Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 5 | Edited book | Serenísima palabra

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)
open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Short farce • Corruption • Stage • interludes • Castillo Solórzano • Philosophical method • Financial crisis • Donkey • Gypsies • Intertextuality • Public-Private relation • Spanish Golden Age, History of Linguistics • Anthroponomy • Moreto • Ineffable language • Italian • Orthography • Translator • Kundera • Sonnets • Notes in scholarly editions • Tragic play • Jewels • Autobiography • Helmet of Mambrino • Figurón comedy • Modernity • Bible • Empresas políticas • Caballero de Illescas • Seventeenth century • Republic of Letters • Critical edition • Dedicatees • Decameron • Unstable • Cohesion • Tesoro de la Lengua Castellana • Love poetry • Santa Teresa • Bandello • Council of Castile • Fear • Seven love letters • Melchor Díaz de Toledo • Anti-aulic satire • Metaphor • Uruguay • Symbolism • Poggio Bracciolini • Women writers • Antonio Sacchi • Álvar Núñez Cabeza de Vaca • Affect • Jerónimo Corte-Real • Saavedra Fajardo • La noche de San Juan • Díaz de Rivas • Anagilda • Open access • Painting • Hernán Núñez • Lovers • Affinities • Juan de Mariana • Images • Comedy of magic • Politics • Quevedo • Adaptation Studies • Comedy • Novelle • La Zucca del Doni en spañol • Dalila • Chivalric romance • Ideology • Christian preacher • Press • Phonetics • Venitian printing • Conquest of Peru • Góngora • Experience • Illustrated edition • Fraud • Translation • Poetics • Eroticism • Margaret Theresa of Spain • Eulogy • Literary criticism • Explicitation • Empire • Giacomo Franco • Rosete Niño • Diálogo de la lengua • Spanish Golden Age • Matos Fragoso • Castillejo • Dedications • Lope • Italian Renaissance • José de la Concha • Traitors • Bernardo de Sandoval y Rojas • Literary authors • Anacreontics • Francisco de Quevedo • Iberism • Justice • Satyre • Truth • The Book of Judges • Cea Tesa • Travel narratives • New Spain • Controversy • Fine taste • Lope de Vega • Poetry about music • Quixote • Comedias de pícaros • Expression • Alonso de Castillo Solórzano • Calderón de a Barca • Coherence • Guzmán de Alfarache • History of book • Metaphors • Rhetoric • Textual bibliography • Marginalization • French Classical Theatre • Rimas • Reception theory • Imago • Sociology • Enríquez de Cabrera • Quiñones de Benavente • Baroque poetry • Cáncer • Don Quixote • Theatre Translation • Copper coin • Robbery • King Sebastian • Auto • Golden Age • Spanish literature of the Golden Age • Order of the Golden Fleece • Sacrament of penance • History of typography • Homeric simile • Miguel de Cervantes • San Juan de la Cruz • Nadie fíe su secreto • Quotations • Nicolini da Sabbio • Playing cards • Jáuregui • Metrics • Early Music • Vázquez Siruela • Literature • Venice • 17th Century • Adventure books • Baroque theater • Translation Studies • Las dos doncellas • String literature • Portugal • Court • Seville • Olivieri di Castiglia • Italian humanist short prose • Low Baroque • El bautismo del príncipe de Marruecos • Girolamo Gigli • Italophile • Farsalia • Literary Forgery • Decorum • Booklets • XVII century • Mystical symbols • Sermons • Interpretation • Letters • Authorship • Music • Fernández de Lizardi • Literary styles • Cervantes • Catalogue • Quijote • Golden Age minor theater • History of Spanis language • Suspension • Baroque • Orthographiy • Female reader • Fernando de Herrera • CABIGO • La Gerusalemme liberata • Book of Job • Espada sagrada • Siglo de Oro • Granada • 17th century Theatre • Spanish Poetry • Paremiology • Slang • 17th century • Exemplary Novels • Publisher • Disgust • Proverbs • Cristóbal de Morales • Collaboration • Segmentation • Repentance • Versification • Philip IV • Edition • Francisco de La Torre • Lope sources • Miguel Torga • Mendeley • Golden Age Poetry • Tametsi decree • Tradition • Jiménez Patón • Barahona de Soto • Komenský • Spiritual poetry • Antonio de Zamora • Bibliography • Francesco Portonari • Novel • Poetry • Madmen • Oliveros de Castilla • Critical editions of literary Works • Dynamism • Satire • Rewriting • Butterfly • Comedia nueva • Picaresque novel • Roberto el diablo • Priest • Authors • Prior censorship • Tree • Attributed authorship • Hagiographic drama • Grotesque body • Journey • Novelas ejemplares • Spanish Golden Age entremeses • Festive relation • Epic poetry • Spanish Novel • Style • Spanish Court Poetry • Religious Poetry • Gongorism • Carlo Gozzi • Cut flower • Literary censorship • Asceticism • Spanish Golden Age Theatre • José Saramago • Gemstones • Spanish Golden Age theatre • Morisco figures • Alonso Remón • Baroque comedy • Witticism • Graphical changes • Correction to editio princeps • Sonnet • Jorge de Montemayor • Hernando de Acuña • Timanthes • Perfecto predicador • Lady of Copacabana • Carlo Goldoni • Francisco de Leefdael • Nuns • Twentieth century • Preacher • Mercadante • Renaissance books • Descartes • Translators • Censors • Honour • Literary sources • Luís de Camões • Metre • Refranes • Countess of Harrach • Topos • Enchantment of Dulcinea • Portuguese poetry • Dramatic space • El maestro de danzar • Parody • Mythification • Italy • Diccionario de Autoridades • resemantization • Sociability • El piadoso veneciano • Spain • Spanish theatre • Mysticism • Aminta • Philology • Shame • Walter Raleigh • Analysis • Labyrinth • Stylistic development • Octosyllabic verse • Juan de Valdés • Promujer • La Maya • Love • Variety • Madrid • Queen Isabel de Borbón • Pedro Sarmiento de Gamboa • Epic and Drama • Language • Notes • Juan Bautista Pederzano • Facetia • Preaching • Trees • Renascence • Romances of chivalry • José de Arroyo • Translation constraints • Theater • El dómine Lucas • Sermon • Tridentin work • Luigi Groto • Cándido María Trigueros • Luis Gálvez de Montalvo • Popular culture • Post-Tridentine Spain • Pynchon • Theatre • Ambiguity • Atonement • Barbers • Libretto • Córdoba • Rojas Zorrilla • Insane asylums • Dramatic formula • Calderón • Italian translation

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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