Eurasian Studies Balkans, Anatolia, Iran, Caucasus and Central Asia Studies Notebooks

Series | Eurasian Studies
Volume 4 | Edited book | «A mari usque ad mare»

«A mari usque ad mare»

Visual and material culture from the Adriatic to India

open access
    edited by
  • Mattia Guidetti - Universität Wien, Österreich - email
  • Sara Mondini - Università Ca’ Foscari Venezia, Italia - email orcid profile

Abstract
This volume offers an academic homage to Professor Gianclaudio Macchiarella and is at the same time a gathering of close friends and colleagues in memory of a Maestro and a friend. 
A year after his death, the intention here is to bear witness to the scholar in all his versatility and complexity, with even informal tones that are befitting of a great affection: that of colleagues and friends who collaborated and participated in his missions, who clashed and confronted with him, and shared fragments of life, important for their training and growth. 
The title chosen for the volume 'A mari usque ad mare' is intended to evoke the spatial extent of the interventions of the authors who took part in this publication. A breadth that is a reflection of Gianclaudio Macchiarella's studies, which from an initial interest in the Italian early Middle Ages, then turned to the Christians of the East, then Islamic art and architecture, the restoration and preservation of cultural heritage, and finally, in recent years, India and the Balkans.

Keywords Acceptus magister • Bektashi dervishes • Hierarchy • Monte Sant’Angelo • Artists’ signature • Column capitals • Adriatic culture • Bathhouses decoration • Armory school • Armenian Revolutionary Movement • Siponto • Theodoros Poulakis • Qusayr ‘Amra • Photojournalism • David magister • Mendicant Orders • Paradise • Orhan Pamuk • Pathos in painting • Haban faience • Montage • Sertavul Han • Cultural heritage • Anti-seismic devices • Armenia • Early medieval sculpture • Italian-Ottoman relations • Bekthasism • Poetry • Inscriptions • Communism • Pedagogy • Armenian architecture • Islamic iconography • Privateers • Icons • Bahmani • Testing • Ani • Byzantine architecture • Late antiquity • Bilingual inscriptions • Evliya Çelebi • Spiritual dimension • Quran • Urartu • Security • Balkan art • Database for monuments • Sufi commentary • Albania • UNESCO • Apulia • Albanian architecture • Sufi music • Bathhouses • Safavid painting • Religious architecture • Conservation • Bidel • Early Islam • Hunting scenes • Islamic aesthetics • Representation of architecture • Qur’an • Turkey • Deccan • Gianclaudio Macchiarella • Global Middle Ages • Visual anthropology • Armenian Genocide • Neoliberalism and academia • Canosa • Administration • Birds • Gregory the Illuminator • Instituti i Monumenteve të Kulturës (IMK) • Representation of kings • Ashik • Long manched lute saz • Kingdom of Vaspurakan • Italian culture in the USA • Balkans • Tombstone • Yahya Kemal • Foreign affairs • Medieval wall paintings • Language, and computers • Marble • Iran • Despotate of Epirus • Rum Seljuk caravanserais • Stalin • Symbolism • Ottoman inscriptions • Heaven • Ibn Arabi • Ottoman ceramics • Restoration • Spolia • Armenian art • Church of St • Dervishes lodges • Candiana pottery

Permalink http://doi.org/10.14277/978-88-6969-085-3 | e-ISBN 978-88-6969-085-3 | ISBN (PRINT) 978-88-6969-086-0 | Published July 19, 2016 | Language it

Copyright © 2016 Mattia Guidetti, Sara Mondini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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