Studi e ricerche

The Merchant in Venice: Shakespeare in the Ghetto

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open access
    edited by
  • Shaul Bassi - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Carol Chillington Rutter - University of Warwick, UK - email

Abstract

This book records the landmark performance of The Merchant of Venice in the Venetian Ghetto in 2016, the 400th anniversary of Shakespeare’s death and the 500th anniversary of the Jewish quarter that gave the world the word ‘ghetto’. Practitioners and critics discuss how this multi-ethnic production and its radical choice to cast five actors as Shylock provided the opportunity to respond creatively to Europe’s legacy of antisemitism, racism and difference. They observe how the place and play stand as ambivalent documents of civilization: instruments of intolerance but also sites of cultural exchange.

Keywords HeritageReynaldo HahnFHolocaustPortiaKarin CoonrodAdaptationTheatre designCostume designMario Castelnuovo-TedescoHumanitiesMurray AbrahamShakespeare’s trial scenesVeniceOperaAdapting ShakespeareCompagnia de’ ColombariJessicaLighting designMercyOtto TaubmannGeorge Braque and ShakespeareMemoryCharles and Mary LambNarrativizationFictionSite-specific designTranslationRehearsalThe quality of mercyChildren reading ShakespeareAestheticismAntisemitismMusicAldo FinziLorenzoLancelot GobboGhettoAntonioHistoryMusic designMock Trial: Shylock vActors on ShakespeareBassanioDirecting ShakespeareCiro PinsutiShakespeare’s comedies of loveThe Merchant of VeniceLaurence OlivierLewis CarrollJosef BThe Merchant in the GhettoDesigning ShakespeareSite-specific performanceChildren’s literatureRuth Bader GinsburgPerforming ShakespeareAdrian BeechamShylockGratianoJewsThe Merchant of Venice in the GhettoSite-specific ShakespeareFoersterChromaticismMock Appeal: Shylock vSite specific performance

Permalink http://doi.org/10.30687/978-88-6969-503-2 | e-ISBN 978-88-6969-503-2 | ISBN (PRINT) 978-88-6969-504-9 | Number of pages 238 | Dimensions 16x23cm | Published June 10, 2021 | Language en