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El Madrid de 1617 como espacio dramático

Otra mirada a Lo que pasa en una tarde de Lope de Vega

Abstract

I have proposed to conduct a review of critical studies and editions of Lo que pasa en una tarde of Lope de Vega, from which present another reading of the work that completes the previous. The analyzed axes are: a) the workspace configuration dramatic in relation to the Real sitio of the Casa de Campo as essential to make plausible the plot and b) the complex dramatic composition based on one of the most common metateatrales forms, according to which the tramoyera Lady and the gracioso created fictions to compel act other characters so end fits to their wishes.  


Open access | Peer reviewed

Presentato: 17 Luglio 2015 | Accettato: 14 Dicembre 2016 | Lingua: it

Keywords Lope • Dramatic space • Madrid

Copyright © 2017 Edith Marta Villarino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/6969-163-8/RiB-5-62


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