Library of Rassegna iberistica

Serenísima palabra

Proceedings of the 10th Congress of the International Association Siglo de Oro (Venice, 14-18 July 2014)

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open access | peer reviewed
    edited by
  • Anna Bognolo - Università degli Studi Verona, Italia - email
  • Florencio del Barrio de la Rosa - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • María del Valle Ojeda Calvo - Università Ca’ Foscari Venezia, Italia - email orcid profile
  • Donatella Pini - Università degli Studi di Padova, Italia - email
  • Andrea Zinato - Università degli Studi di Verona, Italia - email

Abstract

From the 14th to the 18th July 2014, more than 200 scholars, coming from 21 countries and belonging to 126 universities, centres and institutions, met in Venice to celebrate the X International Conference of the Asociación Siglo de Oro on the occasion of its 25th anniversary. These pages comprise the better part of what was said after the contributions underwent the peer-review process prior to their publication. The conference’s content was divided into three sections: the first one collects the five plenary conferences, whereas the second one the “Moved Recollection of Isaías Lerner on the 25th Anniversary of AISO”; finally, the third section includes the contributions. The latter are subdivided into five other sections (“Poetry”, “Theatre”, “Prose”, “Language and Translation”, “Miscellany”), which mirror the multidisciplinary character of the meeting. As a matter of fact, the cultural and historical aspects of the Hispanic world of the XVI and XVII centuries that were dealt with in the contributions, as well as their success nowadays, significantly vary.

Keywords Diccionario de Autoridades • Barbers • Atonement • Marginalization • Francisco de Leefdael • Affinities • Metre • Adaptation Studies • Guzmán de Alfarache • Córdoba • Sonnet • Farsalia • Sacrament of penance • Philosophical method • Portuguese poetry • José de la Concha • Variety • Lovers • Metaphors • Nuns • Disgust • Oliveros de Castilla • Short farce • Tragic play • Painting • Pynchon • Slang • Critical editions of literary Works • Empresas políticas • Mercadante • Rojas Zorrilla • Baroque poetry • Analysis • Madrid • King Sebastian • Poggio Bracciolini • Spanish literature of the Golden Age • Reception theory • Romances of chivalry • Stylistic development • Public-Private relation • Timanthes • Versification • History of typography • Venitian printing • Moreto • Madmen • Dramatic formula • Trees • Refranes • Attributed authorship • Symbolism • Góngora • Financial crisis • Music • Seven love letters • Poetics • Correction to editio princeps • Female reader • Comedy of magic • Intertextuality • Antonio de Zamora • José de Arroyo • Rimas • Autobiography • Spanish Court Poetry • Cut flower • Jáuregui • Eroticism • Quixote • Shame • Collaboration • Gypsies • Christian preacher • Cáncer • Justice • Francisco de Quevedo • Poetry • Grotesque body • Sermon • Tree • Italian translation • Tesoro de la Lengua Castellana • Translation • Mythification • Graphical changes • Nadie fíe su secreto • Jorge de Montemayor • Seventeenth century • Alonso de Castillo Solórzano • Translators • Anti-aulic satire • Publisher • Dalila • Labyrinth • Golden Age • Bernardo de Sandoval y Rojas • Chivalric romance • Gongorism • Interpretation • Copper coin • Juan de Valdés • Language • Quiñones de Benavente • Phonetics • Italian Renaissance • Álvar Núñez Cabeza de Vaca • French Classical Theatre • Giacomo Franco • Spanish theatre • Enríquez de Cabrera • Republic of Letters • Siglo de Oro • La Zucca del Doni en spañol • Preaching • Baroque comedy • History of Spanis language • Miguel de Cervantes • Renaissance books • Council of Castile • Corruption • Francesco Portonari • Comedias de pícaros • XVII century • Translation Studies • Kundera • Italian humanist short prose • Granada • Bibliography • Translator • Francisco de La Torre • Decorum • Tametsi decree • interludes • Vázquez Siruela • Theatre • Ideology • Tridentin work • Promujer • Stage • Facetia • Love poetry • Spanish Golden Age • Enchantment of Dulcinea • Juan de Mariana • 17th Century • Comedia nueva • Novel • La noche de San Juan • Cristóbal de Morales • Robbery • Diálogo de la lengua • Juan Bautista Pederzano • Morisco figures • Experience • Witticism • Komenský • Octosyllabic verse • Spanish Golden Age, History of Linguistics • Theatre Translation • Censors • Fernández de Lizardi • Girolamo Gigli • Notes in scholarly editions • Matos Fragoso • Literary styles • Ambiguity • Castillo Solórzano • Literary sources • Baroque theater • Mysticism • Comedy • Literary censorship • Sociability • José Saramago • Venice • Low Baroque • Popular culture • Carlo Gozzi • Luis Gálvez de Montalvo • Conquest of Peru • Mendeley • El piadoso veneciano • Spanish Poetry • Olivieri di Castiglia • El maestro de danzar • New Spain • Parody • Spiritual poetry • Figurón comedy • Dramatic space • Barahona de Soto • Roberto el diablo • Picaresque novel • Booklets • Spanish Golden Age Theatre • Descartes • Gemstones • Travel narratives • San Juan de la Cruz • Don Quixote • Uruguay • Novelle • La Maya • Hernán Núñez • Las dos doncellas • Playing cards • Edition • El bautismo del príncipe de Marruecos • Critical edition • Eulogy • Renascence • Quotations • Journey • Italian • Anacreontics • Miguel Torga • Jerónimo Corte-Real • Twentieth century • Caballero de Illescas • Orthography • Metrics • Hernando de Acuña • Satire • Lope sources • Fine taste • Donkey • Catalogue • Explicitation • Repentance • Melchor Díaz de Toledo • Order of the Golden Fleece • Helmet of Mambrino • Coherence • Orthographiy • Poetry about music • Libretto • Jiménez Patón • Book of Job • Dedications • Affect • CABIGO • Fernando de Herrera • Philip IV • Pedro Sarmiento de Gamboa • Suspension • Festive relation • resemantization • Antonio Sacchi • Carlo Goldoni • Spanish Novel • Adventure books • Auto • Textual bibliography • Anagilda • Court • Cándido María Trigueros • Countess of Harrach • 17th century • Proverbs • Controversy • Iberism • Lope de Vega • Perfecto predicador • Santa Teresa • Rhetoric • Early Music • Golden Age Poetry • Dynamism • Cohesion • Queen Isabel de Borbón • Imago • Alonso Remón • Hagiographic drama • Quevedo • Butterfly • Cea Tesa • Calderón • Aminta • Baroque • Post-Tridentine Spain • La Gerusalemme liberata • Epic and Drama • The Book of Judges • Literary Forgery • Literary authors • Politics • Metaphor • Calderón de a Barca • Portugal • Rosete Niño • Italophile • Images • Press • Espada sagrada • String literature • Lady of Copacabana • Segmentation • Bandello • Fraud • Tradition • Italy • Seville • Authors • Dedicatees • El dómine Lucas • Decameron • Style • Philology • Paremiology • Luigi Groto • Golden Age minor theater • Preacher • Unstable • Open access • Castillejo • Translation constraints • Notes • Quijote • Anthroponomy • Modernity • 17th century Theatre • Topos • History of book • Sermons • Bible • Prior censorship • Authorship • Ineffable language • Sonnets • Women writers • Walter Raleigh • Díaz de Rivas • Epic poetry • Asceticism • Saavedra Fajardo • Expression • Sociology • Lope • Religious Poetry • Jewels • Honour • Traitors • Nicolini da Sabbio • Insane asylums • Priest • Truth • Spanish Golden Age theatre • Spain • Literature • Letters • Novelas ejemplares • Fear • Cervantes • Empire • Exemplary Novels • Margaret Theresa of Spain • Rewriting • Love • Theater • Luís de Camões • Literary criticism • Spanish Golden Age entremeses • Homeric simile • Illustrated edition • Mystical symbols • Satyre

Permalink http://doi.org/10.14277/978-88-6969-163-8 | e-ISBN 978-88-6969-163-8 | ISBN (PRINT) 978-88-6969-164-5 | Number of pages 1108 | Dimensions 16x23cm | Published July 3, 2017 | Language it

Copyright © 2017 Anna Bognolo, Florencio del Barrio de la Rosa, María del Valle Ojeda Calvo, Donatella Pini, Andrea Zinato. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.