Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Metrics • Letters • Tridentin work • Theatre • Disgust • Open access • Playing cards • resemantization • Facetia • Kundera • Timanthes • Bandello • Edition • Exemplary Novels • Francisco de La Torre • Alonso Remón • Post-Tridentine Spain • El piadoso veneciano • Orthographiy • Popular culture • Ineffable language • Komenský • Ideology • Preaching • Olivieri di Castiglia • Rosete Niño • Antonio Sacchi • Gongorism • Baroque theater • Painting • Cohesion • Expression • Christian preacher • Santa Teresa • Coherence • Sonnets • Fine taste • Copper coin • Dynamism • Spanish Golden Age entremeses • Italian Renaissance • Don Quixote • Public-Private relation • Helmet of Mambrino • El bautismo del príncipe de Marruecos • Mendeley • Female reader • Tametsi decree • Alonso de Castillo Solórzano • Phonetics • Dalila • Sociability • Spanish Novel • Spanish theatre • Juan Bautista Pederzano • 17th century Theatre • Women writers • Octosyllabic verse • Asceticism • Perfecto predicador • Twentieth century • Robbery • Modernity • La noche de San Juan • Nicolini da Sabbio • CABIGO • Jerónimo Corte-Real • Notes in scholarly editions • Orthography • Theatre Translation • Insane asylums • Literary Forgery • Ambiguity • Melchor Díaz de Toledo • Illustrated edition • Shame • Unstable • Diccionario de Autoridades • Literary authors • History of Spanis language • Sermons • Jorge de Montemayor • Literary sources • Seven love letters • Farsalia • Carlo Gozzi • Venice • Spanish Court Poetry • Córdoba • Order of the Golden Fleece • Sociology • Images • Italian • Prior censorship • Butterfly • Adaptation Studies • Traitors • Philology • Collaboration • Espada sagrada • Madrid • Poetry about music • Countess of Harrach • Style • Golden Age Poetry • Comedy • Hagiographic drama • Granada • King Sebastian • History of book • Quiñones de Benavente • Catalogue • Translation Studies • Spanish literature of the Golden Age • Theater • Bibliography • Baroque comedy • Lope de Vega • Witticism • Translation constraints • Castillejo • Book of Job • La Maya • Quijote • Enchantment of Dulcinea • El dómine Lucas • Carlo Goldoni • French Classical Theatre • Donkey • Jewels • Diálogo de la lengua • Romances of chivalry • Portugal • Versification • Barbers • XVII century • Libretto • Proverbs • Renascence • Stylistic development • Satyre • Rimas • Italian translation • Bible • Adventure books • Venitian printing • Cándido María Trigueros • Explicitation • Fernández de Lizardi • Miguel de Cervantes • Bernardo de Sandoval y Rojas • Correction to editio princeps • The Book of Judges • Hernán Núñez • Italy • Jiménez Patón • 17th century • Pynchon • Juan de Valdés • Truth • Critical edition • Miguel Torga • Repentance • Censors • Anthroponomy • La Zucca del Doni en spañol • Critical editions of literary Works • Girolamo Gigli • Mystical symbols • Comedy of magic • Giacomo Franco • Francesco Portonari • Italian humanist short prose • Honour • Festive relation • Baroque • Spain • Graphical changes • Fraud • History of typography • Epic poetry • Court • Early Music • Dramatic formula • Metaphors • José de la Concha • Affinities • Marginalization • Lady of Copacabana • Spanish Golden Age, History of Linguistics • Vázquez Siruela • Quevedo • New Spain • Castillo Solórzano • Jáuregui • Trees • Literary censorship • Music • Cea Tesa • Analysis • La Gerusalemme liberata • Empresas políticas • Cut flower • Tradition • Mercadante • Epic and Drama • Quotations • Eroticism • Picaresque novel • Conquest of Peru • Gypsies • Lovers • Intertextuality • Dramatic space • Saavedra Fajardo • Low Baroque • Nuns • Álvar Núñez Cabeza de Vaca • Juan de Mariana • Symbolism • Lope sources • Topos • Literary criticism • Authorship • Press • Italophile • Calderón de a Barca • Pedro Sarmiento de Gamboa • Love poetry • Guzmán de Alfarache • Financial crisis • Suspension • Seville • Nadie fíe su secreto • Novel • Quixote • Politics • Dedicatees • Notes • Sacrament of penance • Poetry • Refranes • San Juan de la Cruz • Tree • Booklets • Textual bibliography • Literary styles • Iberism • Comedias de pícaros • Decameron • Díaz de Rivas • Baroque poetry • Tesoro de la Lengua Castellana • Portuguese poetry • Autobiography • Aminta • Translation • Anagilda • Eulogy • Translators • Moreto • Gemstones • Antonio de Zamora • Anacreontics • Spanish Poetry • Fear • Góngora • Publisher • Francisco de Quevedo • Rhetoric • Variety • Decorum • Golden Age minor theater • José Saramago • Siglo de Oro • Translator • Sonnet • Tragic play • Short farce • Reception theory • Controversy • Segmentation • Mythification • Novelle • José de Arroyo • Roberto el diablo • Affect • Figurón comedy • Republic of Letters • Novelas ejemplares • Labyrinth • Comedia nueva • Caballero de Illescas • Dedications • Margaret Theresa of Spain • Poetics • Renaissance books • Rewriting • Imago • Cervantes • Poggio Bracciolini • Uruguay • Metre • Council of Castile • Language • Spanish Golden Age • Hernando de Acuña • Journey • Francisco de Leefdael • Paremiology • Corruption • Cáncer • Luigi Groto • Philosophical method • Luis Gálvez de Montalvo • Barahona de Soto • Oliveros de Castilla • Priest • Atonement • Calderón • Preacher • Literature • Spanish Golden Age theatre • Travel narratives • Golden Age • Satire • Lope • Morisco figures • Rojas Zorrilla • Queen Isabel de Borbón • Mysticism • Homeric simile • Fernando de Herrera • Empire • Las dos doncellas • Promujer • Madmen • Religious Poetry • Justice • Anti-aulic satire • Slang • Stage • Experience • Cristóbal de Morales • Chivalric romance • Love • Spiritual poetry • Descartes • Philip IV • Attributed authorship • El maestro de danzar • Interpretation • Auto • Walter Raleigh • Matos Fragoso • Metaphor • String literature • 17th Century • interludes • Parody • Spanish Golden Age Theatre • Authors • Grotesque body • Sermon • Seventeenth century • Luís de Camões • Enríquez de Cabrera

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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