Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Barbers • Eroticism • Poetry about music • King Sebastian • Playing cards • Córdoba • Baroque • Comedias de pícaros • Popular culture • Justice • Antonio Sacchi • Venice • Spanish theatre • Truth • Metrics • Calderón • Satire • Venitian printing • Witticism • Italian Renaissance • Luis Gálvez de Montalvo • Tradition • Countess of Harrach • Saavedra Fajardo • Santa Teresa • Hernando de Acuña • Baroque theater • Gongorism • Textual bibliography • Juan de Valdés • Spanish Golden Age • Honour • Novel • Donkey • Spanish Golden Age Theatre • Metre • Golden Age Poetry • Council of Castile • New Spain • Moreto • Comedy • Censors • Quijote • Tametsi decree • Romances of chivalry • Comedia nueva • Women writers • Exemplary Novels • Spain • Quiñones de Benavente • Vázquez Siruela • Enríquez de Cabrera • Open access • San Juan de la Cruz • Perfecto predicador • Lovers • Jerónimo Corte-Real • Tree • Metaphor • Fernando de Herrera • Literary criticism • Preaching • Modernity • Cut flower • Giacomo Franco • Timanthes • Press • Cristóbal de Morales • Twentieth century • Golden Age • Spiritual poetry • XVII century • Fine taste • Carlo Gozzi • José Saramago • The Book of Judges • Homeric simile • Language • Tragic play • Mysticism • Order of the Golden Fleece • Style • El dómine Lucas • Roberto el diablo • Libretto • Translation constraints • Quotations • Fernández de Lizardi • Don Quixote • Empresas políticas • El bautismo del príncipe de Marruecos • El maestro de danzar • Picaresque novel • Juan de Mariana • Topos • Poetry • Short farce • Francisco de Leefdael • Castillejo • Novelas ejemplares • Letters • Baroque comedy • Baroque poetry • La Zucca del Doni en spañol • Nadie fíe su secreto • Italian translation • Financial crisis • Low Baroque • Bandello • Adaptation Studies • Dalila • Lope sources • Miguel de Cervantes • Fear • Suspension • Asceticism • Insane asylums • Illustrated edition • Antonio de Zamora • Proverbs • Satyre • Anagilda • Comedy of magic • Diálogo de la lengua • Travel narratives • Morisco figures • Francesco Portonari • Sermon • Barahona de Soto • Portuguese poetry • Variety • Spanish Novel • Spanish Golden Age, History of Linguistics • Queen Isabel de Borbón • Anti-aulic satire • Christian preacher • Early Music • French Classical Theatre • Paremiology • Painting • Epic poetry • Jáuregui • Marginalization • Seville • Calderón de a Barca • Rosete Niño • Translators • Facetia • Conquest of Peru • Adventure books • Castillo Solórzano • Hagiographic drama • Notes • Theater • Images • Affect • Shame • Aminta • Gemstones • Sermons • Jorge de Montemayor • Francisco de Quevedo • Mythification • Seven love letters • Butterfly • Cea Tesa • Poetics • Priest • Las dos doncellas • Expression • Female reader • Italophile • Controversy • Rojas Zorrilla • Walter Raleigh • Álvar Núñez Cabeza de Vaca • Ambiguity • Cohesion • Guzmán de Alfarache • Girolamo Gigli • Quevedo • Bible • Madrid • Lope de Vega • Music • Spanish Poetry • Theatre • Uruguay • Dedications • Publisher • Empire • Theatre Translation • Love • Rimas • Anthroponomy • Book of Job • Italian • Orthographiy • Analysis • History of typography • Court • Philology • Nuns • Robbery • Literary Forgery • Auto • Versification • Cándido María Trigueros • Repentance • Luís de Camões • Autobiography • Sociology • Renascence • Alonso de Castillo Solórzano • Affinities • Francisco de La Torre • History of book • Octosyllabic verse • Descartes • Enchantment of Dulcinea • Helmet of Mambrino • Epic and Drama • Explicitation • Refranes • String literature • La noche de San Juan • 17th Century • Literary styles • Graphical changes • Collaboration • Chivalric romance • Sacrament of penance • 17th century • Copper coin • interludes • Preacher • Religious Poetry • Fraud • Unstable • Literary censorship • Authorship • Novelle • Jewels • Alonso Remón • Bibliography • Dedicatees • Siglo de Oro • Cáncer • Authors • Kundera • Farsalia • Eulogy • Iberism • Journey • Quixote • Seventeenth century • El piadoso veneciano • Italian humanist short prose • Mendeley • Renaissance books • Translation • Dynamism • Spanish Golden Age entremeses • Critical edition • Italy • Critical editions of literary Works • Oliveros de Castilla • Correction to editio princeps • Decorum • Corruption • Stylistic development • Slang • Pynchon • Translation Studies • Experience • Golden Age minor theater • Politics • Figurón comedy • Spanish Golden Age theatre • Public-Private relation • Philosophical method • Translator • Madmen • Cervantes • Prior censorship • Disgust • Literary authors • Coherence • Miguel Torga • Rhetoric • Nicolini da Sabbio • Margaret Theresa of Spain • Orthography • Lady of Copacabana • Hernán Núñez • Díaz de Rivas • Edition • Ineffable language • Espada sagrada • Segmentation • Ideology • Literature • Diccionario de Autoridades • Booklets • Labyrinth • History of Spanis language • 17th century Theatre • Luigi Groto • Pedro Sarmiento de Gamboa • resemantization • Grotesque body • Literary sources • Bernardo de Sandoval y Rojas • Rewriting • Dramatic formula • Tesoro de la Lengua Castellana • Juan Bautista Pederzano • Olivieri di Castiglia • Spanish literature of the Golden Age • Portugal • Intertextuality • Post-Tridentine Spain • Republic of Letters • CABIGO • Decameron • Atonement • Caballero de Illescas • Komenský • Sociability • Sonnets • Reception theory • Traitors • Imago • Dramatic space • La Maya • Attributed authorship • Spanish Court Poetry • Philip IV • Catalogue • Metaphors • José de la Concha • Poggio Bracciolini • Festive relation • Trees • La Gerusalemme liberata • Lope • Jiménez Patón • Parody • Love poetry • José de Arroyo • Carlo Goldoni • Phonetics • Stage • Notes in scholarly editions • Sonnet • Melchor Díaz de Toledo • Symbolism • Granada • Mercadante • Matos Fragoso • Tridentin work • Gypsies • Góngora • Promujer • Mystical symbols • Interpretation • Anacreontics

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.