Serenísima palabra
Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
edited by
abstract
From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.
Women writers • Sonnets • Córdoba • La Maya • Copper coin • Calderón • Guzmán de Alfarache • Roberto el diablo • Translation • Book of Job • King Sebastian • Jerónimo Corte-Real • Auto • José de la Concha • Queen Isabel de Borbón • Romances of chivalry • Love • Antonio Sacchi • Italian humanist short prose • Spanish Golden Age entremeses • El bautismo del príncipe de Marruecos • Madmen • Portugal • Christian preacher • Love poetry • José de Arroyo • Images • Ambiguity • Espada sagrada • Orthography • Playing cards • Bible • Sociology • Hernán Núñez • El piadoso veneciano • Cáncer • Diálogo de la lengua • Luis Gálvez de Montalvo • History of Spanis language • Priest • Philology • Festive relation • Picaresque novel • Insane asylums • Quixote • Descartes • Adventure books • Italian Renaissance • Tametsi decree • Novelas ejemplares • String literature • Calderón de a Barca • Bernardo de Sandoval y Rojas • Nicolini da Sabbio • CABIGO • Pedro Sarmiento de Gamboa • Tridentin work • Fear • Saavedra Fajardo • Luigi Groto • Dedications • Ideology • Dramatic space • Booklets • Short farce • Fine taste • Santa Teresa • Iberism • Dramatic formula • Golden Age • Imago • Reception theory • Góngora • Carlo Gozzi • Literary styles • Satyre • Sacrament of penance • Suspension • Popular culture • El dómine Lucas • Epic poetry • Spanish Golden Age Theatre • Rosete Niño • Translation Studies • Renascence • Bibliography • Juan de Mariana • Gongorism • San Juan de la Cruz • Promujer • Poetry about music • Timanthes • Travel narratives • Refranes • Anthroponomy • Golden Age Poetry • Coherence • Paremiology • Cristóbal de Morales • La noche de San Juan • Anagilda • Lope de Vega • Baroque comedy • Topos • Justice • Experience • La Zucca del Doni en spañol • Hagiographic drama • Textual bibliography • Translation constraints • Octosyllabic verse • Golden Age minor theater • Truth • Modernity • Low Baroque • Tree • Edition • Rimas • Castillejo • Lovers • 17th century Theatre • Authorship • Notes • Nuns • Quotations • Mystical symbols • Francisco de Leefdael • Philosophical method • Female reader • Repentance • Farsalia • Metaphors • Sermons • Traitors • Order of the Golden Fleece • Court • Painting • Literature • Versification • Barbers • Italophile • Quevedo • Asceticism • Cándido María Trigueros • Novelle • Mysticism • Conquest of Peru • Fraud • Miguel Torga • New Spain • Italy • Labyrinth • Spanish theatre • Literary sources • Expression • Poetics • Style • Seventeenth century • Twentieth century • Analysis • Caballero de Illescas • Dynamism • History of book • Interpretation • XVII century • Italian • Censors • Tragic play • Seville • Religious Poetry • Cohesion • Preaching • Controversy • Luís de Camões • Madrid • Language • Juan de Valdés • Empire • Countess of Harrach • Spiritual poetry • Comedy • Girolamo Gigli • Nadie fíe su secreto • Kundera • Moreto • Music • Rojas Zorrilla • Walter Raleigh • Stylistic development • Jewels • Marginalization • Italian translation • Anacreontics • Quiñones de Benavente • Donkey • Pynchon • Figurón comedy • Sociability • Jiménez Patón • Variety • Novel • Matos Fragoso • Eroticism • Publisher • Affinities • Lady of Copacabana • Affect • Philip IV • Spanish Golden Age, History of Linguistics • Butterfly • Mythification • Perfecto predicador • History of typography • Metaphor • Journey • Spanish Poetry • Metrics • Exemplary Novels • Spain • Facetia • Open access • Venice • Carlo Goldoni • Rhetoric • Diccionario de Autoridades • Mendeley • Stage • Alonso Remón • Ineffable language • Theater • Miguel de Cervantes • Oliveros de Castilla • Intertextuality • Aminta • Tesoro de la Lengua Castellana • Renaissance books • Phonetics • Slang • Disgust • Collaboration • Cervantes • Antonio de Zamora • Literary censorship • Morisco figures • Gemstones • Translator • Proverbs • Poetry • Vázquez Siruela • Baroque theater • French Classical Theatre • Poggio Bracciolini • Spanish literature of the Golden Age • Díaz de Rivas • Helmet of Mambrino • Correction to editio princeps • Theatre • Libretto • Las dos doncellas • Granada • El maestro de danzar • Baroque • Metre • Literary authors • Politics • Symbolism • Gypsies • Fernando de Herrera • Eulogy • Lope • Comedias de pícaros • Autobiography • Segmentation • Decameron • Margaret Theresa of Spain • Authors • Empresas políticas • Enchantment of Dulcinea • Francisco de Quevedo • Parody • Literary Forgery • Republic of Letters • Anti-aulic satire • Dedicatees • Álvar Núñez Cabeza de Vaca • Sonnet • Spanish Golden Age • Siglo de Oro • Illustrated edition • Giacomo Franco • Francesco Portonari • Adaptation Studies • Comedia nueva • Spanish Golden Age theatre • Honour • Uruguay • Spanish Novel • Decorum • Seven love letters • Homeric simile • Francisco de La Torre • Early Music • Corruption • Don Quixote • Enríquez de Cabrera • Orthographiy • Press • interludes • Tradition • Mercadante • Prior censorship • Translators • Melchor Díaz de Toledo • Robbery • Chivalric romance • Council of Castile • Critical edition • Post-Tridentine Spain • La Gerusalemme liberata • Witticism • Critical editions of literary Works • Theatre Translation • Barahona de Soto • 17th Century • Financial crisis • Catalogue • Dalila • Preacher • Quijote • Grotesque body • Trees • Fernández de Lizardi • resemantization • Jorge de Montemayor • Komenský • Sermon • Venitian printing • Cut flower • Castillo Solórzano • Literary criticism • Epic and Drama • Spanish Court Poetry • Portuguese poetry • Attributed authorship • Baroque poetry • The Book of Judges • Jáuregui • Alonso de Castillo Solórzano • Unstable • Comedy of magic • Bandello • Shame • Hernando de Acuña • Rewriting • Juan Bautista Pederzano • Notes in scholarly editions • Letters • Graphical changes • Olivieri di Castiglia • José Saramago • Explicitation • Cea Tesa • 17th century • Satire • Atonement • Lope sources • Public-Private relation
Preface
1 Plenary lectures
2 Emotional tribute to Isaías Lerner on the 25th anniversary of AISO
3.1 Contributions: Poetry
3.2 Contributions: Theatre
3.3 Contributions: Prose
3.4 Contributions: Language and translation
3.5 Contributions: Miscellany