twentieth century • Order of the Golden Fleece • Versification • Music • Bandello • Eulogy • Comedia nueva • Topos • Seville • Symbolism • Proverbs • Empire • Venice • Komenský • Atonement • Madmen • Literature • Portugal • Truth • Festive relation • Francisco de Quevedo • Female reader • Segmentation • Jiménez Patón • Insane asylums • Jewels • Unstable • Comedy of magic • Metrics • Orthography • Matos Fragoso • Promujer • Golden Age • Refranes • Metaphor • Oliveros de Castilla • Quixote • Comedias de pícaros • Council of Castile • Love • Epic poetry • Literary authors • La noche de San Juan • Rhetoric

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.