Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Expression • El maestro de danzar • Enríquez de Cabrera • Lope de Vega • Women writers • Fraud • Stylistic development • Countess of Harrach • Explicitation • Censors • Dynamism • Variety • Komenský • Religious Poetry • Anagilda • Madrid • Eroticism • Kundera • Homeric simile • Cervantes • Critical editions of literary Works • Orthographiy • Spanish Golden Age Theatre • Popular culture • Butterfly • Seventeenth century • Hagiographic drama • Metaphor • Granada • Interpretation • Comedy of magic • Literary censorship • Love poetry • Novel • Repentance • Matos Fragoso • Publisher • Segmentation • Portuguese poetry • Book of Job • Madmen • The Book of Judges • Antonio de Zamora • Edition • Guzmán de Alfarache • Mendeley • Dedicatees • 17th Century • Translation • Insane asylums • Cáncer • Authorship • Siglo de Oro • Ineffable language • Quiñones de Benavente • Golden Age Poetry • Playing cards • Juan Bautista Pederzano • Exemplary Novels • Notes • Court • Comedias de pícaros • Mythification • Robbery • Novelle • Sociability • Baroque poetry • Truth • Early Music • interludes • Symbolism • Donkey • Music • Open access • Alonso Remón • Literary Forgery • Spanish Novel • Olivieri di Castiglia • Language • Council of Castile • Style • Slang • Grotesque body • El dómine Lucas • Álvar Núñez Cabeza de Vaca • Literary styles • Metrics • Italian Renaissance • Spanish Golden Age theatre • Metaphors • Saavedra Fajardo • Mystical symbols • Comedy • Jewels • Justice • Female reader • Las dos doncellas • Lope • Disgust • Lady of Copacabana • Republic of Letters • Public-Private relation • Romances of chivalry • Cohesion • Anti-aulic satire • Rojas Zorrilla • Controversy • Orthography • Hernán Núñez • Theater • Gypsies • Margaret Theresa of Spain • Press • Córdoba • Poetics • Baroque • Fernando de Herrera • Bernardo de Sandoval y Rojas • Illustrated edition • Cea Tesa • Góngora • Short farce • Textual bibliography • Spain • Trees • Girolamo Gigli • Quevedo • Intertextuality • Mysticism • Notes in scholarly editions • Italian • Labyrinth • Ambiguity • Paremiology • Anthroponomy • Eulogy • Imago • Promujer • Critical edition • Pedro Sarmiento de Gamboa • Lope sources • Images • Rewriting • CABIGO • Rhetoric • Decameron • Italy • Attributed authorship • Tree • Topos • Poggio Bracciolini • Moreto • Sociology • Jáuregui • Luis Gálvez de Montalvo • Farsalia • Translators • Gemstones • Facetia • Preaching • Literary criticism • Picaresque novel • Miguel Torga • Sonnets • Witticism • Aminta • Post-Tridentine Spain • Descartes • Low Baroque • Sacrament of penance • Rimas • Tridentin work • Translator • Adventure books • Caballero de Illescas • Carlo Gozzi • Journey • Espada sagrada • Seven love letters • Sermon • New Spain • José de la Concha • Adaptation Studies • resemantization • Spanish Golden Age, History of Linguistics • Castillo Solórzano • Ideology • Poetry • Epic and Drama • Melchor Díaz de Toledo • Quotations • Autobiography • Empire • Fernández de Lizardi • Versification • Modernity • Chivalric romance • Spiritual poetry • Francisco de Leefdael • Travel narratives • Italophile • Jerónimo Corte-Real • Spanish literature of the Golden Age • Baroque comedy • Honour • Analysis • Italian translation • Cándido María Trigueros • Antonio Sacchi • Conquest of Peru • Philosophical method • Díaz de Rivas • Satyre • Decorum • La Maya • Twentieth century • Santa Teresa • Nadie fíe su secreto • Quijote • Roberto el diablo • Jiménez Patón • Prior censorship • Baroque theater • Corruption • Luigi Groto • Renaissance books • Copper coin • Barbers • Theatre • Painting • History of typography • Juan de Mariana • Spanish Golden Age • History of book • Novelas ejemplares • Reception theory • Epic poetry • Italian humanist short prose • Lovers • Literature • Fear • José Saramago • Oliveros de Castilla • Venitian printing • Don Quixote • Renascence • Vázquez Siruela • Christian preacher • Dramatic space • Dramatic formula • Hernando de Acuña • El bautismo del príncipe de Marruecos • String literature • 17th century Theatre • Tesoro de la Lengua Castellana • Spanish Golden Age entremeses • Libretto • Asceticism • Philip IV • Authors • Timanthes • Francisco de Quevedo • Bandello • Alonso de Castillo Solórzano • Perfecto predicador • Tragic play • Poetry about music • Metre • Rosete Niño • Auto • Diccionario de Autoridades • Affinities • History of Spanis language • Translation constraints • Atonement • Spanish theatre • Carlo Goldoni • Empresas políticas • Jorge de Montemayor • Love • La Zucca del Doni en spañol • Refranes • Dedications • Tametsi decree • Theatre Translation • Diálogo de la lengua • XVII century • Literary sources • Translation Studies • Proverbs • Shame • Venice • Cristóbal de Morales • Sermons • Booklets • Figurón comedy • Bible • Marginalization • Quixote • Spanish Poetry • Stage • Juan de Valdés • Cut flower • Affect • La noche de San Juan • Nicolini da Sabbio • Coherence • King Sebastian • Suspension • Financial crisis • Letters • Francesco Portonari • Politics • Priest • Comedia nueva • Fine taste • Literary authors • Satire • Correction to editio princeps • Festive relation • Unstable • Queen Isabel de Borbón • Traitors • Tradition • Mercadante • Dalila • Gongorism • Anacreontics • French Classical Theatre • Collaboration • San Juan de la Cruz • Golden Age minor theater • Graphical changes • El piadoso veneciano • Seville • Iberism • Walter Raleigh • Philology • Calderón de a Barca • Uruguay • Giacomo Franco • Sonnet • Order of the Golden Fleece • Luís de Camões • Golden Age • 17th century • Catalogue • Pynchon • Barahona de Soto • Experience • Enchantment of Dulcinea • Phonetics • Morisco figures • Nuns • Bibliography • Calderón • Parody • José de Arroyo • Helmet of Mambrino • Preacher • La Gerusalemme liberata • Francisco de La Torre • Octosyllabic verse • Castillejo • Miguel de Cervantes • Portugal • Spanish Court Poetry

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.