Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords El piadoso veneciano • Spanish Golden Age • Uruguay • King Sebastian • Díaz de Rivas • Adaptation Studies • Anacreontics • Spanish Golden Age entremeses • Donkey • Illustrated edition • Insane asylums • Coherence • Authors • Countess of Harrach • Versification • French Classical Theatre • Literary sources • Literary Forgery • Religious Poetry • Post-Tridentine Spain • Explicitation • Álvar Núñez Cabeza de Vaca • Italophile • Pedro Sarmiento de Gamboa • Baroque theater • Tragic play • Press • Diálogo de la lengua • Anagilda • Madmen • Notes • Golden Age • Jerónimo Corte-Real • Dramatic space • Translator • Open access • Jewels • Luigi Groto • Sermons • Seville • Edition • Comedias de pícaros • Rewriting • Eulogy • Honour • Romances of chivalry • Sociability • Don Quixote • Traitors • Publisher • Love poetry • Affect • Christian preacher • Miguel Torga • Metre • Epic and Drama • Popular culture • Anti-aulic satire • Experience • Symbolism • Cáncer • Orthography • Trees • Fraud • Italian humanist short prose • Spanish Golden Age theatre • Low Baroque • History of Spanis language • Theatre Translation • Venice • Cut flower • Cohesion • Court • Antonio Sacchi • Francisco de Quevedo • Kundera • Enríquez de Cabrera • Guzmán de Alfarache • Lope • Spain • Stage • Intertextuality • Philip IV • Fernando de Herrera • Italy • Girolamo Gigli • Collaboration • José de Arroyo • Dedications • Tree • Aminta • Short farce • Repentance • Painting • Mythification • Atonement • Jiménez Patón • Facetia • Censors • Fine taste • Poetry • Melchor Díaz de Toledo • Carlo Goldoni • Alonso Remón • Venitian printing • Translation • Cristóbal de Morales • Love • Calderón de a Barca • Preaching • Decorum • Literary authors • Grotesque body • Comedy • Miguel de Cervantes • Witticism • Ambiguity • Saavedra Fajardo • Journey • Phonetics • Republic of Letters • Proverbs • Novelle • Conquest of Peru • Marginalization • History of typography • Literary styles • Orthographiy • Autobiography • resemantization • Luis Gálvez de Montalvo • Spiritual poetry • Spanish theatre • Timanthes • Ideology • Fear • Renaissance books • Corruption • Juan de Mariana • Playing cards • Stylistic development • Poetry about music • Analysis • Poetics • Dalila • Rosete Niño • Francesco Portonari • Cándido María Trigueros • Quotations • Refranes • Quixote • Poggio Bracciolini • Tradition • Affinities • Sonnet • Córdoba • Twentieth century • Gemstones • Financial crisis • Seventeenth century • Sociology • Philosophical method • José Saramago • Ineffable language • Council of Castile • Textual bibliography • Parody • Las dos doncellas • Language • Labyrinth • Barbers • Olivieri di Castiglia • Metrics • Picaresque novel • Theater • Imago • Priest • Lope sources • Rimas • Madrid • Alonso de Castillo Solórzano • Farsalia • Asceticism • Variety • Travel narratives • Unstable • Reception theory • Truth • Jorge de Montemayor • Figurón comedy • Paremiology • Hernán Núñez • Nicolini da Sabbio • Queen Isabel de Borbón • Giacomo Franco • Topos • Auto • Mercadante • Perfecto predicador • Catalogue • El maestro de danzar • Spanish Golden Age, History of Linguistics • San Juan de la Cruz • Rojas Zorrilla • Portugal • Gypsies • Authorship • Descartes • Interpretation • Octosyllabic verse • XVII century • Quijote • Antonio de Zamora • Promujer • Juan Bautista Pederzano • Suspension • Women writers • Cea Tesa • Portuguese poetry • Quiñones de Benavente • Literary criticism • Iberism • Style • Modernity • Roberto el diablo • 17th Century • CABIGO • Luís de Camões • Controversy • Dynamism • Booklets • Sacrament of penance • Spanish Golden Age Theatre • Italian Renaissance • Seven love letters • Literature • La noche de San Juan • Caballero de Illescas • Empresas políticas • Eroticism • Bernardo de Sandoval y Rojas • Granada • Oliveros de Castilla • Sermon • Female reader • El bautismo del príncipe de Marruecos • Mysticism • 17th century Theatre • Early Music • Satire • Cervantes • Fernández de Lizardi • Novelas ejemplares • Gongorism • Santa Teresa • Comedy of magic • Lope de Vega • Margaret Theresa of Spain • Notes in scholarly editions • Theatre • Spanish Novel • Slang • Sonnets • Golden Age Poetry • Hernando de Acuña • Italian • Bibliography • Spanish Court Poetry • Robbery • String literature • La Gerusalemme liberata • Nuns • Critical editions of literary Works • Images • New Spain • La Zucca del Doni en spañol • Translators • Politics • Book of Job • El dómine Lucas • Carlo Gozzi • Copper coin • Segmentation • Tridentin work • Homeric simile • Italian translation • Correction to editio princeps • Dedicatees • Shame • Tesoro de la Lengua Castellana • Castillejo • Góngora • Diccionario de Autoridades • Bandello • Golden Age minor theater • Baroque • Espada sagrada • Moreto • Bible • History of book • Graphical changes • Translation Studies • La Maya • Walter Raleigh • Literary censorship • Komenský • Critical edition • Novel • Rhetoric • Comedia nueva • Exemplary Novels • Attributed authorship • Festive relation • Juan de Valdés • Mendeley • Preacher • Prior censorship • Calderón • Morisco figures • Public-Private relation • Libretto • Quevedo • Justice • Decameron • Jáuregui • Anthroponomy • Music • Lovers • Renascence • Mystical symbols • Hagiographic drama • Metaphors • Matos Fragoso • Lady of Copacabana • Baroque comedy • Order of the Golden Fleece • Tametsi decree • Baroque poetry • Empire • Siglo de Oro • Philology • 17th century • Francisco de La Torre • Disgust • interludes • Enchantment of Dulcinea • Barahona de Soto • Dramatic formula • Butterfly • The Book of Judges • Epic poetry • José de la Concha • Letters • Metaphor • Castillo Solórzano • Translation constraints • Pynchon • Spanish literature of the Golden Age • Francisco de Leefdael • Nadie fíe su secreto • Adventure books • Vázquez Siruela • Helmet of Mambrino • Spanish Poetry • Satyre • Expression • Chivalric romance

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.